Li Qingzhao was born into an official family in the seventh year of Yuanfeng, Song Shenzong (1084). His father Li, a scholar and writer, is an official in North Korea. His position is not low, and he is also a student of Su Dongpo. Mother is also a noble family, good at literature. Such a background was very valuable to a woman at that time. Influenced by the official family and political activities, she has a broad vision and noble temperament. Influenced by literature and art, she can perceive life and experience beauty more deeply and subtly. Because there can't be photos handed down from generation to generation, we don't know her appearance now. But according to this background and referring to the charm revealed in her later poems, she should be a born beauty embryo. Almost since Li Qingzhao was sensible, she began to accept the aesthetic training of China traditional culture. Almost at the same time, she was writing, judging others and studying literary theory. She will not only enjoy beauty, but also control it, and suddenly leap to a high starting point, and she is still a girl waiting for words.
Please look at these three words:
[Huanxisha] Embroiders hibiscus and smiles, and leans on the fragrant cheeks of abalone flying ducks. Oh, I don't know On the one hand, it is full of charm, on the other hand, it is charming and hateful, giving you a deep affection. (Baoya, hairstyle. )
[Huanxisha] The spring is chilly, the jade stove sinks the hookah, and the dream returns to the mountain pillow to hide flowers. Haiyan will mow grass in the future, Jiang Mei has covered catkin cotton, and the rain will be wet in the evening. (Shenshui, Xiangming; Fighting grass, a game. )
[Little crimson lips] Stop shaking and get up and adjust your delicate hands. Beside her, the thin Germany hung with crystal dew, and the sweat on her chest permeated with the thin silk robe. Suddenly, a guest came. She was desperate. She walked away without shoes, only wearing socks, and even the gold pin on her head fell off. She ran away shyly and leaned against the door, smelling the fragrance of plum flowers. (Well, socks, no shoes. )
An innocent girl, with sweet hair, beautiful face, seeds of love and budding spring, is hard to contain. She lay in the boudoir, or watched Shen Xiang curl up, or got up to write a love letter, and then went to the backyard to play with her partner for a while.
Darling's daughter, the official's family, lives comfortably and can get a certain degree of culture and education, which is not surprising in the Millennium feudal society. Surprisingly, Li Qingzhao didn't know the characters as usual, was proficient in needle embroidery, and then waited to get married. She has enjoyed all her father's books, and the juice of culture makes her beautiful not only externally, but also internally. She has mastered the rhythm of poetry as freely as fighting grass and swinging. And judging historical figures, there is a block in the chest and the atmosphere is like a rainbow.
The Anshi Rebellion during the period from Kaiyuan to Tianbao in the Tang Dynasty was a great event in the history of China, and later generations had many comments on it. Jie Yuan, a poet in the Tang Dynasty, wrote the famous Ode to the Prosperous Tang Dynasty, and asked Yan Zhenqing, a great calligrapher, to engrave it on the wall, which was called "Two Wonders". Contemporary with Li Qingzhao, Zhang Wenqian, one of the "Four Bachelor of Sumen", was a famous poet. He once wrote a poem for this monument and sighed: "Heaven sent two sons to the future, and the mountain is ten feet high. Who came into my room with this tablet computer made me dizzy at first sight. " This poem went to the boudoir, entered the embroiderer's home, and reached Li Qingzhao's ear. She immediately agreed with a poem: "Fifty years of achievements are like electric sweeping, and Huaqing Liuliu is in Xianyang Grass. I don't know how old I am in the pile of wine and meat. Hu Bing suddenly fell from the sky, but he was also a treacherous man. Walking in front of the Qinzheng Building, Zhuyu stepped on the fragrant dust. Whatever battle is invincible, it is said that litchi will die. Yao Gong Shunde is like heaven, using righteousness. It's ugly to write inscriptions, and ghosts grind cliffs. "You don't think this poem was written by a woman in the boudoir. Describe the scene, evaluate the merits and demerits, lament the world, and don't let Li Bai and Xin Qiji, who are romantic and unrestrained. When Li Fuge Fei first saw this poem, he was very surprised. This poem spread to the outside world and caused a great sensation among scholars. Li Jiayou's daughter has just grown up. The young girl Li Qingzhao quietly enjoys the beautiful aura of being spoiled and talented.
