Current location - Music Encyclopedia - Dating - ----------,----------------. The sun sets in the west, and the heartbroken people are at the end of the world. Prosperity,————;death————
----------,----------------. The sun sets in the west, and the heartbroken people are at the end of the world. Prosperity,————;death————

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As the sun sets, the heartbroken man is at the end of the world. Author? Name of the poem?

2006-07-09 | Share

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Ma Zhiyuan

Withered vines and old trees, dim crows,

People's houses with small bridges and flowing water,

Westerly wind and thin horses on the ancient road.

The sun sets in the west,

The heartbroken people are at the end of the world.

Ma Zhiyuan (about 1250-1324) was born in Dadu (now Beijing). When he was young, he was keen on fame, but his official career was not satisfactory, and he later lived in seclusion in Hangzhou. He worked in Zaju, and together with Guan Hanqing, Bai Renfu and Zheng Guangzu, he was known as the four masters of Yuan opera. Representative works include "Lü Dongbin Three Drunks in Yueyang Tower", "Autumn in the Han Palace", etc. His Sanqu is heroic and elegant, and he is praised as "the first among the Yuan people". This song "Heaven Pure Sand." "Autumn Thoughts" is the most famous. "Central Plains Phonology" by Deqing of Yuan Dynasty. "Xiao Ling Ding Ge" said this song is "the ancestor of Qiu Si". Wang Guowei commented in "Renjian Ci Hua": "Liao Liao's poems are astonishingly beautiful in the quatrains of the Tang Dynasty. None of the poets of the Yuan Dynasty could do this." "Gu Quhuo Tan" also praised him for "straightforward the present and the past". , "People of the Ming Dynasty like to imitate this song the most, but in the end it is not so natural, so I think it is unattainable."

The first sentence, "Withered vines and old trees and dusk crows," vividly describes the scenery and environment of late autumn and late autumn dusk. In late autumn, everything is in a state of silence, the ivy is old and old, and the yellow leaves have fallen. On the old tree entangled with the withered vines, a crow sits huddled, and in the silence of the evening, it makes a few hoarse calls from time to time. The word "老" here not only refers to the "old" age of the trees, the "old" branches and the "old" shape, but also describes the desolate and desolate state of the trees that have lost their leaves in autumn and have experienced many vicissitudes of life. , thus revealing the mood and experience of the "heartbroken man" at the end of the sentence. The word "hun" in "hunk crow" also has two meanings. One refers to the dusk time; the other refers to the crow's sleepy appearance after foraging for food for a day. In the eyes of the wanderer, it is pitiful and sweet. Because they still have a "nest" after all!

In the second sentence, when the dizziness is so heavy that it is almost difficult to breathe, "small bridges and flowing water, people's houses" suddenly appear. I saw only a small bridge, with beautiful water flowing under the bridge. At the end of the bridge by the water, there were several small houses scattered in a well-proportioned manner. The smoke from the kitchen was floating in the small houses, making it look so peaceful and warm. All this made the wanderer's eyes brighten, but then dimmed again. His loneliness seemed so incompatible with this warmth. What he expected and saw was exactly what he could not get! The "small" here is not the actual size of the bridge, but "small" in terms of visual image. "Liu Shui" only describes the movement of water but does not hear the sound of water, also because the water is far away. From a composition point of view, the "flowing water" is exactly opposite to the "small bridge" in movement and stillness. Movement and stillness complement each other, and the silent movement makes it more still. The word "people" is used extremely well. Due to the extremely far distance and in the dusk, the houses and people could not be distinguished clearly. Only the smoke from the cooking pots told tourists from the end of the world that it was an inhabited house. This sentence is all seen from a distance. It not only expands the description of the scene, but also psychologically conveys in a subtle way the feelings of those who are far away from home about the elusiveness and elusiveness of life in their hometown. Then the picture of "ancient road with westerly wind and thin horse" appeared. On an ancient post road filled with yellow dust and rustling autumn wind, a skinny and exhausted horse walked slowly. An "ancient road". People immediately think of the twists and turns of the road and how many such "skinny horses" have walked on this ancient road throughout the ages. It plucks the strings in the readers' hearts that lead to the distant past and resonate with the ancients, " The word "Shou Ma" plays an important role in the whole song. The days when the autumn grass is tall and long have just passed. Logically speaking, horses should not be "skinny", but the author here is comparing horses to himself. The purpose of writing about horses is to support people. If the horse is thin, the person will be thinner.

It's hard for a horse to endure the pain of wandering away from home, and it's even harder for a thoughtful and emotional person to ride on its back.

The first part was all about the scenery on the ground. Then the author raised his pen and drew the sky of "sunset in the west", and painted a blood-red setting sun for the scenery on the ground. screen. The setting sun is still shining, which can easily make people melancholy and sentimental, but it happens to "set in the west", which adds a layer of melancholy and confusion. "The setting sun" together with the "faint crow" and "west wind" point out that time is running out, it is already dusk, and the season is... Show all>

Gaolou Jushi| 2006-07-09

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Withered vines and old trees, dim crows,

People's houses with small bridges and flowing water,

Westerly wind and thin horses on the ancient road.

The sun sets in the west,

The heartbroken people are at the end of the world.

Ma Zhiyuan (about 1250-1324) was born in Dadu (now Beijing). When he was young, he was keen on fame, but his official career was not satisfactory, and he later lived in seclusion in Hangzhou. He worked in Zaju, and together with Guan Hanqing, Bai Renfu and Zheng Guangzu, he was known as the four masters of Yuan opera. Representative works include "Lü Dongbin Three Drunks in Yueyang Tower", "Autumn in the Han Palace", etc. His Sanqu is heroic and elegant, and he is praised as "the first among the Yuan people". This song "Heaven Pure Sand." "Autumn Thoughts" is the most famous. "Central Plains Phonology" by Deqing of Yuan Dynasty. "Xiao Ling Ding Ge" said this song is "the ancestor of Qiu Si". Wang Guowei commented in "Renjian Ci Hua": "Liao Liao's poems are astonishingly beautiful in the quatrains of the Tang Dynasty. None of the poets of the Yuan Dynasty could do this." "Gu Quhuo Tan" also praised him for "straightforward the present and the past". , "People in the Ming Dynasty like to imitate this song the most, but it is never so natural, so I think it is unattainable."

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