Feng Nan is from Bohai County. The two kings of calligraphy,
Taking part in the official law, he was brave and courageous, saw the danger in Pingzhong, and turned himself into a mask, which was called "European style" internationally. Have a great influence on future generations. Together with Yu Shinan, Chu Suiliang and Xue Ji, they are called the four great calligraphers in the early Tang Dynasty. Zhang Huaiguan's book section calls his book: "The eight-body style is perfect, the brushwork is healthy and dangerous, and the seal style is especially refined.
The flying white crown is absolutely superior to the ancients. He also said: "The True Scripture takes the big order as the key link and cannot be unified, but it is like a spear in an armory." Fengshen is stricter than Zhiyong and less polished than Yu Shinan.
His cursive script has been circulated repeatedly and can be regarded as two kings. However, it hurts to jump, not to avoid danger. Inscriptions handed down from ancient times include Jiuchenggong Liquan Ming, Huadu Temple Monument, Yugong Gong Monument, Huangfu Birthday Monument and Fangbei Monument. , and there is 100 volume of art ink gathering.
Ouyang Tong, a calligrapher in Tang Dynasty. The word Shitong is from Linxiang, Tanzhou. Ou Yangxun. A prison in the official hall. Inherit the family law and rush through it. The world is called "Little Europe". Legend has it that raccoon hair was used as a pen and rabbit hair as a cover in his later years.
Take rhinoceros ivory as a pen tube. Without this pen, a book can't be made. Ai Dong commented on his book Postscript of Guang Chuan Shu in the Southern Song Dynasty: "The pen is healthy, full of family style, slightly hurting wealth, so I am ashamed of my father. As for the surprise jump, it makes no difference not to avoid danger. "
There are official books handed down from ancient times, such as Taoist inscriptions and epitaphs of spring children.
Huai Su (725-785) was a calligrapher in the Tang Dynasty. Monks. Commonly known as money, but there is truth between the lines.
Changsha (now Hunan) people.
In the third year of Shangyuan (762), he lived in Taiyuan Temple in the west. He is especially good at "Weeds" in his exercise book. He is so excited that his pen is like a whirlwind, flying around, unpredictable and rigorous. Books tend to become dull in old age. Poor at learning books, no paper. I once planted more than 10,000 plantains and practiced calligraphy with leaves. My name is "Green Temple";
According to legend, diligent study,
A bald pen becomes a grave. Chen Si's "A Brief History of Books" in the Southern Song Dynasty said: "The shortage of books is to draw a book and draw another board, and the book will be worn repeatedly." Cao's words were relayed to Zhang Xutong with golden brushwork. Weeds inherited and developed from Zhang Xu, which is called "following madness". As well as Zhang Xu, he is called "drunk". Have a great influence on future generations. Handed down from ancient times, there are bitter bamboo shoots, self-narrative posts and thousands of words in grass. Engrave Notre Dame, legal public iron, etc.
Kun Shen's common name is Liu, whose real name is,, Taoist stone, disabled Taoist, etc. Huguang Wuling (now Changde City, Hunan Province) people. The famous mountains are easy to travel in Sichuan, followed by Youqi Temple of Niushouzutang Mountain in Jiangning, Jiangsu (now Nanjing). Fine painting of landscapes, learning from Wang Meng, making good use of bald pen, dry pen and light ink rendering, sometimes pale, with strange realm, rich charm, dense scenery, high pen and ink, taking real mountains and water as powder, strange Austrian environment, quiet appearance and famous at sea. Together with Shi Tao, they are called "Two Stones", and together with Zhu Da, Hong Ren and Shi Tao, they are called "Four Painted Monks in the Early Qing Dynasty".
He, a native of Daozhou (now Daoxian), Hunan Province, was a calligrapher and poet in the late Qing Dynasty. His name is Zizhen, also known as Dongzhou layman, and Wen Suao at night. He is an ape-arm Weng. Because he wrote the county elbow, he took the meaning of Li Guang ape's arm bow. Official to Yuan Wen school management, Wu Yingdian seal repair, learning politics and other positions. He once gave lectures at Chengnan College in Changsha and Dongzhou Caotang in Yuchang High Wharf.
