This poem is about Taoist views on architecture, and it is a poem about sightseeing. It depicts the lofty, open, elegant and quiet scenery of Xianyou after the rain, praises the Taoist worldview better than the fairyland on earth, and shows the poet's yearning for Taoist practice life.

The first three aspects of the poem describe the scenery outside the fairy tour after the rain. The first couplet points out the time and place, hits the topic "Xianyou view" and describes the weather. Zhuan Xu wrote about the scenery outside the autumn night, first "seeing" and "Qin Shu", then "smelling" and "anvil sound". Neck couplets describe the scenery inside the view, first describing the quietness of the "empty altar" in the high place, and then describing the quietness of the "small hole" in the low place, pointing out that it is the residence of Taoist priests, which vividly shows the quietness and elegance of the Xianyou view. Lian expressed his feelings at the end, and quoted the words of "traveling far away", praising this place as the beauty of the immortal's residence, and expressing the author's longing for a leisurely life. When I saw the concept of Xianyou, it was the time when the rain began to harvest and the scenery was bleak. In the twilight, the mountains are connected with the shadows of the Qin Dynasty, and the sound of anvil smashing clothes seems to report that the Han Palace has entered autumn. Loosely cast vertical and horizontal shadows, the altar is empty and secluded, fine grass produces fragrance, and the hole is deep. The whole poem has a distant view and a close view, focusing on the quiet scenery of Taoist temple.

The whole poem has beautiful language, harmonious tone and catchy reading. But it doesn't make much sense to be vague, so you can only recite it, but you can't ponder it.