As a vocal singer and lover, what skills in vocal music have you practiced throughout your life? The following five points can reveal the secret for you.

Breatheless

If you want to sing high notes easily, brightly and cleanly, breath support is the foundation. The key is the position of the breath. The higher the sound, the lower the position of the breath. The best position is around the waist. Many people always have a common problem when singing high notes - the breath rises to the chest, so the breath becomes tight, and the chin is stretched out unconsciously, causing the breath to be blocked and even injuring the throat. Therefore, keeping your breath down and keeping your chin down are the basic requirements for singing high notes.

The tongue is flat

The mouth is the last checkpoint for breath to flow out of the body. If the tongue is rolled or retracted, it will naturally block the passage of breath. Not only will the high pitch not be reached, but the breath and tongue will also The confrontation will make you feel more and more tired as you sing.

The best way to keep your tongue flat is to lightly touch the tip of your tongue against your lower teeth. If you have developed this bad habit, here is a method. Hold a candy in your mouth while practicing your voice, and your tongue will naturally not dare to roll or roll. It can move in a more natural state. Once you get used to it, you will obviously feel more comfortable moving without the help of sugar. However, this process is very difficult, so you have to persevere.

Waist strength

The correct way to sing is not to sing with your mouth, but to breathe. The so-called breath, to put it simply, is waist strength.

Some people have good physiological conditions and their high notes are bright and full, but many people have such a problem. Why do they always feel that their notes are unstable and wobbly when singing high notes, and they always don’t listen? command. Just like an object can be placed stably in one place, it must be because it has a fulcrum, and our waist strength is the fulcrum of singing.

When a person yawns, he or she is in the best state for singing. Not only does the throat completely relax, but there is also a force moving around the waist. You can experience it more.

Singing sound

A good sound requires not only the original sound of the oral cavity, but also the sounding sound of the cranial cavity and chest cavity. Overtones are produced in the cranial cavity, making the timbre full, while the ringing in the chest cavity makes the timbre rich.

Trebles are mostly used in the cranial cavity, while mid-bass require good chest cavity. Most people think that the most difficult thing to sing is treble, but this is not the case. "You can "As low as you go, you can go as high as you want." It's like pulling a slingshot. As far as you can pull it back, you will have as much treble power as you can explode. When these three cavities can cooperate with each other, it is the sound of nature. sound.

Emotion

If you want to sing high notes easily, brightly and cleanly, breath support is the foundation. The key is the position of the breath. The higher the sound, the lower the position of the breath. The best position is around the waist. Many people always have a common problem when singing high notes - the breath rises to the chest, so the breath becomes tight, and the chin is stretched out unconsciously, causing the breath to be blocked and even injuring the throat. Therefore, keeping your breath down and keeping your chin down are the basic requirements for singing high notes.