Duolang people have a custom called "Jiuyi" (Uighur is the joy of young women), which is not available to Uighurs and Mongolians in other areas. A young man with many waves is not an adult after marriage, but still lives with his parents. Only when the wife is pregnant and the husband holds a ceremony for her can she live independently. This ritual activity is "long-term trust".
At home, "90,000 for one" was held, and not only relatives and friends were invited to celebrate, but the whole village would come to participate. Dancing Doraemon is the main content of this grand event. After the crowd has danced several times, the pregnant "90,000" (young woman) will also enter the arena and dance quietly and steadily. Later, people gave money, goods and food to musicians who came to entertain for "90,000" or automatically, and the master also put some money and food in front of the band, showing the ancient custom of hospitality, love of singing and dancing and respect for musicians.
In the waves, Maiziev kept poetry, tea and whip, but mainly danced in the waves. After skipping Doraemon's dance, improvisational "goat dance", "puppet dance", "thrush dance" and "dumb resentment" may be the remains of some performance forms in the western regions' music and dance. According to the custom of ronin, ronin dancers must dance all the way, and they are not allowed to enter or leave halfway. Those who take part in the activities of Maximev must also abide by strict regulations, and those who violate them will be punished. In other activities of Maxilaifu, participants must sit neatly and not fight; If you spill water on your "tea" and don't answer in your "poem", you will be punished. The punishment now is to deliberately enliven the atmosphere of the party. How does Lang dance?
Dolan Muqam plays the following instruments: Caron, Dollinger Wafer, Dolan Ai Jieke and tambourine. Caron's main musical instrument is Dolan Rewafu, which is beautiful in timbre, euphemistic in melody and powerful. Tambourine, the rhythmic sound of percussion instruments with unique style. The soundtrack of Doraemon Dance is a song and dance suite named Langmumu, with simple timbre structure, heroic singing style, rich fragrance of vast grassland and strong labor atmosphere. There are nine typical Dolan Muqam suites, each with a different name, and the titles of the songs are all names with regional characteristics. Each set of Muqam consists of five paragraphs with different rhythms, and the connection between the paragraphs is harmonious and natural, from slow to fast until the climax.
The names of Dolan Muqam's nine plays are: 1, ZiRebillat Wan, 2, Jane Proud Hale Muqam, 3, Rekemmuqam 4, Dujiamai Muqam, 5, Maxi Millie Kemmuqam, 6, Baomubiawan, 7, Ximubiawan, 8, Hudekbiawan, 9, 9. Start with scattered boards, continue in the order of Dolan Muqam, and end in the climax of excitement and joy.
The accompaniment and chorus of "Duolang Dance Suite" also started with the euphemistic voice of Caron's piano, ended with the gradual acceleration of tambourine rhythm and vigorous singing, and ended with five dances of Sanxu, Qiketimei, Sainaim, Saikh NaikaiTimi and Sailema. Among the nine suites of Duolang Mumu, the last one is Muqam in Zhu Wei, an ancient Uygur folk tune with the theme of 6,' I; One by one, it was full of jubilation and fiery atmosphere, and the male voice of Dorant was octave high, which made it more sonorous and heroic, expressing the unrestrained feelings of the Uygur people. At the end of Doraemon Dance, the drummer was in a state of excitement. He often holds the tambourine high above his head and slams it with his whole hand, making the drum sound loud. Dancers turn left and right with a fast and strong beat, as fast as the wind, just like the dancing state of "drifting back into the snow and suddenly sending Youlong by surprise", which fully shows the dancer's healthy and upward appearance and elegant demeanor, full of youthful vitality and colorful appearance. The action style of "Duo Long Dance" is basically the form of two-person dance, and now there are four groups of actions, and finally the competitive rotation. The most prominent features of Longlang dance are "sliding" and "trembling". Running is an impulse effect formed in the process of trot and retreat, especially in the movements of Senem and SeNekes. Tremor is caused by the small flexion and extension of the knee, which runs through the whole movement, especially in the wheat cutting movement. These sports characteristics are related to the work and life of the ronin people in rugged mountains, swamps or sandy land in the past. "Chicken Timmy" is the first movement in Doraemon dance, and the basic step is "two steps and one stamp", which is firm and steady. The rhythm of tambourine is: {A…OxXA-0- 1 I "Sainam" is the second movement in Doraemon dance, with more active rhythm and movements. The basic step is "three steps and one lift". When it is connected with the action of "chicken lifting wheat", it will retreat "three steps and one lift" one after another. The rhythm of tambourine is: specialized IA-O-XI Senex is the third movement in Dolan dance music, and its drum rhythm and pace are the same as Senem 1-4 beat, and the speed is faster. The tambourine rhythm is: {all o-xz-one ~OI. The last movement of Doraemon is Selema, and skillful movements push the dance to a climax. By the collective rotation in circles, two pairs of individuals change the original rotation, which is faster and has competitive elements.
