Triangular confrontation
Pronunciation of idioms: sān zú dǐng lì √.
Idiom definition: Metaphor of three opposing situations.
The origin of the idiom: "Historical Records Biography of Huaiyin Hou": "I am willing to give my heart and lose my courage, stupid, but I am afraid that my first step will not be used. If you can really listen to my plan, you can't have two benefits, and the world is three points, and you can drag out an ignoble existence. Don't dare to move. "
One word is more valuable than nine tripods-a person's words carry a lot of weight.
Pronunciation y and y á n Ji ǔ d ǐ ng
Explain Jiuding: The treasure of ancient countries is said to have been cast by Yu Xia. A word is worth keeping balance. Metaphor is powerful and can play a great role.
The source of Biography of Historical Records of Ping Yuanjun: "When Mr. Mao arrived in Chu, Zhao was more important than Jiuding Road. Teacher Mao's golden tongue is better than a million teachers. I won't dare to go back to my face. "
Two good sentences:
The beauty of autumn is mature-it is not as shy as spring, so open in summer and so introverted in winter.
The beauty of autumn is rational-it is not as charming as spring, so hot in summer and so subtle in winter.
Two famous aphorisms:
Full of injuries, moderate gains. -& lt； & lt "Shangshu >";
From good to good, from evil to collapse. -& gt；
Crazy hope
Wang Ji
Looking at the dusk in Gaodong, I want to rely on it.
Trees are all autumn colors, and mountains are only sparkling.
The shepherd brought the calf back, hunted horses and brought birds back.
Care for no acquaintances, Long song pregnant with Cai Wei.
Shan Ye's "Wang Ye" and "autumn scenery" are Wang Ji's representative works, which are somewhat hesitant and melancholy in a leisurely mood.
"I hope I will look forward to it and I will rely on it." Gao is a water town. Gaodong refers to a place in Longmen, Jiangzhou, his hometown. After retirement, he often traveled to Beishan and Gaodong, calling himself "Donggaozi". "Depend" means wandering. "What do you want?" In Cao Cao's "Short Songs", the meaning of "the moon stars are scarce, blackbirds fly south, and there are no branches to lean on" shows the feeling of boredom and hesitation.
The following four sentences describe the scenery seen at dusk: "All trees are in autumn, only the hills and mountains are bright. The shepherd brought the calf back, hunted the horse and brought the bird back. " Looking around, it is autumn everywhere, and it is more and more bleak in the afterglow of the sunset. On this quiet background, the close-ups of shepherds and hunting horses, with an idyllic pastoral atmosphere, enliven the whole picture. These four poems are like a picture of Shan Jutu on an autumn night. Light and color, long-range and close-range, static and dynamic match well.
However, Wang Ji could not find comfort from the countryside like Tao Yuanming, so he finally said, "I don't know each other, and Long song loves Wei." He said that he was lonely in reality, so he wanted to make friends with people like Boyi and Shu Qi.
People who are familiar with Tang poetry may not think this poem has any special benefits. However, if we read this poem by Song, Qi, Liang and Chen in the Southern Dynasties in the order of poetic history, we will suddenly applaud its simplicity. The poetic style of the Southern Dynasties is mostly gorgeous, like a jewel-like lady wrapped in satin. Walking out of the women's group, I suddenly met a village girl with a cloth skirt. Without makeup, there will be a special charm. Ji Wang's ambition has such a simple advantage.
The genre of this poem is five-character verse. Since Shen Yue and others applied legal knowledge to poetry creation in the first year of Qiyong in the Southern Dynasties, this new genre of legal poetry has been brewing. In the early Tang Dynasty, Shen Quanqi's and Song's regular poems became an important poetic genre. Wang Ji, more than 60 years earlier than Shen and Song, can write such a mature poem as Wild Hope, which shows that he is a man who dares to try new forms. The beginning and end of this poem are lyrical, and the middle is lyrical. Through the repetition of emotion-scene-emotion, the meaning of poetry has deepened. This is in line with a basic composition of metrical poetry.
& lt& lt Liangzhou Ci >>
Wang Zhihuan
The Yellow River is getting farther and farther away, because it flows in the middle of the Yellow River, and Yumenguan is located on a lonely mountain.
Why use the elegy of willow to complain about the delay of spring, old Yumenguan, a spring breeze is not blowing!
According to Xue Yongwei's Collection of Legacies in the Tang Dynasty, during the Kaiyuan period, Wang Zhihuan, Gao Shi and Wang Changling went to the hotel to drink, and when the actors in the pear garden sang and feasted, they privately agreed to name the poems according to their singing. As a result, all three people's poems were sung, and the most beautiful woman in Zhu Lingzhong sang "The Yellow River is far above the white clouds". Wang Zhihuan is very proud, and this is the famous story of "painting a wall and hanging a flag pavilion". It may not be true. However, it shows that Wang Zhihuan's "Liangzhou Ci" has become a famous piece widely sung at that time.
