He likes traveling, but he didn't see anything when he came home. Stay in Yangzhou overnight and sell calligraphy and painting for self-sufficiency. Curious and eager to learn, good at poetry and calligraphy. Poetry is quaint, and he is good at distinguishing. Calligraphy creates the style of flat pen, which has both open pen and official pen, and is called "lacquer book". I didn't start painting until I was fifty-three. His painting style is strange and ancient, and he is good at sketching flowers with light ink dry pen, especially painting plums.
His representative works include Huadong Calyx Opening, Air Defense Like Sprinkling, Chimonanthus Chimonanthus Opening, Jade Butterfly Clearing, Tie Xuan Sparse Flowers, Wonderful Picture of Bodhisattva, Qiongzi Waiting for a Picture, etc. He is the author of Winter Heart Poetry, Winter Heart Essay and Winter Heart Essay.
character introduction
Jinnong, whose real name is Shoumen, Sinong and Jinji, is also called Dongxin, also known as Keelung Shanmin, Qujiang Waishi and Yejushi yesterday. There are many nicknames, including: Jinniu, Mrding, Gu Quan, Zhuquan, Jimei Zhu, Shen Lian lay man, Suolong Xianke, Shame Chunweng, Shou Daoshi, Jin, Xinliulang, Xiantan Sweeping Flowers, Meeting the Old Man on Jinniu Lake, and the rich man in Bayer Yantian. Born in the 26th year of Kangxi in Qing Dynasty (1686), died in the 28th year of Qianlong (1763) and was born in Qiantang (now Hangzhou, Zhejiang). According to Jin Nong's self-report: "There are several farmhouses at home, beside the Qiantang River, there is a study hall in the middle, and there are mountains behind the river, and the river is endless."
Jinnong was born smart. He studied in He Chao's home as a scholar in his early years. He lived next door to Ding Jing, one of the eight schools of Xiling, and was influenced by his association with the so-called "three sons of western Zhejiang", which further increased Jin Nong's erudition. In the first year of Qianlong (1736), Qiu recommended him as a scholar of Hongci, but he failed the list. He was depressed and frustrated, so he traveled all over the world, visiting Qi, Lu, Yan, Zhao, Qin, Jin and wuyue, and finally found nothing. At the age of 50, he began to learn painting. Because of his profound knowledge, numerous browsing traces and profound calligraphy skills, he eventually became a generation of famous artists. In the evening, Yangzhou is self-sufficient in selling calligraphy and painting, ranking first among the "Eight Eccentrics of Yangzhou". My wife died and had no children, so she didn't come back.
Jin Nong spent most of his life in ups and downs, and sometimes "being a daughter is also casual." In difficult times, I have to rely on selling antiques, copying Buddhist scriptures and even carving inkstones to increase my income. Yuan Mei was also invited to write lanterns, and Wang Chang wrote Poems on Pu Brown Mountain House to describe Jin Nong. "The temperament is steep and the world is so strange." However, if you meet a comrade, you will feel very comfortable and comfortable. "He died at the age of seventy-seven, and one was seventy-eight.
Jin Nong is well-read, versatile, curious about the past and has a collection of ten thousand volumes of epigraphy. Fine appreciation of seal cutting, good at painting bamboo, plum, pommel horse, Buddha statue, figure and landscape. Your MoMuMei plum blossom is full of flowers, full of vitality, simple and simple.
personal influence
The Eight Eccentrics of Yangzhou are usually described as Shan Li (), Wang (), Gao Xiang (Western Tang Dynasty), Jin Nong (Winter Heart), Huang Shen (Long Piao), Zheng Xie (Banqiao), Li () and Luo Pin (Shuangfeng). In addition, there are at least five kinds of sayings, involving more than ten painters, but no matter which kind of sayings, Jin Nong is among them, which shows that he is one of the core figures in the "Eight Eccentrics". Why do people deserve "weird"? What are the "weird" and "weird" aspects?