He is proficient in epigraphy and calligraphy and is famous for his calligraphy. Known as the first in the Qing dynasty. Beginner Yan, middle-aged Southern and Northern Dynasties book, vigorous brushwork. The works of this period are rarely handed down. Later, he devoted himself to Li Fenfeng and Han and Wei Engravings, all of which were deeply researched and sealed, with more than 100 copies of manuscripts. I am Xiao Zhuan, no matter how vulgar the form is, I will make it a setback. It's no coincidence, Ning Zhuo. In the later years of my life, when I was suffering from eye diseases, I wrote a book with this intention. My pen was light and dry. If I were not middle-aged, I would be calm and handsome, and every stroke would be wonderful. Years are respected and valued, and books are sought more, so the works of historical years are handed down from generation to generation. In particular, writing Huilan bamboo stone with seal script method, a few strokes, the stone is full of gas. He is well read and versatile, especially in poetry. There is Dongzhou Caotang Collection. In his later years, he lived in Shanghai, died in Wuxian and was buried in Shirenchong, the southern suburb of Changsha.
He is a very diligent calligrapher. He himself said: "I have been studying books for more than 40 years, and I trace it back to the source." The rules of letter opening are divided into true letter opening threads in North Korea. "Early He Ji Shao from Yan Zhenqing, Ouyang Tong, catch up with the qin and han dynasties seal script. He is very good at writing Han tablets. Zhang Qianbei, ceremony monument, etc. I have written it for more than a hundred times, and I don't want to be similar. Then "grass, seal, division, line into a furnace, Long Bian. "
Change, unpredictable. "There are still many surviving copies. Middle-aged people devoted themselves to the North Monument, and wrote characters with strong personality with wrist-returning techniques different from ordinary people.
He is a great calligrapher, but the title of his poems is covered by the title. He was a master of Song Studies in the late Qing Dynasty, and he was good at depicting landscapes. For example, there is a link in his seven laws "The Original Image" that "the root of the stone is full of water, and the mountains beyond the sky shake". The former sentence is a metaphor for the complex and sinister turmoil in the world, and the latter sentence shows the infinite progress of mankind and is chewy.
What is an official, because of his words, he dropped his tune, so he stayed away from the officialdom, traveled around, entertained himself with calligraphy works, lived in Changsha in his later years, and sang with Huang Daorang,, and others, which became one of Changsha's elegant chapters.
Ceng Jize was a famous diplomat in the late Qing Dynasty. Hunan Xiangxiang people. Zeng Guofan's eldest son, Shaocai, was inherited by Yuan Wailang from Yin Shenghu in 1870 (the ninth year of Tongzhi) and by Yi Zhiyong in 1877 (the third year of Guangxu). 1878 (4th year of Guangxu), served as the ambassador to Britain and France, supplemented Shao Qing in Taichang Temple and transferred to Dali Temple. From the fourth year of Guangxu to the eleventh year of Guangxu (1878 to 1885), as a diplomatic official of the Qing government, he was ordered to go to Britain, France, Russia and other countries. During this period, he adhered to the creed of "protecting the overall situation for the country", tried his best to safeguard the sovereignty and dignity of the country, persevered and made great achievements in diplomacy.
Mao Zedong Mao Zedong's image as a great leader overshadows everything else, or his achievements in other aspects are really insignificant compared with his image as a great man. He is a master of calligraphy in China and is recognized as one of the most outstanding calligraphers in the 20th century.
Mao Zedong's calligraphy uses the eternal charm, melting a hundred schools in one furnace, dancing dragons and snakes, elegant and elegant, magnificent and unrestrained.
Mao Zedong was born in Shaoshanchong, Xiangtan County, Hunan Province. He entered a private school at the age of 8 and became interested in calligraphy. Since then, he has formed an indissoluble bond with calligraphy and has become a contemporary master of calligraphy. The early calligraphy art benefited from his efforts on the basis of previous inscriptions such as Sui stele and regular script, which laid a solid foundation for the formation of his life-long calligraphy style. Mao Zedong never forgot his calligraphy practice when he was directing various strategic stages of the China Revolution. He often browses the inscriptions. From Jiangxi base area to Yan 'an, Mao Zedong didn't gain anything, but he always took the manuscripts he had read and written in the Jin and Tang Dynasties. His calligraphy achievement lies in Weeds, which originated from Zhang Xu and Huai Su.