Love is the most wonderful chapter in life. It is a ferry, from which a person will start, from teenagers to youth, from the warm wings of parents to life in Li Du, including new life. So it is full of anxiety of expectation, sparks of collision, warmth and sadness of failure. It can play the most complicated and shocking symphony. Many great people's lives shine at this moment.
When Li Qingzhao fell in love with all the happiness that a boudoir girl can get, her beautiful life just went up a storey still higher, leaving us a love classic. Her love is not like Romeo and Juliet in the west or butterfly lovers in the east. It's not the kind of sweetness that you can enjoy only after you die, but the starting point is very high. From the beginning, she fell into the honey pot, stood on the top of the mountain and lived in the Crystal Palace. Zhao Mingcheng, her husband, is a dashing teenager, and they are literary confidants and congenial. Zhao Mingcheng's father is also an official, and the two families are suitable. What is even more rare is that apart from the elegance of poetry, chess, calligraphy and painting of ordinary literati, they also have a more congenial professional combination point-epigraphy research. In the feudal era when free love was not allowed, they could only rely on the words of matchmakers and the wishes of their parents. It is a godsend that they can have such a one-in-a-million love ending. Just as Lu You's Hairpin Phoenix left us with the sadness of love, Li Qingzhao left us with the other end of love-the sweetness of love. This love story, moved by Li Qingzhao's wonderful pen, has become the spiritual enjoyment of China people for thousands of years.
Please look at this song "Minus Magnolia":
When you sell flowers, you can buy a spring flower. Tears are lightly dyed evenly, and rosy clouds are exposed. Afraid lang guessed that a slave's face was not as good as a flower's. Yun 'an is inclined, and disciple teaches Lang Bi.
This is the sweetness of marriage and the coquetry of her husband. It also revealed her confidence in her beauty.
Look at this farewell work "A Piece of Plum":
Red lotus root is fragrant, and jade is lingering in autumn. Who sent the brocade book, the word geese returned, and the moon was full of the West Building. Flowers from Shui Piao to water, one kind of lovesickness, two places of leisure. There is no way to eliminate this situation, only frown and mind.
Sorrow is inseparable from parting. The deeper you love, the more you think, and the other is sweet secret chewing.
More importantly, Li Qingzhao is by no means an ordinary little woman who can only sigh a few words. She practiced literature in an empty room and perfected the art, so this most common way of expressing love became a proposition creation competition between husband and wife and a record of their climbing the artistic peak.
Please look at this song "Drunken Flower Yin Chongyang":
The fog is thick and the clouds are light, and it will always be sad. The brain sells golden beasts. The festival is also a double ninth festival, and the jade pillow gauze kitchen is half cold at night. Dongli drinks until dusk, and faint chrysanthemum fragrance overflows his sleeves. Don't say clear autumn is not a person, the west wind rolls the flag and beads curtain, and the person in the curtain is thinner than that Huang Ju.
This is a poem written by Li Qingzhao, the prime minister of Zhao Mingcheng, when he was not at home. Bitter love and stupid ideas are expressed incisively and vividly by autumn wind and yellow flowers. After receiving this poem, Zhao Mingcheng Shi Zi first felt this feeling, and then he was even more excited by the artistic power of the poem, vowing to write a poem beyond his wife. He closed the door and thanked the guests. He got 50 poems in three days, and mixed them with Li's poems. Please comment on them. I didn't expect his friend to say that only three sentences are the best: "Don't forget the Tao, the curtain rolls west wind, and people are thinner than yellow flowers." Zhao bi sighed. This story is very popular. You can imagine how the couple enjoyed the harmony and sweetness of piano and harp in their mutual love. This also makes all talented men and women who can't get the corresponding love quality feel a little sad. Li Qingzhao recalled that life in the preface to the Story of the Stone and said, "I want to remember that after every meal, I have to sit in class, look up the accumulation of book history, and say that something is on the first line of the first page of a volume, and winning or losing is the order of drinking tea. Hold up a cup and laugh until the tea turns over, but you can't drink it. " What happiness, what joy, what a sweet word. This honey-like life nourishes her elegant charm and vigorous artistic creation.
