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Ying yeping's artistic evaluation
Ying Yeping, a famous contemporary landscape painter, was born in 19 10 and died in 1990. He was born in Jesus Church at the south gate of Ninghai County, Zhejiang Province. His original name was Ying Duanjun. Under the influence of his father, a scholar in the late Qing Dynasty and then president of Ninghai Education, he copied ancient books when he was young. /kloc-When he was 0/4 years old, he came to Shanghai as an apprentice. By chance, he got to know Pan Tianshou, a teacher in the Art Institute, and gradually embarked on the road of painting career.

Ying Yeping's greatest legacy is China's landscape paintings.

He has a very pious sense of responsibility for painting. Every time a simple note is recorded, he has ink with him and no ink in his chest (stone doubt), I forget everything. What drives pen and ink to run is only loyalty to art and infinite affection for life, that is, he has what the ancients called "qi"

Over the years, Ying Yeping's profound accumulation of "learning from foreign teachers" and the mountains and rivers evolved from "learning from the heart" in the creative process are shrouded in a sincere sense of life and art. Dongpo has a saying that "a little noble spirit, a thousand miles fast wind", and its artistic conception can be seen from the picture of old age. He often writes on impulse, frank and honest, relaxed and lucky. There are blocks in the chest and clouds on the soles of the feet, all of which are condensed on the picture intentionally or unintentionally.

When appreciating Ying Lao's landscape paintings, if we can carefully consider the pen, ink, color and water, we will gain more. The works advocate grandeur, in one go, and give full play to the wonderful effect that water, ink and color can only produce when you put pen to paper for the first time. The infiltration of ink and wash is constantly changing in the whole creative process. There are strong reflections on rocks and peaks under the sunlight, and there is an atmosphere of green sand and shade between clouds and dew in the mountains. Clouds are rolling and clouds are smooth, streams are running, static and firm, moving and expecting, and what is chaotic is a natural painting.

In fact, the artistic connotation of Ying Lao's calligraphy, especially Li Shu, is no less than landscape painting. Because of the painter's different feelings, when I put pen to paper, I lost the pure and eternal bondage of the supremacy of the eight laws, infiltrated the layout of landscape painting and atmospheric rendering, and regarded the French-Chinese bamboo slips as a whole, giving viewers a noble and timeless sense of artistic conception.

The Great Hall of the People in Beijing, the State Guesthouse and local art galleries have collected many famous works by British and old people, which have received rave reviews. Neighboring Japan praised him as "the first landscape painter in China". Ying Yeping's basic skills in Chinese painting are very solid, and he has many unique skills. In particular, his unique ability to silently draw is impressive. Any famous ancient painting, as long as it passes through Ying Yeping's eyes, can be painted exactly the same silently afterwards, which greatly admires his peers.

However, the ability of Yingye to memorize and draw silently is forced by the difficult environment of learning to draw. This unique technique has played an extremely important role in Ying Yeping's artistic creation for half a century. When learning traditional techniques, his ability to memorize enables him to fully grasp the unique laws of lines and pen and ink of various techniques; In-depth life makes his observation and discrimination more acute and meticulous than others.

At that time, because of the lack of conditions, it was rare to see good paintings, so I had to recite them on the spot. It's not easy to draw silently. At first, he remembered one stroke, forgot that stroke, remembered a mountain and forgot two trees. After numerous rote memorization, I finally got the eye-catching appearance of the Monkey King on Huaguoshan and honed a pair of extraordinary reciting skills. Later, the paintings he saw, no matter how complicated the brushwork and composition, could be memorized as long as he pondered them carefully, so that he could recite them accurately and reproduce the original appearance meticulously. "The First Man in China Jiangnan Ink Painting" is the Japanese evaluation of Ying Yeping, but it also appropriately reflects Ying Yeping's position in contemporary Chinese painting.

Ying Yeping's paintings have distinct personalities, and it is easy to pick out his paintings from a large number of works. The uniqueness of this personality comes from his painting skills as well as his painting ideas. His skills serve his thoughts, and his thoughts can be appropriately transformed into skills, so that his mind and hands are smooth and his masterpieces are repeated.

Like previous Shanghai painters, Ying Yeping started from tradition and experienced the painting process from imitation to innovation. Although Ying Yeping had an innovative idea long ago, it was not until 1949 after the liberation of Shanghai that he really put it into practice and began to gain something. Ying Yeping changed his name from Ye Ping to Ye Ping out of political enthusiasm, and his determination to reform painting was greatly encouraged by political enthusiasm. He consciously dipped the brush in the ink color of the new period because he wanted to create paintings that expressed the real life content. You should know that the creation of traditional ink painting is a learning style. Even though the old adage says "read thousands of books and take the road of Wan Li", the reality is that painters still focus on the bookish spirit on the picture, which is a transcendental spirit far from the world and a paradise for painters to place their utopian ideals. When Ying Yeping, accustomed to this emotion and the traditional painting techniques associated with it, faced the reality, he had to change his pen and ink habits to meet the requirements of the new era. He traveled all over the mountains, rivers and urban construction sites in New China, and created a large number of masterpieces that are still full of passion of the times with brand-new pen and ink, attracting numerous praises.