After middle age, he has formed a unique personal style: Wang Yang is unrestrained, ups and downs, and has a strong visual aesthetic feeling. His words are full of passion and reason. Looking at his cursive script, my eyes were involuntarily attracted. Use his cursive lines and pen, tight and dense, fast and slow. It is shrouded in the "aura" created by his cursive script, just like being attracted by his great demeanor in real life.
Qi Baishi, formerly known as Chunzhi, was later renamed Huang, whose name was Yongsheng, and his nickname was Baishi, who borrowed the owner of the mountain pavilion to send the old man to Ping, a native of Xiangtan, Hunan. He is a famous painter and calligraphy seal engraver in China in the 20th century. He used to be a professor of Beijing National Academy of Art, honorary professor of Central Academy of Fine Arts, honorary president of Beijing Painting Academy and chairman of China Artists Association. He was awarded the title of "China People's Artist", won the World Peace Council 1955 International Peace Gold Award, and was elected as "World Cultural Celebrity" on the occasion of his birthday 1963. There are poems and grass on the white stone, grass seals on the white stone, selected works of Qi Baishi, and works handed down by Qi Baishi.
He engaged in carving in his early years, and then studied poetry, seal cutting, calligraphy and painting from local cultural celebrities Chen Shaofan and Hu Qinyuan. He makes a living by selling paintings and carving. Middle-aged has traveled many times to the great rivers and mountains of the motherland. The poet lives in Zengxiang Fan and is full of sincerity and interest in ancient folk songs. Printing, Hanyin and Hanbei are swift and powerful. He studied calligraphy, including He Zizhen, Jin Dongxin, Li Beihai, Wonders of the Temple of Heaven and Three Mountains. In his later years, he joined the Cao Zijian Monument. With the support of Chen Shiceng, painting has a "law of decline", which is between broad and subtle. I have written many "good articles" that are "the last song of the ages".
Qi Baishi, like all calligraphers in China, has a process of learning from ancient sages and sages. As he said, "Li Beihai, He, Jin Dongxin, and Tianfa Monument" won the most calligraphy. Writing "Harmony Style" is easy to have flesh and bones, writing "Li Style" is easy to have bones and bones, and writing Jin Dongxin's Gu Zhuo's spirit of learning "Heaven sends God to the North". "The most successful calligraphy style in his life should be running script and seal script, but running script never lost its form and spirit, and seal script never jumped out of the wall until his death. Of course, it is the most obvious way to change the radicals of individual running scripts into Zheng Banqiao's writing. This is a sense of political reform. It is also a new style of seal script to change the pen used for seal script into a round pen, the sharp pen into a flat pen, and the turning point is aggravated.
Qi Baishi's running script works have both form and spirit, resembling Li Beihai's "Li Sixun" monument, and are excellent works. He once used Su Shi's words, "I can't write books with my heart", which is a deceptive hero. He defended himself and said, "I am learning from others, not imitating others, but learning the spirit of pen and ink, whether it looks like it or not." (Talking to Hu Weiwei about copying) Actually, he studied imitation, both in appearance and spirit. Form and spirit are the process before and after learning books. Every calligrapher has a bittersweet experience, so there is no need to flash the word * * *. His works are quite frank and vigorous, crossing to the right and rising to gain momentum, but they are suspected of shrugging their right shoulders. Sometimes the pen is too fast, and one stroke passes. Although there is pen power, it lacks the inherent beauty of strength, which is a bit too oily. However, the ups and downs of throwing a pen out of the front, the pen has not arrived, seemingly fierce and vigorous, but in fact it is thin and rustic. In order to build momentum, he blindly regards the positive tilt as his own ability, which seems powerful, but it has no meaningful connotation. People who know it should learn from it. In the 20th century, due to various non-artistic reasons, people praised him as a master on the basis of small daily objects such as flowers, grass, birds, bugs, small fish and shrimps, knickknacks and cursive scripts, which was really overreaching. If he is an ordinary folk painter, then we have wronged him. Only observing the aesthetic value of his works is the standard of his artistic orientation. Qi Baishi, as a generation of famous artists, deserves it.