But God has long discovered Li Qingzhao's broader artistic talent. If she is only allowed to write a little bit about in my heart forever's leisure worries in this way, China's history and literature will pass by her in vain. So the universe exploded, time and space stirred, and the new personality test and new proposition creation were pushed to Li Qingzhao together.
167 After the peaceful and prosperous times of the "Riverside Scene at Qingming Festival" in the Song Dynasty, a nomadic people appeared in the north. The Jin people destroyed the Jade Garden in Qionglou, the capital of Bianjing (Kaifeng), and took away the Emperor Hui and Qin. A.D. 1 127 Zhao Songcang fled to the south, which started a page of national humiliation in the history of China. Li Qingzhao's love nest in Qingzhou, Shandong Province also fell apart, and the family began a wandering life. In the second year of Du Nan, Zhao Mingcheng was appointed as the health magistrate. I don't want national humiliation at this time. One night, there was a rebellion in the city. As a local governor, Zhao Mingcheng did not take the lead in directing the suppression of chaos, but secretly escaped from the city with a rope. After the matter was settled, he was dismissed by the court. Li Qingzhao, a weak woman, showed integrity in this matter and was ashamed of her husband's departure. After Zhao was dismissed, the couple continued to go into exile along the Yangtze River in the direction of Jiangxi. It's hard to avoid some embarrassment all the way, losing the sum of fish and water in the past. In wujiang town, Li Qingzhao learned that this was the place where Xiang Yu committed suicide after his defeat. She felt a surge of emotion surge, facing the vast river, she sang this eternal swan song:
Live and be a man among men; Die and become the soul in the soul. Today, people still miss Xiang Yu because he refused to live and returned to the East.
The husband listened to the sound of the stone behind him, ashamed on his face and deeply remorse in his heart. In the following year (1 129), Zhao Mingcheng was recalled to Beijing to resume his post, but died of an acute illness.
People can't live without love, women like flowers can't live without love, and poetesss with rich feelings can't live without love. Just as her art tree thrived under the juice of love, God ruthlessly cut off her love. As soon as Li Qingzhao understood love, she was loved by her family. Now she is trapped in a dry river bed. How can she not worry?
After losing her home, Li Qingzhao began three hardships in her later years.
The first big tribulation is remarriage and divorce, and the pain of emotional life.
After Zhao Mingcheng's death, Li Qingzhao had no fixed place and was physically and mentally haggard. I soon married a man named Zhang Ruzhou. There are different opinions about why Li Qingzhao remarried, but the hardship of living alone is probably the main reason. This Zhang Ruzhou is also a polite gentleman at first contact. Zhang took good care of her after marriage, but she soon showed her true colors. It turned out that he wanted to possess the cultural relics left by Li Qingzhao. Li regards these things as life, and The Records of the Stone has not yet been compiled into a book. Of course not. In Zhang's view, since you and I are married, your body and everything you have belong to me and are at my disposal. What else can you pursue? At first, they had a conflict in the control of cultural relics, and gradually found that their ambitions and interests were quite different. That's weird, strange bedfellows. Zhang Ruzhou was proud of having such a beautiful woman, and then she was angry because she couldn't capture her heart and control her behavior. Finally, he completely tore off the veil of the literati and punched each other. In front of the tent, under the red candle, Li Qingzhao looked at this small white face and was really angry. Once the sea was difficult for water, I was noble and did not bow my head. Li Qingzhao regards personality as more important than life, so she decided to break up with him. But in feudal society, it is difficult for women to get divorced. In desperation, Li Qingzhao embarked on a blind alley, larger foe, and reported Zhang Ruzhou's crime of bullying the monarch.
