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Top Ten Immortal Songs, Immortal Songs You Can Never Get Tired of Listening to

I don’t know if my darlings, have you ever been in a daze with nothing to do at a sudden point in time? Have you ever suddenly felt like reading a literary novel in the morning, dusk, or night? I was flipping through a book and listening to some pop music. Hahaha, on boring days, there are always those sweet melodies that can relax our tired body and mind. Last time we shared some novels, and today we will again recommend those fairy songs that people will never tire of listening to!

The first song, Mao Buyi's Northeastern Folk Song

Really, Mao Buyi's voice and his lyrics are a perfect match. The deep and rich voice tells one story after another in your ears. Northeastern Folk Song is not the first song of his that I listened to, but it is a song that I can imagine when I close my eyes. I seem to be able to hear the cold north, the Spring Festival with red whips, the yearning that grows from beginning to end, and the ignorant and infatuated love of girls. The setting sun in Saibei is her red makeup, and a mountain of pines and cypresses is her bridesmaid. Mao Buyi uses a soft and thick voice and words that can be seen in the picture, slowly unfolding a blockbuster movie about infatuated sadomasochism. What's equally good is the ramblings he made during one of his shows. As a singer born in the 1990s, he is still very capable.

The second song is Wu Qingfeng’s The Wind Rises.

Some people will definitely say that there are other versions of "The Wind Rises". To be honest, I didn't say that the other versions are bad, but the ones that are most commonly heard are the ones that use coupons to buy peppers and the Wu Qingfeng version. I really like Wu Qingfeng's calm and composed feeling. I read a review before and discussed the feeling of the two versions. When Wu Qingfeng opens his mouth, the world becomes quiet. The first version sings about love and can't let it go. Wu Qingfeng sings about himself, which is the calmness of letting go after passing through. Some people say that Wu Qingfeng's version sounds like an old friend who has returned after thousands of sailings, with tenderness and wind and frost, and in his eyes the exhaustion and maturity of traveling through thousands of mountains and rivers. He smiles and tells you, "Don't be afraid, I'll go first for you." I’ve seen it, this world is so beautiful.” How could such a suitable comment be placed on such a suitable song!

The third song, I recommend an old song, Mao Amin’s Lovesickness

When I was watching the TV series, I still didn’t understand why this song would be used as the theme song in the sequel to Journey to the West. It was not until later that I realized that lovesickness in the world is the most helpless thing, even for the Buddha. In this case, why is lovesickness the most dismissive thing? Oh, because there is no lover! If you don't see your lover, how can you miss him? Who does lovesickness bestow upon? Although others dismiss lovesickness, I still guard my love for fear of others seeing clearly. This lovesickness is the most difficult. The combination of ancient lyrics and new music, consistent artistic conception, and Mao Amin's emotional singing skills made this thought possible.

The last song, I recommend a song that was just covered not long ago, Shan Yichun’s love letter to filmmakers

In the lyrics, “You foolishly pursue perfection; but you keep getting misunderstood , to hurt, to give up, to blame; why be sad, why lament, why worry and bitterness; why laugh, curse, hate and love." Each word reflects the ups and downs and life accumulation of a generation of filmmakers, It's touching. Forgive me for not listening to Tsai Qin's original singing. After listening to Shan Yichun's these past few days, I fell in love with her preconceivedly. Shan Yichun burst into tears during the show, listening to other people's stories and shedding her own tears. This song even said that all walks of life can embody emotions. Shan Yichun and the song complemented each other to create this love letter to filmmakers. .

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