The first sentence of the poem captures the special feeling of looking at the Yellow River from the bottom (swimming) to the top (swimming) from near and far, and depicts the moving picture of "the Yellow River is far above the white clouds": the surging Yellow River flies to the clouds like a ribbon. Writing is really a leap of thought, and the weather is open. Another famous poem of the poet, "And the Ocean Drains Gold River", is viewed from the opposite angle, from top to bottom; Li Bai's "How the Yellow River Water Moves Out of the Sky" is different from this sentence. Although it is also about looking at the upper reaches, the line of sight is from far to near. "All rivers run into the sea" and "How the water of the Yellow River moves out of the sky" are deliberately exaggerating the style of the Yellow River, showing dynamic beauty. "The Yellow River is far above the white clouds", the direction of which is opposite to that of the river, which is intended to highlight its long-standing leisure state and show a static beauty. At the same time, it shows the vast and magnificent scenery of the border, which is worthy of being a strange sentence throughout the ages.
The second sentence "Isolated City, Wan Ren Mountain" appears as an isolated city on the frontier, which is one of the main images of this poem and belongs to the main part of the "picture scroll". "The Yellow River is far above the white clouds" is its background, and "Wan Ren Mountain" is its near background. Against the background of the mountains in Yuanchuan, it is helpful to see that the city is in a dangerous terrain and lonely situation. "Pian" is an idiom in Tang poetry, which is often associated with "loneliness" (such as "a lonely sail" and "a lonely cloud"). Here it is equivalent to "a seat", but this word has an additional meaning of "thin". A lonely city like Mobei, of course, is not a residential area, but a fortress on the edge, suggesting that readers have husbands in their poems. As a vocabulary of classical poetry, "Lonely City" has a specific meaning. It is often associated with the sadness of leaving people, such as "The sunset in Kuifu ancient city is oblique, and every Beidou Wangjing is in China" (Du Fu's Autumn Prosperity), "Knowing the Han people far away makes Xiao Guan go out and worry about seeing the sunset in the old city" (Wang Wei's Send Wei to Comment on Things) and so on. Firstly, the image of "lonely city" in the second sentence is introduced to prepare for further describing the psychology of husband recruitment in the next two sentences.
Poetry begins with a description of the vastness and desolation of mountains and rivers, and bears the loneliness and danger of the defenders. The third sentence suddenly turns, introducing the sound of Qiang flute. The tune played by Qiangdi is "Folding Willow", which can't help but arouse people's sadness. This sentence is translated into Yuefu's "Cross Blowing Songs and Folding Willow Songs", "If you don't catch the whip when you get on the horse, you will fold Yang Liuzhi. Playing the flute on the bench and worrying about killing travelers is very poetic. The custom of "breaking willows to bid farewell" was the most popular in the Tang Dynasty. "Willow" has a more direct relationship with parting. Therefore, people will feel sad not only when they see willow trees, but also when they hear the flute sound of "breaking willow trees". The sentence "strong enemy" is not about "smelling willow", but about "resenting willow", which is particularly wonderful. This avoids directly using the title of the song, and turns the board into life, which can trigger more associations and deepen poetry. Outside Yumenguan, the spring breeze is not strong, and the willows are not green. If you want to fold a willow to express your feelings, you can't. This is even more embarrassing than breaking a willow to say goodbye. When people listen to songs in this mood, it seems that the flute is also complaining about the willow. The resentment revealed is strong, but it is euphemistically expressed in the broad explanation of "why complain", which is deep, implicit and intriguing. This third sentence conveys such rich poetry in the question, and the last sentence "Spring breeze is not enough to pass Yumenguan" is logical. Entering the poem with the word' Yumenguan' is also related to making people think. "The Biography of Ban Chao in the Later Han Dynasty says:" I dare not look at Jiuquan County, but hope that Yumenguan will be born. " Therefore, the last sentence was written in the biting cold, implying infinite homesickness. If we compare this poem "Liangzhou Ci" with some frontier poems after the middle Tang Dynasty (such as Zhang Qiao's "Old Soldiers of Hehuang"), we will find that although this poem is extremely about the resentment of those who are imprisoned in the frontier fortress and are not allowed to go home, it is tragic and desolate, and there is no melancholy mood, which shows the broad-minded mind of the poets in the prosperous Tang Dynasty. Even if you write sad grievances, you are strong in sadness and generous in sadness. The word "Why complain" not only shows the euphemism and implication of its artistic technique, but also shows that the frontier guards at that time realized the great responsibility of defending the country and defending the border when they were homesick, so that they could forgive themselves. Perhaps it is because of the sadness of Liangzhou Ci that it can become a typical representative of "Tang Yin".
Too many, just take the Lord's!