Strong and weak notes For adult beginners, weak notes are more difficult to play. The two mistakes that people usually make when playing a weak voice are: either the playing is not weak enough, or the inconvenience is weak and "floating". An adult student told me, do I have to press the key slowly in the process of playing weak? It is not only the slow key pressing that can weaken the sound, but we can also play the sound very weakly in the process of playing fast paragraphs. It's not only the method of pressing the key slowly that can make you weak, but it's easier to adjust the range of your fingers by pressing the key slowly, which makes it easier for us to make a weak sound.
Some adult students also asked: Which joint do we need to use to make the force when the elasticity is weak? Fingers, wrists, arms or arms? The first step is to make it clear that the smaller your hand posture, the easier it will be to play weak, so you can only use your fingers to make the force when you play weak. In addition, the weak voice must be played by touching the keys. The closer your fingers are to the computer keyboard, the more you can manipulate the weak sound of your fingers. On the contrary, if you want to play hard, you must make our fingers avoid the computer keyboard and "hit" down as much as possible before you can make a big difference. Whether it's a fast tune or a slow tune, as long as you want to play weakly, you must ensure two standards: 1. Stick the key and 2. Use only your fingers to exert force. After listening to me, the students use their fingers to exert their strength. Don't feel that every finger needs to press the key actively when we play a weak voice. On the contrary, we have to imagine that everyone's fingers are "very weak" and press the key in such a "weak" way to pop up a weak range.
in addition, how to deal with the problem of "drifting" in the process of light play? Every keystroke must be pressed to the bottom of the piano key. Although people's hands are playing "feebly", every note must be pressed to the bottom of the piano key, so as to ensure the weak voice of "weak but not floating". Finally, I will talk about how to train a part of this kind of weak voice in the actual music training. A piece of music can be roughly divided into theme, style, rhythm and accompaniment music, which is likely to appear in the right hand or the left hand. The original tempo of a song is 1/ quarter notes. If you get the score, you can play it at the original tempo. There is no doubt that some sounds are not weak enough, and some sounds are weak but floating. At this time, everyone needs to slow down the speed first. We can train gradually at the rate of 5/ quarter notes first. The first step is to practice part of the accompaniment music (that is, part of the weak voice), follow the school voice and listen carefully with your ears. Every weak voice must be weak. If a certain voice is not weak enough, it is necessary to train. If a certain note is "floating" and doesn't press the bottom of the piano key, it is also necessary to train. Now we can play correctly several times, so we can play with both hands together. At the speed of our 5/ 4 note, we can play the weak notes with both hands in time, and then we can gradually speed up to the original speed.
The most important of all training methods is to listen carefully with your ears to see if you have a weak voice and are not "qualified". To sum up, the most important criteria for playing a weak voice are: 1. Stick to the key; 2. Use only your fingers to make the force; 3. Train a weak voice with one hand first, and listen attentively with your ears to ensure that it is "weak but not floating".