It turned out that Zhang Ruzhou was so proud to brag about cheating in the imperial examination after marrying Li Qingzhao. This is of course a big mistake. Li Qingzhao knows that only by suing Zhang Ruzhou for a crime can she get out of this trap. But according to the law of the Song Dynasty, if a woman sues her husband, she will go to jail for two years regardless of winning or losing. Li Qingzhao is a person who can't make do with her emotional life. She would rather suffer physical pain than mental slavery. Once she saw through each other's souls, she showed ruthless contempt and deep regret. In a letter to a friend, she said: "The night view of Sang Yu is very suitable for that inferior material." What a strong-willed person she is, she would rather go to prison than associate with stubborn people. As a result of this lawsuit, Zhang Ruzhou was sent to Liuzhou and Li Qingzhao was also imprisoned. We now imagine Li Qingzhao holding her head high in the lobby fighting for freedom of marriage, and her resolute and serene attitude is really no less than that of Xiang Yu when he drew his sword. Maybe Li Qingzhao's reputation is too great. At that time, many people paid attention to this matter. With the help of friends from the DPRK and China, Li was released after only nine days in prison. But it left a heavy scar in her heart.
Today, the separation of men and women is legal and reasonable, but in the Song Dynasty, a woman, especially a scholar, remarried and divorced, which would cause great discrimination from public opinion. At that time and later, many historical records affirmed Li Qingzhao's talent, and at the same time, they were all recorded as "not ending the festival", "not doing exercises" and "wandering around the festival". What is a festival? It means that no matter how good or bad, women have to follow this man, but you are not allowed to pursue individuality. It can be seen how much psychological pressure our poetess suffered at that time. But she's not afraid. She insists on Li Du's personality and high-quality love. She cut the gordian knot in two months, got rid of Zhang Ruzhou's "embarrassment" burden, and devoted herself to the compilation of Jin Shilu. Now that we have read this historical material, I can't believe it happened in the Song Dynasty nearly a thousand years ago, but it seems like a new anti-feudal woman in the May 4th Movement.
Life is only once for a person, so how many times does love have for a person? Probably the most beautiful and worrying thing is only once. Love is an extremely dangerous experiment in the boat of life, an experiment that gambles youth, talent, time and career. Only a few people succeeded the first time. Like the lucky ones who won the lottery, I am secretly glad of my luck and call it "fate". At the same time, he looked at the failure or semi-failure of other beings with sympathy and compassion. Li Qingzhao originally belongs to this type, but if God wants to be famous, he must first seize his feelings and suffer his heart. So I kicked her out of this happy family. First let Zhao Mingcheng leave her, and then sent a Zhang Ruzhou to test her mind. She sailed a lonely boat of life to meet the evil waves of the world, and made a good war with the courage to cross the rubicon. It turns out that love failed once and then succeeded again. There are many more beautiful people, such as Sima Xiangru and Zhuo Wenjun. Li Qingzhao was going to climb Ai Feng again, but unfortunately, she didn't climb this ridge. This is a tragedy. The spark of love in a woman's heart goes out forever. How can this not make her depressed and let her not worry?
Li Qingzhao's second major ordeal was physical and mental displacement and fleeing everywhere.
