Dragon species grow in Hengshan Mountain, Nanyue, and the proud bamboo is lush and towering. The top is straight, and it is misty and rainy below. At night, I hear the sound of flying rats, and at day, I hear the sound of mountain springs. The spring breeze is soothing and rippling, and the Millennium is cool and crystal clear. The mourning is like a bell, and the deep color is moistened by frost and snow. It's freezing in the cold, the vegetation is bitter cold, the frost and snow are bitter cold, and the bamboo is green. Don't you feel cold? Shame competes with trees for glory in spring. A tree rises and falls in spring, but its nodes never wither. The original intention is to keep the firmness of nature forever, just like a stone. I never thought there would be Mr. Ling Lun, who played like a phoenix. So, with the cooperation of clouds and musical instruments, they set up a music ensemble in Jiutianyuan. Wonderful songs are ever-changing, and Xiao Shao Qu ends in nine. Really rely on meticulous carving, willing to serve fairies often. Driving a green dragon car, Zi Lusheng expressed his resentment. Make friends with the fairy who won Taiwan and ascend to heaven to sing a song * * *. Hand in hand, climb the sun, travel far, and play together to Chicheng. Xuanhe danced in the music, and colorful clouds covered the sky intermittently. Always follow the immortals, cross three mountains and reach the Jade Well in Xiandu.
Note 1. Dongfang Taiwei: Dongfang Taiwei was a friend of Wu Zetian when he was Taiwei, and his life experience is unknown. 2. Oriental Palace: an honorific title for Oriental Autumn. Step 1: address each other respectfully. When the ancients called it "Shang" or "peers", they called it "the first step" and later used it as a title of respect between peers. The article has been flawed for 500 years: it has been flawed, that is to say, the reason for making a fuss has been corrupted. Five hundred years, from the early years of the Western Jin Dynasty to the era of Wu Zetian who lived in Chen Ziang, is about 400 years. 4. Han Wei's style: The author thinks that Han Wei's poetry and prose have a sad, generous, vigorous and fresh style. 5. Documentary evidence: refers to the surviving poems that can be proved. 6. Colorful: It means that poetry pays attention to literary talent. 7. Ji Xing: Bi Xing reposes. 8. Sadness: I feel uneasy and uneasy. 9. One: There is a tone change here. Option 3: I don't know my life experience, so I want to be friends with Dongfang Qiu. 10. Ode to Lonely Tung: Gong Ming, the honorific title of Oriental Autumn. Ode to the Lonely Tung in Oriental Autumn. 1 1. Duan Xiang: The content is straightforward and full of charm. Strong character: refers to the beauty of strong character in Gu Tong Fu. 12. intonation: both rhyme and emotion have the beauty of cadence. 13. Light and shadow training: bright and lively, concise and smooth. 14. and gold: the sound is sonorous, like a stone. 65438+ Some people think that the theme should be Dongfang Qiu, and that Dongfang Qiu wrote "Ode to Lonely Tong" because he "washed his mind and decorated his eyes to show his melancholy", that is, because Dongfang Qiu entered a "virtual and quiet" mental state, which enabled him to express his depressed feelings. 16. Voice without the beginning of the picture: not a picture, not expected. The voice of the beginning: refers to the poetry creation of Ji Kang, Ruan Ji and others in the period of the beginning of Cao Wei. Zhengshi's voice inherited the "Jian 'an style". Goodbye: it means to see the "voice of the beginning" again here. This refers to the "Gu Tong Fu" written by Oriental Autumn. 17. It can make Jian 'an authors smile at each other: because Dong's Poem of Lonely Tong has the character of Jian 'an, if Jian 'an authors see Poem of Lonely Tong, they will treat each other as comrades-in-arms and smile. 18. Xie Jun: refers to Xie San. 19. Zhang Maoxian: Zhang Hua (232-300), minister and writer of the Western Jin Dynasty. The word Maoxian was born in Fanyang Fangcheng (now Gu 'annan, Hebei Province). At the beginning of the Western Jin Dynasty, Ren Zhongshu was a minister and a constant servant. When Hui Di was an official, he worked in a middle school. He was a middle school inspector, which was very common. Have political achievements. Later, he was killed by Wang Zhao Sima Lun and Sun Xiu. 20. He Jingzu: He Shao (236-302), a poet in the Western Jin Dynasty. The word respects the ancestors. Chen Guo was born in Yang Xia (now Taikang, Henan). He used to be the official of the Secretariat, the Prince Taishi, Shangshu Zuofushe, Situ and so on. Shineng, "Ten Products" are listed as China products. 