Forget-me-not, Li Bai

I was once a guest on Yaotai, and the moon and the rabbit gave birth to the soul.

The fairy in the clouds sings and dances in colorful clothes, and plays the harp with the calligraphy and sword in her arms.

Penglaike is nowhere to be seen in the white clouds, and his reputation is not painted in Lingyan Pavilion.

The green shirt is proud that it is not stained with dust, and I read the Yellow Stone on a snowy night.

The spring breeze is a guest in the world, and we are busy playing music, chess, poetry and wine.

A group of geese are writing heavenly books, and the paper is full of graffiti and ancient inscriptions.

The breeze and the bright moon are all guests, turning back to the world of mortals with a smile.

Eternal poetry is long, and the emotions and ruthlessness can be pondered.

Li Bai (701-762), also known as Taibai, Qinglian Jushi, and "Exiled Immortal", was a great romantic poet in the Tang Dynasty. He was hailed as the "Poetry Immortal" by later generations. Together with Du Fu, they are called "Li Du". In order to distinguish them from the other two poets Li Shangyin and Du Mu, who are called "Little Li Du", Du Fu and Li Bai are also collectively called "Big Li Du". He is a cheerful and generous person who loves drinking, writing poetry, and making friends.

Li Bai was deeply influenced by Huang Lao Liezhuang's thoughts. There is "Li Taibai Collection" handed down to the world. Most of his poems were written when he was drunk. His representative works include "Wang Lushan Waterfall", "The Road is Difficult", "The Road to Shu" "Difficult", "About to Enter the Wine", "Liang Fu Yin", "Early Departure from Baidi City" and many other songs.

The Song Dynasty people have biographies of Li Bai's poems and poems (such as the first volume of Wen Ying's "Xiangshan Wild Records"). In terms of its pioneering significance and artistic achievements, "Li Bai's Ci" enjoys an extremely high status.