Chen Zhiyuan, a first-class composer and a top arranger. His style is that he has no style, because he is not used to using style to create style, but prefers to use style to bring touching, all kinds of touching. Chen Zhiyuan has composed and compiled more than 500 works. To pick out ten of these 500 works to taste, listen and appreciate, the only thing you can do is randomization and drawing lots...

< p>His exploration of arrangement made him the first generation arranger master in Taiwan's pop music industry. His style influenced later musicians such as Tu Ying and Tu Huiyuan. He once served as the arranger for "Tomorrow Will Be Better" and composed songs such as "Falling in Love with Someone Who Won't Go Home" and "Do I Really Have Nothing".

Weng Xiaoliang, the author of "My Future Is Not a Dream", gave Zhang Yusheng a good start. On this basis, Chen Zhiyuan used his own arranging skills to create a new song in Zhang Yusheng's first album. Some small changes in details give Zhang Yusheng's relatively unified singing style a certain sense of hierarchy, so that people will not suffer from aesthetic fatigue because of his "one-of-a-kind" vocal characteristics. It will not lead to the focus and positioning of the record company being lost due to excessive pursuit of diversification, and it will not be able to utilize Zhang Yusheng's strengths. Among them, "Miss You Every Day" is a title song composed by Chen Zhiyuan himself for Zhang Yusheng. ?

"Same Moonlight" was also included in Alan Tam's 1984 Cantonese album "Love in the Mist". After rewriting the lyrics, it was renamed the Cantonese version "Hope Not to Change". Although Hong Kong musician Tony Lu made a small adaptation, the overall framework still followed the original arrangement of Chen Zhiyuan's "Same Moonlight". Tony Lu even became addicted to this arrangement style at the time, and then played it again in Alan Tam's self-composed song "Proud". This also shows Chen Zhiyuan's influence at the time.