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The information on ideographic characters, pictographic characters, pictographs and phonological characters is urgently needed. Only 1 hour is needed.

) The word "mo". The word "Mo" in oracle bone inscriptions is written as follows: There are grass above and below, and a sun in the middle, which means that the sun has fallen into the grass and the sky is already dusk. It is the ideogram of the two pictographic characters "grass" and "日". After the official change, it was simplified to "Mo". The original meaning of "Mo" is sunset, and later it was extended to "no", "don't want", "no one", "no kind of thing", and words expressing speculation or rhetorical questions, such as: Mo Ru, unable to do anything, Mo Bu Words such as , Mobu, Mo annoyed, Mo Fei, unpredictable, Mo Ni, Mo Ruo etc. As the original meaning of "mo" at sunset, it was later replaced by the newly created word "twilight".

(2) The word "wash". It means to wash and wash hands. The lower part of the oracle bone inscription is in the shape of a basin (dish), and the upper part is a pictogram of a hand extending into the basin, indicating washing hands. The bronze inscriptions and small seal scripts express it more clearly. The left and right hands are washing in a basin (dish), and there is water in the basin. It is a combination of the three pictographic characters "dish", "hands" and "water". After the Li Change, it was no longer pictographic, and the shape of the basin was written as the word "plate".

3) The word "shoot". When seal script evolved into regular script, it changed its shape. The "arrow" on the right side of the word "shoot" became "inch". Originally, "shoot" meant a person holding a bow and arrow, which meant to "shoot" the bow and arrow out ( Bows and arrows certainly cannot attack targets at close range like swords and other weapons). Original meaning: to shoot an arrow with a bow to reach a target in the middle or far distance. ◎ [~干] A kind of grass mentioned in ancient books. The root can be used as medicine.

◎ [Servant~] An official name from the Qin Dynasty to the Song Dynasty in China, and was abolished after the Song Dynasty.

◎ [None~] a. One of the twelve rhythms of ancient Chinese music; b. The name of the bell cast by King Jing in the Spring and Autumn Period of China.

Stacked Chinese-style ideographic characters

Some ideographic characters are composed of two or more identical graphemes overlapping. Those with two overlapping characters are mostly left and right side-by-side structures, while those with three overlapping characters are mostly tower-shaped upper and lower structures, which look like stacked arhats in gymnastics. For example, three "people" form "public"; three "fire" form "flame"; three "wood" form "sen"; three "sun" form "crystal"; three "straight" form "chu" ;Three "水" form "Miao"; three "口" form "PIN", etc.

Broken-body ideographic characters

The glyphs of ideographic characters have changed so much that their etymological origins can no longer be seen.

For example, when the word "woman" is used, why is there a crooked mountain next to "女"? Although there is a cross talk explanation that this means that women overthrew the five mountains and were liberated, this word play is not an etymological analysis. The correct etymological analysis can only be seen from the traditional Chinese character "?" The word "女" on the left side of the word "?" refers to women, and the word "broom" next to woman means broom. The combination of the two characters means that women work at home with a broom. "Women, brooms for?" and "Strength, fields for men" are in line with the social situation at that time of "women inside and men outside" and "men farming and women weaving".

For another example, the etymology of the word "东" in East, West, South, North, can only be analyzed from traditional Chinese characters.

There are quite a lot of these characters whose origins are not easy to see, and they are called "broken-style characters". People who are accustomed to writing traditional Chinese characters often criticize the simplification of Chinese characters because it is difficult to see the origin of the simplified characters. In fact, this is a prejudice. Even if traditional Chinese characters are still used today, how many people can analyze their etymology?

The knowing characters are combined characters, and the knowing method has obvious advantages over pictograms and referring to things. Understanding breaks through certain limitations of pictograms and referents. But it also has great limitations. First, the meaning it represents is vague, uncertain, and inaccurate. For example: "Mo" means "sun in the grass", which means "sunset". Why can't it be understood as "sunrise in the east"? "Xiu" means "people resting next to a tree", why can't it be understood as "people working next to a tree"? Second, pronouns and function words cannot be understood, and many abstract meanings cannot be understood. For example: How do you understand the pronoun "I" and the adverb "very"? "