11In August of 29, her husband Zhao Mingcheng just passed away. In September, Jin Bing committed a crime in the south. Li Qingzhao began to flee with heavy books and cultural relics. She basically followed the escape route of the emperor, and the monarch was the representative of the country. But the poor and hateful emperor Zhao Gou didn't realize this. He represents not the country but his own life. He fled from Jiankang, passing through Yuezhou, Mingzhou, Fenghua, Ninghai and Taizhou, and fled all the way, drifting at sea and crossing the sea to Wenzhou. Li Qingzhao, a widowed woman, eagerly pursued the direction of the monarch's departure, hired a boat for help, visited relatives and friends, and carried books and cultural relics collected by her and Zhao Mingcheng all her life, so she struggled to persist. Zhao Mingcheng entrusted that these cultural relics can't be lost until he laid down his life. Moreover, The Story of the Stone has not yet been published, which is the spiritual sustenance of her life. She also had an idea that it was really difficult for her to preserve these cultural relics in the war, hoping to catch them and give them to the court, but she never caught up with the emperor. She wandered to Quzhou in June of that year165438+1October, and went to Yuezhou in March of the following year. During this period, she was stored in Hongzhou's 2,000 books, and 2,000 stone rubbings were burned by the invading nomads. When I went to Yuezhou, five boxes of cultural relics I carried with me were stolen by thieves. 1130165438+In October, the emperor saw that too many people behind him were not conducive to escape, so he simply ordered his dismissal. Looking at the dragon flag dragon boat disappearing into the vast sea, Li Qingzhao was even more disappointed. According to the concept of feudal society, the state is land, monarch and people. Today, the people account for half of the country, and the monarch makes the people flee in a hurry and the people are displaced. The country is no longer a country and the king is no longer a king. She is a person with nowhere to stand, how can she not make a big fuss? Li Qingzhao's body and mind are suffering in the oil pan of history.
About when she took refuge in Wenzhou, she wrote this song "Adding Words and Picking Mulberry Seeds":
Who planted banana trees in front of the window? The atrium is overcast. Yin fills the heart, Ye Er relaxed and affectionate. Sad pillow night rain, a little light rain. A little rain, worried about the loss that northerners can't understand.
What kind of people are northerners? They are vagrants and extinct people, and Li Qingzhao is one of them. In the history of China, most foreign invasions were from the north to the south, so the flight of "northerners" is not only a literary phenomenon, but also a historical phenomenon. "I am worried about hurting northerners and I am not used to listening." What did we hear? I heard Zu Ti's cry of hitting the water in the middle stream, Lu You's sigh that "the adherents shed tears and looked south at Julian Waghann for another year", Xin Qiji's helplessness of "looking back, there was a crow club drum under the beaver temple", and I seemed to hear the sad song that "my home is on the Songhua River".
In A.D. 1 134, the Jin people invaded the south again and abandoned the capital and fled. Li Qingzhao's second exile in Jinhua. The national fortune is difficult, and I am worried. Someone asked her to visit the nearby Shuangxi Scenic Area. She sighed and didn't want to travel.
The wind has stopped the dust, the fragrant flowers have blossomed, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first. It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the boat won't move. I'm worried.
Wulingchun
Li Qingzhao has no fixed place in exile, the country is divided and the situation is different in different places. The worry is that a boat can't walk. This reminds us of Du Fu's poem "The petals flow like tears, and the lonely bird mourns" in his escape. Li Qingzhao's sorrow at this time is no longer the family sorrow and emotional sorrow of "a kind of lovesickness and two leisure places". Now that the country is ruined, it's really old worry, and it's hard to find it if you want to find it. At this time, she is worried about "leaving millet" in the Book of Songs, about Xin Qiji's "knowing the taste now" and about the country and the nation. She is worried about the sky.
Li Qingzhao abides by the old adage "Poetry expresses ambition, Song always speaks". What she sings in her poems is mainly an emotion, but what she directly expresses in her poems is her own mind, ambition, likes and dislikes. Because of her name, most people only see her sad side. If we read her poems, we can better understand the anguish, struggle and pursuit behind her words and know what she is worried about.