This "singularity" first refers to the deviant style of the work. After Jin Nong and others put on the title of "Eight Eccentrics in Yangzhou", they were recognized by the society and talked about by people, which spread widely. In addition to artistic style, it also contains many factors different from nature, such as personal behavior, way of thinking, concept of life and so on. No wonder all his friends in Wang Zu call him a "freak".
Jin Nong has a wide range of friends, from famous officials and tycoons to poor people who sell oars and lead cars. He has a strange temper in making friends. The people he looks down upon are not only lovers, but also supercilious, not to mention his poetry and calligraphy. For good friends, you never take people away from poverty and wealth.
One of Jin Nong's many friends was Zheng Banqiao, who lived in Yangzhou at that time. They like to drink a glass of wine together and have a pleasant conversation. "Blind date is like a seagull in Zhu Ting". Zheng Banqiao once said that "only the farmers in Hangzhou are good". In addition to their common outlook on life and art, they also have a special congenial personality and temper. They frequented the Qin Louchu Pavilion, drank heavily in middle age, traveled for fifteen years, and traveled all over China. Where can I get the travel expenses? In addition to giving alms to the temple and friends, he also recruited and selected a group of skilled craftsmen to form a self-sufficient "technical tour group", with Jin Nong as the "head". Everyone in the group has a skill, for example, Yongdong is good at carving inkstones, Xin 'an Zhang is good at writing, Huiji is good at copying, Wumenzhuang's Guilang plays musical instruments, and Lanling's is good at painting. This way is also unique among the "Eight Eccentrics of Yangzhou".
What Jin Nong has is a romantic poet's feelings, a loose painter's demeanor, and a unrestrained wild literati temperament. Secondly, Jin Nong was poor in his later years. Although social reasons cannot be ruled out, they also have their own reasons. Jin Nong's income is also considerable, but as a result, there is no money left to die when he is old. This is a tragedy.
Calligraphy in the Kanggan era was mainly based on "sticking to learning". Jin Nong and Zheng Xie carried the banner of rebellion and became the leading figures in the revival of calligraphy in Qing Dynasty. Jin Nong's calligraphy art, like his paintings, has simple and profound characteristics, and has the artistic characteristics of "perfection". Judging from the traces handed down from ancient times, his official script is simple and unique, simple and generous, and his running script is vigorous and chic. The first "Qishu" has the greatest influence. The source of the word "lacquer book" can't be painted, so the head is thick and the tail is thin, which looks like its ears. 2. Mi Fei, a great calligrapher in the Song Dynasty, commented on his calligraphy: "I use books to erase words." It can be seen that "lacquer book" refers to a special method of using ink with a pen. The ink used by Jinnong to write lacquer books is "500 Jin oil" made of self-selected ink and cigarettes. "Jinnong Ink" is as thick as paint. "Take a look, the place where paper and ink meet seems to be hairy and shiny." The written words are convex on the paper, and the fingers are stained when they touch the ink. The brush used is a "cutting pen", flat as a brush, dipped in thick ink, and can only be folded, such as the operation of a paint brush. The words written in this way seem vulgar and simple, but in fact they focus on the overall situation, eliminate the details and take the majestic charm. The steep and majestic structure and plain stone and stone interest are all integrated in the black, thick, heavy and condensed style.
Because of Jin Nong's life experience, he made a living by selling words and paintings, which inevitably brought business habits into the art field. Many admirers are not bosom friends, and many works are obviously suspected of entertainment. There are even cases where "a primary school student sells paintings for money, and his paintings also depend on the teacher's biography" and "his paintings will surprise the world, and his brush with thick ink will shock the world", which led to the dispute of "Jin Nong has no painting theory". Although these circumstances have brought some difficulties to the appreciation and criticism of Jin Nong's paintings and calligraphy, it cannot be denied that his style of works conformed to the trend of historical and cultural development at that time and made contributions in expressing individuality, attacking the shortcomings of the times and advocating new thinking.