As an urban artist and a new generation of Shanghai painting masters, Ying Yeping's paintings are also permeated with the cultural atmosphere of modern cities, which is manifested in his aesthetic pursuit of pictures, his idealistic sustenance for the connotation of his works and his tendency to suit both refined and popular tastes in form. The pursuit of aestheticism makes his paintings stress the perfection of details and the richness and completeness of pen and ink, including the unity and coordination of poetry, calligraphy and painting. The sustenance of idealism made him fall in love with Huangshan. He took pains to describe the strange peaks and rocks of Huangshan Mountain, flying clouds and turbulence, and completely integrated himself. The form of appealing to both refined and popular tastes is the result of his ingenious combination of the times and the aesthetics of modern urbanites. Ying Yeping showed the profound consciousness of the ancients in a way that people liked to see and hear. Just like the characters painted by Ren Bonian can be understood by people of all ages, Ying Yeping invited Chinese paintings, mainly landscape paintings, out of the study and into the public. This can be said to be another revolution in China's traditional painting, and its significance has gone far beyond the scope of techniques. Ying Yeping loves sex and attaches great importance to friendship. He has friends in all walks of life. While harvesting friendship, he talked with his friends about art and painting and learned from each other.

Yang Zhenxiong, a famous storyteller, has a close relationship with Ying Yeping. Ying Yeping likes to listen to pingtan, especially Yang Zhenxiong's Palace of Eternal Life. Yang Zhenxiong once recalled that there was a CPPCC club at that time, and every Thursday was the time for painters, calligraphers, engravers and artists to get together for activities. At every activity, everyone talks about poetry and painting and writes casually. Sometimes I write poems and draw pictures together, and I join in the fun. After a long time, everyone will be familiar with it. Besides every Thursday, Mr. Ying Yeping and I often exchange visits. In the words of Mr. Ying Yeping, we are friends of literature and art. Mr. Ying Yeping studied poetry and painting. His art was expressed by pen and ink and Xuan paper, while mine was expressed by stage. When I perform, Mr. Ying is often my guest. When Mr. Ying Yeping draws, I often look behind my back. I said to Mr. Ying Yeping: It is a pleasure to watch painters draw. It's a blank sheet of paper, and then it's a mountain valley. The painter's pen, composition, color matching and inscription are of great help to my performance of playing ci, and I can strive for perfection. Mr. Ying Yeping also said, "Listening to your Palace of Eternal Life can make painters more interested in painting." He added: "Literature and art are similar to each other and can absorb each other. For example, Zhang Xu in the Tang Dynasty saw Gong Sundaniang's sword dance and got weeds, and so on. " There are many banners and albums left by Ying teacher in my Mo Bao, but my favorite is Ying teacher's fan. Whenever I create or perform, the bold pen and ink and majestic momentum in Mr. Ying Yeping's paintings infect me, give me association and give me reference. Ying Yeping loves art and life, and he is a man of temperament. He has experienced many hardships in his life, and the more he suffers, the more he can show his optimism and tenacity. He had a stroke, his hands trembled and he couldn't hold the pen. Even a doctor friend said, I'm afraid Teacher Ying can't draw any more. However, after his miraculous recovery, he not only stubbornly picked up the pen, but surprisingly, his art became more sophisticated and calm.

A famous journalist solemnly made friends with Yingyeping, and once wrote and published Yingyeping Chronicle. According to his writing, that year, Ying Yeping was suddenly found to have esophageal cancer, and after chemotherapy, he had a strong reaction. He still didn't agree, and gave some poems written in his illness to Zheng Zheng, saying, "Take a rest after a minor illness, so throw pen and ink for a while and have a good trip." At this time, people thought that he could no longer paint. After receiving his poems, I went to see him solemnly, only to find Ying Yeping's new work hanging on the wall, which read "Try to write after illness". After reading it carefully, I feel happy: alas, Teacher Ying can hold a pen again.

Originally, Ying Yeping lived very carefully during his illness, and his body got better day by day. In autumn, several northwest winds blow, and crabs in Yangcheng Lake are on the market. Although "taboo" for a long time, but this time "temptation", Ying Yeping taboo to eat a crab, since then cancer out of control. Ying yeping regretted this and wrote a poem solemnly:' Heaven never dies, everyone dies, and illness begins with a crab. If this body can be rejuvenated, don't talk lightly for the time being. There is a postscript at the end of the letter: "I don't eat crabs, and I don't draw crabs anymore. "

However, this time the disease never gave him a chance to rejuvenate, and his condition went from bad to worse. Once in front of his bed, he solemnly said that you are 81 years old this year, and you can call it "99 Weng". He said: I don't want to be the birthday girl, I just want to paint. When I was sick, I dreamed of drawing until I couldn't hold a pen. He believed that his artistic life was very long, and he was still painting with strokes until the end of his life. He didn't expect to leave so soon.