In A.D. 1 133, Emperor Gaozong suddenly thought of sending people to visit Huidi and Qin Shihuang all over the country to ask about the possibility of peace. But when I heard that I was going to enter the realm of tigers and wolves, no one dared to violate it for a while. Minister Han Xiaoyan volunteered to take a risk. Li Qingzhao cares about state affairs day and night. She was very excited, and her sadness suddenly turned into hope and pride, so she made a long poem as a gift. In the preface, she said: "Those who have a comfortable home are all from the Han family, but now their family background is declining and their son's surname is humble, so they dare not look down on the public car dust. Poor and sick, but the immortal is not weak. When you see this big list, you can't talk nonsense. You can write a chapter on the past and write a poem to send a message. "At that time, she was poor and ill, physically and mentally haggard, single and widowed, but still so concerned about state affairs. Needless to say, she has no position in North Korea, and it is not her turn to discuss these things in the local society. But she still stood up and loudly praised Han Xiaoyu's awe-inspiring move: "I was originally dedicated to heaven and earth, and I am willing to work for the temple." "Take the purple mud imperial edict and go straight to Huanglong City." "Stripping has been warmed by Hann, leaving the song cold." As a folk widow, she would like to send a few parting words: "So is Yan Yan's wife, who devoted her blood to writing a book to make a biography", "I don't want to seek for Sui and Zhu Hebi, but only for new money from local customs", and "My children and grandchildren have traveled south for several years and drifted with others. I want to send blood and tears to the mountains and rivers and sprinkle a mound of soil on Dongshan. "
During her refuge in Jinhua, Li Qingzhao also wrote a poem "The Ode to Motor". "Beating horses" was originally a gambling game at that time, but Li took advantage of this topic to play. In his article, he quoted a large number of allusions from famous ministers and generals in history, described the momentum of fighting in the battlefield, and condemned the incompetence of the Song Dynasty. At the end of the article, I expressed my martyr's ambition in his later years:
"Mulan is a good girl. She is old and has no ambition. I hope to cross the Huaihe River! "
From these poems, we can see that she is really "too humble to forget worrying about her country", and she is so worried about her country and people. "I wish I could cross the Huaihe River" reminds us of Zu Ti's chicken-smelling dance and Zong Ze, a famous anti-Jin Dachen in the Northern Song Dynasty, still sitting and shouting: Cross the river! This is the cry of a poetess and a "married woman"! This is quite different from her early carefree sadness. How many political worries and national pains are added to this worry.
Later generations' evaluation of Li Qingzhao often ends with her melancholy, but I don't know that in her heart, she always braved the spark of resistance and shouted for her ideals. She is worried because she can't see the way out! She doesn't obey powerful people and doesn't do anything against her will. She is a relative of Qin Gui, the powerful minister of the dynasty, and Qin Gui's wife is her second uncle's daughter and cousin. But Li Qingzhao has nothing to do with them. Even in the most difficult time of her marriage, she would rather invite distant relatives than visit the Qin family. When Fu Qin was completed, she refused to attend the grand banquet of relatives and friends. She is not satisfied with "learning shocking sentences in poetry", but "sending blood and tears to mountains and rivers" She hopes to recover lost ground and "go straight to Huanglong City with purple mud". But what did she see? It is the false prosperity of the capital of Qing 'an, the strange thing that the court suppressed people with lofty ideals and persecuted loyal officials, and the cry of blood and tears of leading soldiers and national righteous people. 1 14 1 year, that is, when Li Qingzhao was 58 years old, Yue Fei was imprisoned and killed by Qin Gui. This case shocked the capital and shook the whole country, and dark clouds enveloped the city, causing sorrow everywhere. Li Qingzhao was restless, and our poetess fell into deeper sadness.
The third great tribulation that Li Qingzhao encountered was loneliness beyond time and space.
