Because of this, when the play 19 13 premiered at the Paris Theatre on the Champs Elysé es in France on May 29, 2003, it caused an uproar and was attacked by whistles, boos, comments and even malicious insults. Among musicians and musicians, the vibrations caused are more severe than earthquakes. Faced with this kind of music with conflicting chords, tonality and rhythm, some people agree with it (represented by Ravel), some people try to imitate it (prokofiev is an example), some people are indecisive, and more musicians are trying to resist it. Even Stravinsky himself turned to "neoclassicism" music creation.
What kind of music was this "Spring Festival", which was regarded as a "scourge" at that time? Until April 1930, the play was performed by Philadelphia Orchestra under the command of stokowski. Many talents changed their views on this "strange" music, and critics also made relatively fair and objective comments. The composer then adapted it into a piano four-handed play.
The Sacrifice of Spring was originally conceived as a symphony, but later Zia Gilev persuaded Stravinsky to write it into a ballet. Nevertheless, this work is usually performed in the form of a symphony concert. The score of this song was completed in1965438+March 2003. 19 13 premiered in Paris in May by Dia Gilev Dance Company. This paper describes the custom of ancient Russian primitive people offering sacrifices to heaven and earth in spring, and the ceremony of offering sacrifices to the earth with girls. It is divided into two acts, each of which consists of several parts. Music is full of primitive wildness, ignorance and fear.