China classical dance, as an independent dance, extracted the essence from China traditional opera dance and martial arts posture, combined with China ancient dance aesthetics and contemporary aesthetic viewpoints and principles, and formed its own development path in the process of continuous exploration. What should I search for about China classical dance? Charm? I hope it will help everyone! For more information, please continue to pay attention to our fresh graduates training network!
China classical dance body rhyme is also called? Figure? , is it? On the basis of inheriting traditional Chinese opera and martial arts, according to the characteristics and laws of dance art itself, drawing on and absorbing all favorable factors, we will develop and create a China classical dance training and performance system with distinctive national characteristics, scientificity and times? . It is characterized by highlighting many similarities and commonalities between martial arts and traditional Chinese opera as the essence of the nation. Take its spirit and move its shape, and get its strength and change its shape? Finally, the purpose of dance training is achieved. What is its core? Physical and mental? .
First, the artistic characteristics of body rhyme
So-called? Body rhyme? As the name implies,? Body? That is, posture refers to the external expression of China classical dance; ? Rhyme? Rhythm refers to the inner charm of China classical dance. The appearance of body rhyme made classical dance get rid of its dependence on classical opera dance, and formed its own dance mode and characteristics, which directly influenced and standardized the artistic creation of classical dance. The main artistic feature of body rhyme is that the requirements for body movements are mainly spiritual, thus breaking through the stylized action mode in traditional opera and dance. Combining posture and rhythm, what is the combination point? Change its shape and beautify its spirit? In fact, this breakthrough in drama and dance? Do, fight? The stylized action pattern has formed its own unique artistic characteristics of driving the body with charm. At a higher cultural level, it embodies the aesthetic characteristics of the Chinese nation's equal emphasis on spirit and form. According to the characteristics of dance itself, the element movements are refined, and on a new basis, the unique effect of both form and spirit is achieved. In the element movement of body rhyme? Twist, tilt, turn and bend? Highlight the curvaceous beauty of the human body and the temperament beauty of the performer who is vigorous, straight, subtle and flexible. Does the body rhyme require the performer to follow? Three yuan? What's the trajectory and? Dynamic, static? ,? Point, line? The aesthetic principle of mutual tolerance embodies the nationality of classical dance? Form and spirit? Unified artistic characteristics.
Second, the body rhyme? Form, spirit, force and law?
Form: It is the most basic feature of video art, isn't it? Shape? As a medium of artistic expression and communication, aesthetics of any artistic form cannot exist. As a classical dance in China, is it a solution? Shape? We should pay attention to the following points in training: First, we should have self-aesthetic consciousness and temperament. Secondly, we should master the posture and posture, the movement and the route and trajectory of the movement; Finally, what should be mastered? Moving? Arrive? Quiet? Or by? Quiet? Arrive? Moving? Instantaneous motion law. As? Body rhyme? Textbooks, through the analysis of the aesthetic characteristics of traditional art and various typical dances, come to the conclusion? Shape? Must we solve the curvy beauty of the body in the world? Strong, subtle and flexible? The temperament of beauty. To master the curvy beauty of posture and modeling, we need to have corresponding qualities and abilities, because it is not only a technique, but also a pursuit of national aesthetics, and it needs long-term and strict training to be skillfully used. Head, neck, chest, waist, buttocks, shoulders, elbows, wrists, arms, palms, knees, ankles, feet and steps? Coordinate freely.
The real vitality of dance lies in the process of movement. People often use classical dance? Flowing clouds? 、? Dragon and phoenix dance? 、? Three twists and turns? 、? Fool? Ruzan, all these visual descriptions are actually inseparable from sports? Round? And then what? Swimming? These two characteristics. Classical dance is very important? Round? The beauty of space? Swimming? The beauty of mobility. No matter how ever-changing. Round? Its fundamental laws are inseparable? Flat circle? 、? Vertical circle? 、? Eight-character circle? These three most basic and typical movement routes and trajectories.
God: This refers to connotation, spirit, rhythm and temperament. Any art without charm can be said to have no soul. Some people think? God? It is abstract, mysterious and intangible. I think? Charm? Not only knowable, knowable and sensible, but also can be said to be? Shape? The vitality. In the most popular words? Charm? Is it? Smell? . ? Charm? It means to dominate the action through conscious consciousness, thoughts and feelings, rather than blindly and mechanically completing the action. What is the process from pre-action to action? Heart and parataxis, qi and force, force and hypotaxis? This process. So-called? Mind, mind and spirit? Is it for? Charm? Concrete. People often say? Eyes are vivid tools? And eyes? Gather, release, condense, collect and combine? It doesn't mean the movement of the eyeball itself, but the result expressed by connotation and psychological rhythm, which just shows that verve dominates everything. ? The shape has not moved, God goes first, the shape has stopped, and God does not stop? The image accurately explains the internal relationship between form and god. So, in? Body rhyme? In our training, every subtle process, that is, the simplest movement, should be a process of cultivating verve. Therefore, we say that the charm of human action is not abstract and unknowable, but the artistic soul that plays a leading role.
Kim: People often say this about actors, saying? Good posture, poor energy? . ? Energy? What is this? I think? Energy? In other words, it endows external movement with external rhythm and hierarchical and comparative dynamics. The running rhythm of China classical dance is often different from conventional 2/4, 3/4 and 4/4 music. More comfortable but not slow, tight but not chaotic, free and regular exercise? Elasticity? In rhythm. ? Strong? Mastery requires dancers to be good at mastering the changes in the strength and amplitude of movements, not to use their own strength rigidly, mechanically and evenly, but to handle the different contrasts and differences in each movement, such as lightness, strength, haste, frustration, attachment, segmentation and extension. ? Strong? It not only runs through the whole process of the action, but also is very important at the end of the action.
Law: including the rhythm of the action itself and the laws followed in the action. One action after another must be smooth, this? Shun? Is it legal? Positive law? There seems to be a feeling of flowing, in one go. ? Illegal? It is also an important feature of body rhythm. Typical is action? Start from the opposite side? The law of this aesthetic law. Like what? Everything must be mentioned, everything must be followed, everything must be combined, everything must be followed, everything must be left and right, and so on. Illegal? Law. In the end, is it a one-stop process, or is it complementary to the trend, or? Start with the opposite? They all embody the beauty of roundness, swimming, variety and illusion of China classical dance. This is China? Dance rhythm? The essence of Austria. Any dancer must master the changing law of human movement? Form, spirit, force and law? In order to create an energetic person's dance image, we should combine and coordinate these four aspects in our own dance art performance practice. So what? Body rhyme? This is not only the characteristic of China classical dance, but also the starting point and destination of learning China classical dance well.
Thirdly, the influence of body rhyme on the development of China classical dance.
? Body rhyme? Starting from the needs of dance, on the basis of China traditional opera and martial arts, through reference, absorption and development, a dance performance form with distinctive national characteristics and strong expressive force has been created, thus forming a teaching system with the current spirit of the times and unique artistic charm of body rhyme. It inherits the tradition from aesthetics, does not stick to the original movements of traditional Chinese opera, and breaks away from its bondage from form, thus forming the foundation of the style and form of contemporary China classical dance, especially the completion of the textbook "China Classical Dance Body Rhyme", which marks the maturity of China classical dance in discipline construction. Body rhyme plays a very important role in the development of China classical dance, and has become the core and main symbol of China classical dance.
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