From Li Bai's Li Shangyong?
Dapeng rises with the wind one day and soars into Wan Li.
If the wind weakens, it can still lift away the turbulent current.
The world is laughing at my big talk when they see my unchanging tone.
Xuan's father can still fear the afterlife, but his husband can't be young.
Dapeng is an image that Li Bai often uses to describe himself in his poems and Fu. It is not only a symbol of freedom, but also a symbol of shocking ideals and interests. In 725 AD (13th year of Kaiyuan), Li Bai wandered out of Shu and met Sima Cheng, a famous Taoist in Jiangling. Sima Bai said that he was "like a saint, but he could be regarded as the eight poles of a wandering heart". Li Bai immediately wrote "Dapeng Bird Fu" (later changed to "Dapeng Fu") and compared himself to the Dapeng bird in Zhuangzi's "Happy Wandering".
Extended data:
Poet Li Bai (70 1-762), whose word is Taibai, is a great romantic poet in Tang Dynasty. He was called "Poet Fairy" by later generations and "Du Li" with Du Fu. According to the Book of the New Tang Dynasty, Li Bai is the ninth grandson of Gui Li, the king of Liang, and he is a descendant of all kings. He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's poems have been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, The First Building of Baidicheng, etc.
There were biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status.
References:
Baidu encyclopedia-Li Bai