2 1. Oriental students: refers to the oriental autumn. 22. Elegant sigh: It means that I was moved by the poem "Lonely Whole Fu" written by Oriental Autumn, and wrote the poem "Xiuzhu Pian". Elegant system, a respectful name for other people's works, regards other people's works as elegant works. 23. Dragon species: refers to improved bamboo. Nanyue: refers to Hengshan Mountain. One of the five mountains. 24. Zun (Zu): majestic appearance. Shen Yue in the Southern Dynasties wrote in the Fu of Xiao Ju: "If it is in a shape, it is tall and straight, and the branches are blowing the sun. 25. Twilight: Still dim. Tang Du Fu's poem "Crossing Nanyue into Dongting Lake" says: "The sail is full and the water is lonely. 26. Wu mouse: mouse name. Alias Yiyou is commonly known as flying squirrel. It looks like a squirrel and lives in the deep mountains and forests. The tail is long, the back is brown or gray-black, and there is a wide membrane between the front and rear limbs, which can be used to slide between trees and eat the skins, fruits and insects of plants. The ancients mistook birds for birds. 27. Shallow swing: The water is circuitous and flows slowly. Extended to harmony and comfort. 28. Golden melody: generally refers to music or musical notes. Yan Yanzhi, the Five Gentlemen of the Southern Song Dynasty, wrote "Ruan Xian Fu": "What's the use of sound? What subtle knowledge is there? ".29. Cold: the cold season of the year. "The Analects of Confucius Zi Han": "When I was young, I was cold, and later I knew the pine and cypress carvings. 30. Xie Rong: Glory and decline coexist. 3 1. Jinshi: Gemstone. Used to describe the firmness and firmness of things, the firmness and loyalty of the mind. 32. Ling Lun: Originally an ancient musician, this refers to a musician who is familiar with bamboo. 33. Xue: "History of Han, Art and Literature" contains: Ling Lun "from the west of summer, in the shade of Kunlun Mountain, he took bamboo to care for his life, and his skill, Jinbe, was blown between two sections, thinking it was a palace of yellow bells. Listen to Phoenix in twelve songs, including six male songs and six female songs. So he invented the twelve methods of Huang Zhong. 34. Yunhe musical instrument: the general term for stringed instruments such as pipa and pipa. 35. Xiao Shao: It generally refers to the wonderful Yue Xian. 90%: 9%. The end of the music is called Cheng. 36. Carving: carving. In the Southern Dynasties, Bao Zhao wrote the poem "Lonely Tung on the Mountain": "Fortunately, I saw the carving and played the piano for Juntang. 37. Qiu Cui: another name for Qinglong. Han Yang Xiong said in "Solving Problems": "I didn't see General Qing Jiang, but I went to heaven and bowed in the depths of the sky. 38. Actress: refers to the legendary Qin Mugong's daughter Nong Yu. 39. Ancient poems about immortals. 40. Chicheng: the legendary fairyland. Yu Xin of the Northern Zhou Dynasty wrote the poem "Answer to the Gift of Wine": "Xianer goes down to Chicheng, and Xianjiu rewards Wang Ping. 4 1. Xuanhe: Heihe. Ten years of everything is done wrong: "Twenty-eight people from Xuanhe came from the south and gathered in Langmen. 42. Three Mountains: The legendary three mountains on the sea. Yujing: refers to the fairy capital in general. Song Luyou's poem "Sitting on the North Waterfront on the night of July 1" says: "How about returning to the dust after the fairy? I'm going back to Yujing by whale. 」
Appreciation of Oriental Bamboo Slips of Zuo Shi: The preface of this poem is a comment on Zuo Shi's Gu Tong Fu, a summary of Chen Ziang's own creative experience and a theoretical program of his poetry creation. Taking the poetry of Han and Wei Dynasties as a high standard, Chen Ziang criticized the flashy style of writing since Jin and Song Dynasties, and lamented the loss of "character" and "prosperity". To his surprise, Dong's Gu Tong Fu actually restored the style and prosperity of Han and Wei poetry. He spoke highly of this work, which is "full of vigor, sound and emotion, vigorous and vigorous", and it can be described as a masterpiece with strong character. Chen Ziang couldn't restrain his inner excitement, so he wrote Zuo's Pearl Embroidery with the East and sent it to the East. It's a pity that Dong's "Ode to a Lonely Tong" has been lost today, but judging from his brushwork, it is naturally the same tune of his poems. Moreover, Chen Ziang's Zhuxiu Pian is indeed a work with both "style" and "interest".