Zeng Xi
The word Ji Zi, Ji Zi Ren,No. Tian Yi Yuan,No. Chi Nong Beard. People from Hengyang, Hunan. In his early years, he worked as an official in Beijing with Li Ruiqing and studied calligraphy. After the demise of the Qing Dynasty, he retired to his hometown. Later, due to difficulties in life, he accepted the invitation of Li Ruiqing to sell Chinese characters in Shanghai. Since then, "increasing the south and increasing the north" is famous for its ten-mile foreign market.
I have studied, Xia Chengbei, Huashan Monument, Zhong You and Erwang, especially Yi He Ming and Diamond Sutra, which are named "South Sect" to rival "North Sect" Li Ruiqing, with smooth brushwork and soft and moist lines. Therefore, his calligraphy is like Wei Bei's, which makes him beautiful and elegant. You can also carve tablets, and calligraphy is full of the elegance of Jin people. In fact, Zeng's inscription is not bad, just because Li Ruiqing has become very famous for writing "North Monument", and his reputation has been overshadowed by Li Ruiqing. Zeng and Li are very good friends. At that time, they were circulated in Shanghai as beautiful talk materials. The bad habit of "belittling scholars" has never appeared in Zeng and Li.
During the Republic of China, many dignitaries in Tan and the DPRK were able to write good handwriting, but the most famous ones were Tan and Yu Youren.
Tan Yankai, whose names are Anzu and Anzu, is fearless and fast. Chaling people in Hunan. Tan has always been a senior official of the Kuomintang government, controlling the Premier and serving as the chairman of the National Government for two terms. His writing, like his people, has a strong flavor. He is broad-minded and eager to dominate himself. He was another person who wrote strict characters after Qian Feng in Qing Dynasty. Yan Zhenqing's regular script has been ignored since it was criticized by Min Nangong, and Song Yuanming did not produce a good writer. In the early Qing Dynasty, Dong Qichang's calligraphy was the mainstay. It was not until the advent of Liu Shi 'an, Qian Feng, He, Weng Tonghe and others in the middle of Qing Dynasty that Yan Shu was revived. However, most calligraphers in Qing dynasty still wrote cursive script, and seal script was also quite good, with few regular script. Qian Feng was once a famous artist, and he was very interested in learning Yan characters. However, when it is horizontal and vertical, it is hard and not as smart as Lu Gong. Even so, Qian Feng is rare in the regular script circles of his contemporaries and later generations. Regular script can show real kung fu, with a slight deviation, which can be seen at a glance.
From the Republic of China to the present, no one who writes Yan characters is right for Tan. He is especially famous for regular script. Tan spent his whole life basically attacking Yan Shu.
Yi Yuanji, a painter in the Northern Song Dynasty, was born in Changsha (now Changsha City, Hunan Province). I once worked as a flower and bird, a bee and a butterfly, but after seeing Zhao Chang's works, I found it difficult to transcend its essence, but I was determined to devote myself to what others had never done, so I turned to apes. Yi Yuanji's paintings are vivid but not dull, and are highly praised by Mi Fei, a connoisseur and calligrapher in the Northern Song Dynasty. He is known as "Xu Xihou is only one person". Although he is famous for drawing apes, his flower-and-bird paintings are also exquisite. Therefore, Shen Kuo said in "Painting Songs": "Only Changsha is easy for Yuanji, and many apes are not as good as it is".
Chen Shaomei (1909- 1954) was born in Hengshan, Hunan.
He studied poetry and calligraphy with his father Chen since childhood, and joined the Chinese Painting Research Association at the age of 15, becoming the last disciple of Jinbeilou.
/kloc-at the age of 0/7, he joined the Hushe Painting Association.
1930' s work won the silver prize of centennial art of Belgium International Expo.
193 1 went to Tianjin, presided over the Tianjin branch of Hushe Painting Association, made a living by selling paintings, taught paintings, and held art exhibitions in Beijing, Tianjin and Shanghai.