The pain of emotional life and worries about the country and the nation pushed her into the deep sea of suffering, and she swayed helplessly in the wind and waves like a lonely boat. But if there are only these two points, it is not the most painful, loneliness and cold. Originally, it was inevitable for divorced people in life; Loyalists and ministers are abandoned and passed down from generation to generation. What's more, she is a weak woman, born in troubled times? The problem is that it is so difficult for her to realize the value of an ordinary person besides suffering from national disaster and emotional troubles. In her twilight years, Li Qingzhao, childless, guarded a lonely small courtyard and had no relatives around her. State affairs are difficult to ask, and family matters are afraid to be mentioned again. Only the autumn wind sweeps the yellow leaves in front of the door, and occasionally one or two old friends visit. She has a friend named Sun. Her little daughter is ten years old and very smart. One day, when the children came to play, Li Qingzhao told her that you should learn something. I am old and willing to teach me what I have learned all my life. I don't want my child to blurt out, "It's not a woman's business to have talent." Li Qingzhao couldn't help but gasp. She felt dizzy and held the door frame to avoid falling. The child's words are unbridled. It turns out that talented women in this society are really redundant. However, she cares about state affairs, writes books, preaches and teaches to solve doubts, and has always been extravagant. Her collection of cultural relics is overwhelming, and she is knowledgeable and eloquent in Beijing. In the end, she had no way to serve the country, no trust in feelings, and no expertise in learning. Others think she is strange. Li Qingzhao felt as if she had fallen into an abyss irrelevant in all directions, and a terrible sense of loneliness came to her. No one in this world can read her mind. Like Sister Xianglin, she walked blankly among the fallen leaves and yellow flowers in late autumn in Hangzhou and sang this song "Slow Voice", which condensed her life's hard work and laid her position in the history of China literature:
Looking around, lonely and sad. It's the hardest to stop breathing when it's warm and cold. Three glasses and two glasses of wine, how can you compare with it? It's too late to worry. Guo Yan is very sad, but this is an old acquaintance. The yellow flowers are piled all over the floor, withered and damaged, and now no one can pick them. Looking out the window, how can you be alone? Indus is drizzling, and at dusk, it is falling. This time, what a sad sentence!
Yes, her worries about the country, her family, her feelings and her studies are really a word!
What is Li Qingzhao looking for? From her life experience and poetry articles, we can at least see that she is looking for three things. The first is the future of the country and the nation. She doesn't want to see the mountains and rivers broken, don't want to "drift away from people" and "want to send blood and tears to the mountains and rivers". At this point, she has something in common with Yue Fei, Lu You and later Xin Qiji. But as a woman, she can neither gallop on the battlefield like Yue Fei, nor engage in a lawsuit like Xin Qiji, nor have political and literary friends like Lu and Xin, and can beat the railing with pain. She didn't even have a chance to associate with them, only one person. The second is to find a happy love. She has a happy family and a happy love, but it is broken in an instant. She also had a dream of finding happiness again, but to make matters worse, she was even put in chains and jailed. It was also recorded in the history books as a "never-ending night sacrifice", and was subjected to this strange humiliation before and after his death. What can she say? Only one person is sad. The third is to find your own value. With extraordinary talent and diligence, and with the help of the power of love, she completed her masterpiece Jin Shilu academically, reaching an unprecedented height in Ci. However, that society was not surprised and did not take credit for it. Even the 10-year-old girl said that "talent is not a woman's business", and even later when Lu You wrote an epitaph for this woman named Sun, she thought this was a good statement. Patriotic poets with Lu You's lineage also believe that "talent is not a woman's business". What else did Li Canqing say? She had to chew her desolation alone, and there was only one kind of sadness.