Style and prosperity are two important qualities of Tang poetry, and they are also two important categories for future generations to evaluate Tang poetry. Although the "style of character" advocated by Chen Ziang is based on the theory of the Six Dynasties, it has its own new connotation, which refers to the vigorous aesthetic style formed by the combination of vigorous momentum and honest and frank's words. Chen Ziang's high standard of "Jian 'an Style" is precisely the lack of poetic style in the Six Dynasties. Therefore, it is of great significance to reverse the weak and decadent style of writing since the Six Dynasties. In particular, it is of great significance to establish the high-spirited bearing and demeanor of Tang poetry.
Chen Ziang's "good luck" is also derived from predecessors, mainly from the concept of "beauty is better than prosperity" of Han people, and its meaning refers to the comparison and sustenance of poetry. This also accurately hit the drawbacks of the six dynasties poetry, which is characterized by physical objects and exclusive shapes. What's more worth pointing out is that Chen Ziang's combination of "strength of character" and "flourishing age" also laid a foundation for the future development of Tang poetry, such as realizing the "strategic shift" from strength of character to flourishing age.
Chen Ziang's contemporaries, such as Lu Zangyong, already knew the meaning of Chen Ziang. In the Preface to Chen Ziang's Collected Works, he gave a high evaluation to Chen Ziang, thinking that he was "mourning for Chen Jun after 500 years" and fully affirmed his masterpiece "Feeling". However, the starting point of Lu Zang's utilization is not the aesthetic characteristics of poetry, but the Confucian concept of politics and religion, so there is still a certain distance between the true value of Chen Ziang in the history of poetry and the true significance of Chen Ziang's theory to Tang poetics. But on the whole, his evaluation is objective and pertinent and has been recognized by future generations. Du Fu praised Chen Ziang for his "fame", and The Biography of Chen Ziang in the New Tang Dynasty affirmed that he "began to become elegant". Of course, some people have questioned the evaluation of Lu Zangyong, such as Yan Zhenqing and Jiao Ran. On the basis of synthesizing various opinions, Hu Zhenheng's "Tang Yin Gui Qian" at the end of Ming Dynasty still thinks that Chen Ziang "made great contributions to the poetry of Tang Dynasty".
The preface of this poem expounds the author's creative idea of advocating "integrity" and "prosperity" Therefore, this poem has always been regarded as an example of Chen Ziang's literary thought.
The whole poem consists of 36 sentences, which are divided into two parts. The first part of the sketch is better than Nanzhu, and its quality is pure and beautiful. In fact, it is also a portrayal of one's own character and morality. The second half of bamboo writing was appreciated by Ling Lun and processed into a musical instrument, which is also a symbol of the poet's repeated statement on the general plan of governing the country. Then, cultivating bamboo and then trying to "ascend to heaven" is the expression of the poet's desire to display his ambition.
