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Fast memory method of staff
How to read the staff

The staff consists of five parallel horizontal lines. The five elements of the staff and the space formed by these five elements are counted from bottom to top, namely: first line, second line, third line, fourth line and fifth line; The first, second, third and fourth rooms.

In order to record higher or lower notes, it is sometimes necessary to temporarily add short horizontal lines above or below the staff.

The number of short horizontal lines (or intervals) added from bottom to top above the staff is: one line above, two lines above-; One room above, two rooms above.

The number of short horizontal lines (or intervals) added below the staff from top to bottom is: the lower line, the lower two lines-; Add one room below and two rooms below.

I won't go into details about notes here. How to get to know the staff quickly, I'll introduce a trick to you:

Remember a few sounds that can be used to identify others (take the treble spectrum as an example)

1, central c (small print 1 group): add a line below.

2. Small print group 2 C: the third room

3. small group 3 C: add two lines above it

Remember the positions of these three sounds, and the positions of other sounds will be easy to remember. Remember that there is a 3-degree relationship between adjacent lines (or between lines), (1, 3,5,7) or (2,4,6, 1).

(Take the bass spectrum table as an example)

1, central c (small print 1 group): add one line.

2. group c: the second room

3. Group C: Add 2 lines below.

Remember the positions of these three sounds, and the positions of other sounds will be easy to remember. Like the treble spectrum table, the relationship between adjacent lines (or lines) is 3 degrees, (1, 3,5,7) or (2,4,6, 1).

In addition, be sure to pay attention to clef (treble clef or bass clef), time signature (2/4 or 3/4 beat) and key signature (how many octaves? A few flat notes), but also pay attention to distinguish the duration of different notes (fractional notes), which should be very careful. Especially on the piano, although it is generally said that the next line of music played by the left hand is usually a bass score, sometimes it is common for the left hand to have a treble score and the right hand to have a bass score for the convenience of notation (to avoid too many lines), so be especially careful.

You still need to practice more to read the staff. Practice makes perfect.

About key signature.

The keys are the fixed height of music, key signature is key signature, and the sharp and flat signs written behind the clef at the beginning of each staff are key signature.

1. There are seven main syllables with sharp marks:

G major (1 sharp corner);

D major (2 sharp sounds);

A major (3 sharp corners);

E major (4 sharp sounds);

B major (5 sharp notes);

F sharp major (6 sharp signs);

C sharp major (7 sharp signs);

2. There are seven main syllables with flat signs:

F is big (1 flat sign);

B flat major (2 flat signs);

E flat major (3 flat signs);

A flat major (4 flat signs);

D flat major (5 flat signs);

G flat major (6 flat signs);

C flat major (7 flat signs);

Except for C major, the above-mentioned ascending and descending signs each form seven keys, which are arranged in pure five degrees to form 15 keys. But in fact, there are only 12 tones with different heights, among which 3 pairs are equal tones, namely:

C major = D major;

F-sharp major = G-flat major;

C flat major =B major;

(A sharp minor = B sharp minor, D sharp minor = E sharp minor, A sharp minor = G sharp minor. )

A semitone rises to 4 (G major or E minor).

Two sharp notes rise by 4,1(in d major or b minor)

The three horns are 4, 1 and 5 (A major or F minor).

The four sharp semitones are 4, 1, 5, 2 (E major or c minor).

The five semitones are 4, 1, 5, 2, 6 (B or G minor in B major).

The six sharp semitones are 4, 1, 5, 2, 6, 3 (in F major or D minor).

The seven sharp semitones are 4, 1, 5, 2, 6, 3, 7 (C major or A minor).

The flat is 7 (F major or D minor).

Two flat semitones 7 and 3 (B flat major or G flat minor)

Three flat semitones 7, 3 and 6 (E flat major or C flat minor)

The four flat semitones are 7, 3, 6 and 2 (A flat major or F minor).

Five flat semitones 7, 3, 6, 2, 5 (D flat major or B flat minor)

The six flat semitones are 7, 3, 6, 2, 5, 1 (G flat major or E flat minor).

The seven flat semitones are 7, 3, 6, 2, 5, 1, 4 (C flat major or A flat minor).

Remember key signature's trick: Remember the order of semitone rising and semitone falling.

The ascending tone of numbers rises 4, 1, 5, 2, 6, 3, 7 in turn;

Ping Jian decreases by 7, 3, 6, 2, 5, 1, 4 (in reverse order to Ping Jian).

For more knowledge of staff and music theory, please refer to relevant textbooks. Li Zhongguang's Introduction to Staff and Fundamentals of Music Theory (People's Music Publishing House) are excellent authoritative textbooks, which you can find to learn.

Besides,

Learning Staff from scratch is published by Shanghai Conservatory of Music Press, which is not bad either. They are sold in the bookstore.