1978 after graduating from technical school, I worked as a clerk, teacher and propagandist in real estate bureau and pharmaceutical factory. 1988, worked as a reporter and editor in City Herald, Rehabilitation and Shanghai TV Station. Now he is the deputy editor-in-chief of Urban Beauty magazine and the editor-in-chief of the production department of SMG Film and Television Drama Center.

Main work

He has published novels Popular All the Way, collections of short stories Without a Trace, novelette collections of Five and a Half Days of Anti-Japanese War, novel series of Haibeibei, long documentary literature collection of essays, listening to the sound of trees, research monograph A Brief History of Shanghai Children's Newspapers, and biographies of dramatic Huang Yun. Prose essays have a certain influence. The film and television drama works involved in the production mainly include the film The New Biography of Gary the Boy, the TV series The Beautiful Time of the Daughter-in-law, The Red Apple Paradise, The Million Brides, The Burning Rose, The Olympics in My Home, The Last Contest, The Eve of the Founding of the People's Republic of China, Home Cooking and so on. The novella Five and a Half Days of War, Father, Water Waves Without Traces, the novel Go All the Way, the series of stories, the story of Haibeibei, the prose "Red Girl", the poem "Moon River", reportage "Diary of Uncle Reporter" and so on. Editor-in-chief of TV series Dream of Stars and Fast Romantic Youth.

Achievements and honors

Children's literature works have successively won the 13 and 19 Chen Bochui Children's Literature Awards, the 8th Bingxin Children's Book Award, the Giant's novella Children's Literature Award, the second prize of the National Excellent Children's Book Award, and the first prize of excellent reading materials for primary and middle school students in Shanghai. The work "Singing for Teenagers" was selected as the eighth lesson in the second semester of grade six. He has won the China Film Award, the Flying Award of Chinese TV Series and the Golden Eagle Award. News works won the first prize of China Radio and Television News Award and the first prize of China Radio, Film and Television News Award.

Personality self-report

I am a person with frequent career changes. I have been a worker, a teacher, a reporter, an editor, even the editor-in-chief of documents, newspapers and magazines, and even an enterprise manager. Now he works in Shanghai Wenguang News Media Group, engaged in film and television production, and is also an adjunct professor of film and television drama literature at the School of Humanities of Shanghai Normal University. However, one thing remains unchanged, that is, my love and persistence in literature. After writing so many words, I believe that children's literature is the most sacred and beautiful word in the world. This is a sacred cause and should not be profaned. I am a dog, and I am very loyal to others. I especially like making friends with teenagers, because they always bring me youthful vitality-this vitality includes upward spirit and eternal innocence. Although my parents gave me a name, I certainly cherish it. However, I also gave myself a good pen name-Jianping, simple and ordinary. This is my life creed. Unfortunately, it is actually a very high realm, and it is often difficult for me, a secular person, to persist. I was born and raised in Shanghai. Although my native place is Fenghua, Zhejiang Province, I am still a fellow countryman with a famous person. I started publishing literary works from 1983, writing novels, essays, poems, reportage and plays, except fairy tales-because I think it is absolutely for geniuses, and I am stupid. On the one hand, it is hard work, on the other hand, it is luck. I have won some awards, such as Chen Bohui's Children's Literature Award, Bing Xin's Children's Book Award, Giant's Novelette Children's Literature Award, the second prize of National Excellent Children's Book Award, the first prize of excellent reading for primary and middle school students in Shanghai, and the novelette essay writing award across the Taiwan Strait. But what I value most is the "Giant's Most Popular Works Award", because it is entirely produced by readers' voting. My main works include the short story Return, July, Yin's Running Time, the novella Five and a Half Days' War, Father, Water Waves Without Trace, Turning a Corner and Walking on the Cloud, Walking All the Way, reportage, Sunny Campus Rejecting Violence and a series of other novels. In addition, professional writing news works won the first prize of China Radio and Television News Award and many other national and provincial awards. [2]