"Slippery" is the most prominent dynamic feature of multi-wave dance. "Sliding rush" is an impact effect formed when stepping or withdrawing quickly, especially in the movements of Sainaim and Sainaaix (the rhythm name of multi-wave dance). "Trembling" is formed by the small flexion and extension of the knee, which runs through the whole movement, especially in the movement of "Seven grams of Timmy" (the rhythm name of multi-wave dance). These characteristics reflect the hard work life of the ronin in rugged mountains, muddy swamps or loose moraines in the past. "Slip" and "quiver" are closely coordinated with the rhythm of the drum. When the drums are strong, the action of "sliding and rushing" is more powerful. "Thriller" is mostly in the second half of the drum, which is skillfully matched with the "clang, clang" sound constantly issued by the small iron ring on the inner edge of the drum, forming the unique style and rhythm of multi-wave dance.
"Sliding" and "Thriller" run through all the movements and skills of multi-wave dance, making slow movements calm and full, fast movements warm and free and easy, and technical movements more bold and powerful. It not only has the characteristics of stable, continuous and delicate farming life, but also has the rough, Gu Zhuo and tough style of grassland life. At the climax of the dance, dancers stand up from time to time and collide with each other, which is extremely brave and has the breath of grassland life; The characteristics of agricultural dance culture are complete dance structure, standardized movements and strong performance. The different cultures they represent interact and influence each other, and on the basis of inheriting and developing the music and dance culture in the western regions, an oasis culture with the characteristics of grassland culture, farming culture and music and dance skills in the western regions has been formed.
The accompaniment instruments of Duolang Dance are Caron, Duolang Ruowa, Duolang Ai Jieke, tambourine and so on. The style, playing method and timbre of musical instruments are different from those of the same kind, and they are full of the characteristics of wavy areas.
The accompaniment music of Dolan dance is called Dolan Muqam or Dolan Senem. Different from Twelve Muqams, it is another type of song and dance suite, with simple melody structure, broad and heroic singing, and strong grassland style and labor atmosphere. There are nine sets of Dolan Muqam preserved now, each with a different name, and many names with regional characteristics, such as "Biya Bay" (meaning Gobi Grass Beach), are used as song names. Each set of Muqam consists of five paragraphs with different rhythms, and the connection between the paragraphs is harmonious and natural, and gradually transitions from slow to fast to climax. The five segments are: ① random sequence (or Muqam) without tambourine; ② Chicken raising rice; 3 Sainaim(4) Senex (also known as Saikh Naikatimi); ⑤ Selma.
Dolan Muqam's lyrics are rich in content, which mainly shows the work and life of Dolan people and their yearning for a better future. Dolan Muqam's accompaniment instruments are generally used together with ancient national instruments such as Kalong, Dollinger Wafu, Dolan Ai Jieke and tambourine. Caron, with beautiful timbre and euphemistic melodies, belongs to the main musical instrument; Dollinger Wafer, vigorous and powerful; Especially the small hand plays an extremely important role. The attack of tambourine has a unique style, such as the artistic treatment of hitting the rhythm of "Sainem" with the second half beat, which makes the sound of drum solid and powerful. When Dolan dance reached its climax, the drummer was in high spirits, and often held the tambourine above his head and hit it with the whole palm, making the drum sound louder and giving strong encouragement to the dancers.
How does Lang dance?
Duolang Dance is accompanied by Duolang Muqam, a folk song and dance suite in Duolang area. Its simple and bold style is a relic of nomadic life. Hot, high-pitched voice, vigorous and rough dance are the unique emotional reflections of people living on the edge of Taklimakan desert; Strict structure and perfect form are the essence of music and dance in farming culture. It is precisely because of the above factors that the oasis cultural characteristics of multi-wave dance are integrated. Dolan Muqam is full of oases in the desert from the beginning of the preface.
Dolan Muqam sang in a treble with a male voice eight octaves higher. Even the lyrics reflecting love life are gentle and sincere, and their words and singing methods are still the rough and free style of Dorant. Of the nine existing sets of Duolang Muqam, four are named after Biawan. Biawan, which means "Gobi grass beach" in Uygur, highlights the characteristics of oasis culture. Dolan Muqam consists of a random sequence and four rhythms. Dance performance is four groups of movements closely combined with it. Generally speaking, its sequence is very short, but it often combines folk songs with proverbs and contains some philosophies in simple and easy-to-understand language.
Prose overture has a beautiful melody, played by Caron and Dolan Revaf, which is fascinating. After the order is broken, the drums are played, and the dancers dance with four rhythms, such as "Chektiman", "Sainemu", "Sainex" and "Sailema". "Chichitiman" has a 6/8 beat rhythm and slow movement; "Sainem" is a medium board, and then gradually turned into Allegro, and the dance also developed from duet to competitive rotation, which became more and more exciting until the end, so the locals called the last "Sailema" Joe Guleman. After the game, the drums stopped. The string also played one or two carefree three boards to ease the hot atmosphere. At this point, Dolan Muqam's music and dance performance ended perfectly.