Since the founding of the People’s Republic of China, Jingxing Latte Art has been further explored, inherited, reformed and developed. In 1957, he went to Beijing to participate in the Second National Folk Music and Dance Performance, gave a special performance for the central leaders, and was cordially received by Zhu De, Zhou Enlai and other older generation revolutionaries. After the reform and opening up, Jingxing Latte Art has been in full swing. It has participated in many large-scale performances at the national, provincial and municipal levels and is well-known at home and abroad. Famous national dancers such as Jia Zuofu, Zhao Wanhua, and Zi Huajun came to Jingxing to learn and give guidance, which made the ancient latte art shine with heroic appearance and frequently won the prize in national dance competitions.

From the perspective of the teacher-inheritance relationship, latte art has been passed down in Jingxing to this day, mainly in the traditional and conservative way of passing down from ancestor to grandson, father to son and nephew. For example, Zhuangwang veteran artist Li Shufang (1909-1989) learned latte art from Li Meixiao, who was already in her seventies at the age of 11. He passed on his skills to his granddaughters Qiaoling and Ailing. Other latte art are generally the same as Zhuang Wang. In recent years, veteran latte art artists from various schools of Jingxing latte art have passed away one after another. A large number of latte art skills cannot be truly taught, putting latte art on the verge of crisis.

The state attaches great importance to the protection of intangible cultural heritage. On May 20, 2006, Jingxing Lahua was approved by the State Council to be included in the first batch of national intangible cultural heritage lists.