Personality assessment

Yin Jianling remembers that when Jianping was writing this reportage, he "attacked" me on the phone: children's literature writers, like you, haven't realized the seriousness of school violence, which shows that children's literature in China is too thin and weak! Jane Ping is a senior journalist and is also keen on guest children's literature. His novels and essays are beautiful, but in my heart, I prefer to agree that he is a reporter. He has the talent that an excellent reporter needs, full of passion for life, love of justice, sincere feelings, keen eyes and pungent writing. In the field of children's literature, I'm afraid only he has the courage and courage to face this heavy topic: campus violence-clusters of poisonous poppies blooming on the edge of Jingjing campus. I don't know why, in recent years, children's literature has gradually faded out of reportage (only the Yellow Rose in the Schoolbag by He Zhang has caused a sensation because of its sensitivity-interviews and reports on middle school students' sexual behavior), and more writers are keen on short stories, small feelings, small feelings and small things on campus. How many people can pay attention to some down-to-earth topics and bet on real life and things in their works? In fact, fiction and non-fiction, often the latter is more powerful, because it is sincere, close, simple and natural. So I can understand why Jane chose this non-fiction form to truly present the campus violence that has happened or is happening. These events have inadvertently slipped through our field of vision, and you may not agree with them, but the real horror and horror are hidden in our taken-for-granted disapproval. He is weaving a net, which is a tightly structured net. Starting from the theme of campus violence, it involves eight aspects: students being abused, girls being abused, verbal violence, students changing from victims to abusers, teachers' violence, campus violence culture and school attitudes towards violence. This web is getting tighter and tighter, which makes readers suddenly tense their hearts and meditate and reflect on the facts presented. We don't simply list the facts, but link the organic chain between events and lead the problem to the depth. Originally, they were all scales scattered in the media and newspapers, and no one took them seriously. More often, they are just "social news" for people's entertainment after dinner, but here, when they are picked up, what we hear in the dark is the question of conscience and the cry of abused youth. When we are used to numbness, who else can make a real sound? I was shocked by all kinds of narratives in the book: Xiaolan burned to death by a roommate girl; Zhou Xiaomeng who committed suicide by "soft violence"; Fu, a 15-year-old girl who brutally killed her classmates; Chen Qi, who threw dilute sulfuric acid at the other party and the onlookers in the classmate conflict ... The author is asking the social and educational environment: How to face up to the infringement of teachers' personality deviation on students? Who will give more psychological comfort and guidance to the tottering children? In the school violence, why do the children on the sidelines "collectively become aphasia"? Who will regulate the increasingly rampant culture of violence? ..... What I want to say is that in the face of a series of gray problems such as school violence, people generally only look for the root causes from themselves or their families, not from the broader educational environment and social and cultural background. The greatest function of this book by Jane Ping is to help students, parents and educators to examine their lives from a broader cultural and psychological perspective. Therefore, in this sense, it is not so much a non-fiction children's literature as a text that provides a lot of real information and shows a real world, and its sociological significance is far greater than literature. Critics from all walks of life said Gao Hongbo, Zeng Zhennan, Ge, Mei and Lin Weijin ... I noticed their status as teachers and children's newspaper editors, which enabled them to describe contemporary children more confidently and accurately. This is the training brought by their profession. For example, Jianping used to be a teacher, worker and manager, but now he is a reporter. So my general feeling is that they are young and poetic, and gradually reflect the strength and level of the new generation of children's literature. Gao Hongbo Jianping's "All the way to fame" describes the life story of a boy who is full of energy and impulse to try. The boy's life sail is full of modern urban life, and the track it leaves is full of the ebb and flow of modern life and the rhythm of youth. The playful style complements its slightly reckless and absurd juvenile stories. -Zeng Zhennan's "Popular All the Way" left an unforgettable impression on readers with its strong poetry and lyricism. -Ge Jianping's "Go All the Way" Tell the truth, tell the truth. As long as it is a young life, everyone can read how lovely the eager passion is. -Mei Zihan I prefer things with masculine characteristics, thick lines, big structure and more atmosphere. The depiction of boys in "All the Way to Fame" makes people see from children the curiosity and impact that adults lack, and also see that they dare to deviate from the rules and properly show the cuteness of youth. -Lin Weijin