1949, vice chairman of Tianjin Branch of Ren Zhonghua National Artists Association.
1953 moved to Beijing and died the following year.
Good at landscapes, people and words.
Learn from Tang Yin, Dai Jin and Lian, catch up with Guo, Xia Gui, advocate "Northern School" and explore their own style.
In his early years, his works included West Garden, and in his later years, he included Jiang Nanchun and Bathing Cows.
Xiaogushan is collected by China Art Museum.
After his death, Tianjin held a memorial exhibition for him.
There are Chen Shaomei's paintings, Chen Shaomei's paintings and Chen Shaomei's paintings.
Huang Yongyu, Huang Yongyu, 1924 was born in Fenghuang County, Hunan Province. He is a Tujia, and his primary and junior high school education is incomplete. At the age of sixteen, he began to make a living by painting and woodcut. He used to be a porcelain factory worker, a primary school teacher, a middle school teacher, a family education librarian, a troupe trainee artist, a newspaper editor, a film screenwriter, a professor at the Central Academy of Fine Arts, and a vice chairman of the China Artists Association.
Self-taught literature and art is a generation of "ghosts", and monkey tickets and alcoholic liquor packaging are well known. He is knowledgeable, excellent in poetry and calligraphy, and also a master of poetry, prose, essays, novels and plays. He has written and published picture books of various ancestors, as well as melancholy fragments such as Six Chapters of Yongyu, Wu Shimian Forum and Don't Cry, Wife, all the way along the Seine to emerald green and the sun. He has painted Ashima, Zodiac Stamp Monkey and Chairman Mao Memorial Hall Landscape Painting. He has held exhibitions in Australia, Germany, Italy, China and Hongkong, and won the Italian Commander-in-Chief Award for his artistic achievements. It enjoys a high reputation at home and abroad.
Duan Hui Duan Hui, male, born in September, 196 1, a native of Xinhua, Hunan. Lecturer, Fine Arts Department, Yueyang Normal University. Member of Hunan Artists Association, member of Hunan Watercolor and Gouache Art Committee. He graduated from the Fine Arts Department of Hunan Normal University Art College and graduated from the graduate class of Guangzhou Academy of Fine Arts. Engaged in the creation and teaching of watercolor painting. Pursuing the beauty of simplicity, lyricism and harmony in art, giving full play to the characteristics of watercolor painting in technique, and striving to create a personal artistic style with realistic expression. The work "Bronze Statue" won the Excellent Works Award of the Second National Watercolor Gouache Exhibition. "Long Years" won the bronze prize in the 4th National Watercolor Gouache Exhibition. His works have been selected for many national art exhibitions and exhibited in Singapore, Hongkong and Taiwan Province Province.
Duan Jianghua Duan Jianghua, male, 1963, from Mayang, Hunan. Lecturer, Fine Arts Department, School of Art, Hunan Normal University. 1985 was admitted to Studio 3 of Oil Painting Department of Central Academy of Fine Arts, 1989 graduated from Central Academy of Fine Arts with a bachelor's degree. Since 1989, he has been teaching at the Art College of Hunan Normal University. He is currently the director of China Oil Painting Society, the chairman of Hunan Oil Painting Society, the director of Hunan Artists Association and the deputy director of the Oil Painting Art Committee. 1993 participated in the "Hunan Oil Painting Invitational Exhibition" sponsored by Beijing International Art Museum, and the work "Flower" was collected by the International Art Museum. 1994 The work "Wanghou II" participated in the 2nd China Oil Painting Exhibition and won the gold medal. 1995
The work "Tie the King and the Queen" participated in the excellent works exhibition of the 8th National Art Exhibition and went to Japan for exhibition. In the same year, he went to China for an academic visit and exchange with a delegation of Japanese artists. 1996 the work "Wang" participated in the first annual exhibition of China Oil Painting Society; The work Tianmen participated in the 3rd China Oil Painting Annual Exhibition and was collected by the organizer. 1998 works "Holy Land" participated in the '98 China International Art Year "China Landscape Painting and Oil Painting Exhibition".