I like Mozart’s music. His works embody truth, goodness and beauty. The music is extremely simple and beautiful. But it is based on extremely complex helplessness towards life, so his works are not simple. Something that makes other musical works feel clumsy in front of it. Although Mozart’s life was short, his works were magnificent and covered almost all fields of music. I think there is no comparison between the two in terms of fame. They are both great pieces of music. Home. It’s just a question of which one the listener appreciates more based on his or her own experience. The following are different views on the styles of their works.

There are two parts of Mozart’s music that fully reflect his inner world: 1. It is an opera. His operas opened a door for later German operas and built a bridge for later Italian operas. The second is piano concertos. These works reflect the entire process of his creation. His works are also recognized as the most difficult to perform. The repertoire is also an excellent teaching material for music teaching. The music structure is clear and is the basis for mastering the Western music language. Although the themes of Mozart's operas have extremely obvious secular characteristics, they are not rigidly adherent to the secular world. Beethoven's temperament that is difficult to get along with others in his life, This inevitably leads to the fact that he cannot write excellent operas that are popular with the audience. Mozart's music is slightly closer to the human world, which makes his music less "tyrannical" and king-like in Beethoven's music. His music cannot be used as a Nazi During the German period, Beethoven's music was the trumpet for marching soldiers, but Beethoven's music could "mobilize" the people. Mozart's music is close to the natural ingredients of the soul and life. His music is like a warm and rustling stone. Beethoven's music contains Heavy metal rock.

Answer: Mercuryman - Jianghu Rookie Level 5 5-16 11:04

Beethoven's "Ninth Symphony" has four movements. The first movement is a slow and slightly solemn Allegro, in D minor, in 2/4 time, in sonata form. The first theme is severe and powerful, showing the image of hard struggle, and is full of great shock and tragic color. This theme was first played by the string section in a low and depressive atmosphere, and then gradually intensified until the whole orchestra played The whole theme is majestic, powerful and overwhelming. As soon as the composer came up, he expressed the ideological source of the entire work with a serious and grand momentum. In fact, this is a theme repeatedly expressed in many of Beethoven's works - struggle, and it also reflects the inevitable process of struggle - hardship. The melody is ups and downs, sometimes depressing, sometimes tragic. What we seem to see is the scene of warriors constantly attacking the pass, advancing one after another in hope of victory.

The following second movement, according to tradition, should usually be a slow version, but Beethoven broke this convention and actually used an extremely lively Allegro, in D minor, in 3/4 time, and it was huge. Scherzo form. The theme of the entire second movement is bright and exciting, full of forward momentum, which seems to give positive encouragement to the warriors who are fighting, and seems to make people suddenly see the warm sunshine and blue sky on the cloudy battlefield. At the same time, the main melody has the characteristics of the Austrian folk dance "Landerer", which is harmonious and danceable. But if you listen carefully, you will easily find that at the end of the movement, the melody begins to become more urgent again, vaguely revealing a very uneasy atmosphere.

The third movement is an adagio movement, with a cantabile adagio in B flat major, 4/4 time, and irregular variation form, which shows that Beethoven deliberately made innovations in arrangement. This movement is much quieter and more serene than the previous two movements. Although the melody is gentle, it does not lose its gentleness. The famous French composer and music critic Berlioz commented that this movement is "a great movement". The third movement has two themes. The first theme is full of contemplation and has strong lyricism and philosophy. After the intense battle scenes shown in the first two movements, the third movement seems to be a brief lull in the war.

The fourth movement is the essence of the entire work, Presto, in D major, in 4/4 time. It is usually divided into two parts - the introduction and the vocal. In some records, the fourth movement occupies a separate track, and some records divide the introduction part and the vocal solo, duet, and chorus parts into two tracks, but in fact, both belong to the fourth movement as a whole. The vocal part sings the poem "Ode to Joy" by the German poet Schiller. But before the vocal part comes on stage, the music goes through the agonizing experience of a long instrumental part, containing memories of the first three movements. This prologue is strong, resolute and thrilling. Then the wooden pipe slowly introduced the theme of "Ode to Joy", like a ray of sunshine breaking through the dense clouds and spreading to the earth. The whole theme of joy gradually kicked off, and Beethoven's real ideal kingdom was right in front of him!

After a series of preparations, the vocal part finally surfaced and the singing of "Ode to Joy" began. With passionate lyrics and fast and majestic melody, "Ode to Joy" sings people's desire for the spirit of freedom, equality and fraternity. Of course, Beethoven did not copy Schiller's original poem, but made certain deletions and modifications based on his own unique ideas to meet the needs of the music. With the exciting lyrics and Beethoven's superhuman melody, as well as the solo and duet singing of four different voices and the chorus of the large choir, "Ode to Joy" has been sublimated, and those who appreciate it will get an unparalleled The strength and spiritual support of the people.

At the end of the movement, this atmosphere is expressed to the extreme, and the whole work ends in an extremely bright and glorious scene