Li Qingzhao studies epigraphy and cultural history. Of course, she knew that from the Song Dynasty, Liao Ruochen was a talented woman with works and was the only one with superb ci skills. It is said that things are rare, but she is regarded as heterogeneous, rebellious and redundant. She looked around for two thousand years, and the night was like a rock, and the wind and rain were gloomy. Who does she know? Lu Xun has a poem to give the singer: "Deng Huazhao's banquet is rich, and the charming girl is waiting on the jade statue." Suddenly I remembered my feelings, kissed the earth and pretended to see Luo socks covering my tears. "Li Qingzhao is a singer enslaved by feudal society. She is serving the society with strict makeup and beauty, but suddenly she feels that all her pursuits are gone, and her song has not been realized in the capital. She felt sad and had to "pretend to say yellow flowers and autumn wind"
The tragedy of Li Qingzhao is that she is a literate woman born in feudal times. As a woman, she was at the bottom of feudal society, and as an intellectual, she was at the commanding height of social thought. She saw many things that others could not see, and pursued the realm that many people did not pursue, which inevitably led to loneliness and sadness. It turns out that in the feudal society of 3,000 years, how many people come and go are living with peace of mind and drifting with the flow. You see, after the Northern Song Dynasty invaded south, there was another storm, and it was 152 years! Although Lu You, a contemporary of Li Qingzhao, shouted angrily that "officials and officials have arranged for Zong Ze, but no one used Yue Fei." But aren't North Korean adults still officials and having parties? You see, despite the troubled times, how many literati do not fold fans, do not praise the years, and spend their lives painting and calligraphy? You see, how many women, just like the woman named Sun, don't learn any words, don't pursue any love, and don't live the same way? However, Li Qingzhao did not. As a commoner, she thinks about the responsibility of the public and the affairs of the country. As a woman, seek parallel personality and respect love. No matter how she treats politics, studies, love and marriage, she will not go with the flow, and will inevitably have loneliness and unavoidable sorrow that transcends time and space. She bears a heavy cross, which is a combination of national difficulties, family difficulties, marriage difficulties and academic difficulties. All conflicts and hardships caused by feudal autocracy in politics, culture, morality, marriage and personality are reflected in her thin body like yellow flowers.
In essence, Li Qingzhao pursues not only national integrity and political firmness, but also an extraordinary personality pursuit. She always holds a life principle soberly and stubbornly guards her moral integrity. When she was not in big trouble and her life was relatively stable, she had already seen her pursuit of high standards of personality. When Zhao Mingcheng was an official in Laizhou, she went to visit relatives. She was very unhappy when she saw that there were not many books in the room. She wrote a poem: "A few bookkeepers at a cold window, but the road is like this." When the world is in turmoil in the future, she will be more outstanding and clean. She stands on the high shelf of the century, crossing time and space and overlooking all beings, so she has a special sense of loneliness: "Facing the high shelf, the mountains and Ye Ping are sparsely populated. The smoke is thin, the crow returns, and the horns are heard at dusk. Fragrance and wine are broken, evil is clear, and the west wind urges the phoenix tree to fall. The phoenix tree falls, it is still autumn, and it is still lonely. " (Qin Yi E) There is a book called One Hundred Years of Solitude. Li Qingzhao has been lonely for thousands of years. Looking around the female world, I didn't know each other, so I went back to the heroic overlord for thousands of years to communicate. "I still miss Xiang Yu and refuse to cross Jiangdong." Also, she couldn't have known that one thousand years later, when the luck of feudal society was running out, there was another woman who knew her very well-Qiu Jin and Qiu Jin. Looking back on the long night of 3 thousand years, she also lamented: "autumn wind and autumn rain are terrible!" "
If Li Qingzhao is as numb as the girl named Sun or Sister Xianglin in Lu Xun's works, forget it; If Li Qingzhao beat Du Shiniang with death, forget it. It happened that she opposed the world with her heart and called for heaven with her pen. With great artistic talent, she weaves this melancholy mood carefully, turns grief into beauty, and creates a treasure that people can appreciate forever. The special charm of Li Ci lies in its persistent and tenacious masculinity, just like the author's personality. Although it is to express grief, it is actually a portrait with lofty aspirations, so people can endure reading it for hundreds of years. Zheng Zhenduo commented in the History of China Literature: "She is original and independent of a group of poets. She is not influenced by other poets, and other poets seem to be unaffected by her. She is so tall that mediocre writers will never catch up with her. Countless poets and poets have written countless poems, telling the feelings left by in my heart forever; More than half of them speak on behalf of the heroine, and these poems are worthless before exposure. " Thus, the story of her life and the sadness in her heart will be transformed into tragic beauty, and she and her ci will always hang high in the starry sky of history.
With the progress of the times, many of Li Qingzhao's heart-wrenching things and feelings have been answered, but we occasionally look back at the storm thousands of years ago and always see the beautiful god standing in the autumn wind and yellow flowers.