The first part, the first 18 sentence, mainly introduces the growth environment and excellent texture of Xiuzhu. The first two sentences vividly summarize this idea. "Nanyue" is Hengshan Mountain, one of the famous five mountains. High-quality bamboo "Dragon Seed" is produced here. The gathering of famous stories is fascinating from the beginning. The Pavilion of Solitary Cuisine and Gracefulness not only depicts the beautiful and moving posture of bamboo cultivation from two aspects, but also praises its outstanding performance. Hengshan Mountain is lush with thousands of trees, but in the poet's view, they are not as cultivated as bamboo, so the word "solitary green" is specially used to show its essence. Next, the poet wrote about the natural conditions and characteristics of bamboo planting. The following eight sentences, following the first sentence, describe the scene that Xiuzhu "gave birth to Nanyue", with mountains on the top and misty rain on the bottom, highlighting the seclusion of the situation; Listening to birds chirping at night and listening to spring chirping during the day all make the surroundings quiet. The spring breeze is soothing and the white dew is cool, which highlights the cleanliness of the atmosphere. It is precisely because of growing up in such a superior natural environment that Xiuzhu's "mourning" is like singing gold and playing music, and "secret color" seems to be nourished by beautiful jade. The next eight sentences are the continuation of the second sentence, which shows the character of bamboo cultivation. "Dugu with Green" takes care of the above-mentioned "Dugu with Green" and highlights the unique quality of Xiuzhu. Although it suffered from severe winter frost and snow, it is still as green as ever. Then, from the outside to the inside, the poet makes an in-depth analysis with the rhetorical question of "cold and not tired", and the answer is "shame is better than spring glory" Spring is beautiful, everything grows in time, competing for beauty. "Shame ratio" shows that bamboo cultivation is arrogant, not advancing with the times and winning glory. Then, the poet revealed the essence of disdaining bamboo cultivation and striving for glory in spring wood through the comparison between "glorious retirement" and "immortality", and traced back to the source, indicating his ambition: "I hope to be faithful to the end. It shows that the cultivation nature of bamboo determines that it is indestructible and will never wither like a stone. In this discussion, the poet used questions, comparisons, comparisons and other methods to integrate reason into images and create style with his pen, making his writing "straightforward" and "vivid" (Liu Xie's "Wen Xin Diao Long Feng Gu"), which was particularly vigorous and powerful.
The second part, the last 18 sentence, describes the function and desire of Xiuzhu after making a flute. According to legend, Ling Lun, the music official of the Yellow Emperor, selected fine bamboo from the canyon in the north of Kunlun Mountain and cut it into twelve bamboo tubes, which created twelve melodies for human beings according to the chirping of male and female phoenixes. "If you don't expect the son of Ling Lun, you must learn it", which is the poet's bold imagination and the application of this legend. "Unintentional", compared with the previous word "initial heart", makes the whole poem have twists and turns, and the praise of the whole poem has also changed from bamboo cultivation to cave flute. Thanks to the carving of the Yellow Emperor musicians, the finished product of bamboo cultivation, bagpipes, got the opportunity to play with the string "Cloud Crane" in the imperial court. The poet embellished this opportunity with "Essays" and "Zhang Le", with a bold and unrestrained attitude and relaxed tone, suggesting that Dong Xiao was happy to be appreciated. "Wonderful songs are ever-changing, and Xiao and Shao are also 90%", which vividly reproduces its performance in the imperial court. Being able to play Yu Shun's "Fun" and "Shao" shows that its timbre is beautiful. "ever-changing" and "90%" describe a lot of music played. The use of adverbs "Fang" (just) and "Yi" (You) reveals the frequent and busy performances. However, Dong Xiao is not satisfied with this. "I believe in beauty, and I have always wanted to be a fairy", expressing its desire to repay kindness and pursue a beautiful ideal. From the beginning of these two sentences to the end of the whole poem, the third person in front and the tone of the flute were changed, which vividly expounded his wish of "becoming an immortal": driving Qiu Cui with the immortal, singing the wonderful music "Ascending to Heaven" with the immortal Nong Yu, climbing to heaven hand in hand, playing Chicheng, entering the three mountains, swimming in the Jade Well, and flying around with colorful clouds. Here, the poet combined imagination, personification and exaggeration to describe an ideal realm of freedom, joy, light and beauty. Although this realm is illusory, it vividly shows Dong Xiao's eager pursuit of beautiful ideals and high-spirited spirit.
The personification in the poem endows bamboo flute growers with thoughts and feelings, which not only enhances the image and appeal of the poem, but also avoids the disadvantages of frequent comparison and obscurity. The moral is clearly revealed: in fact, it is to express one's feelings by praising things. The character of cultivating bamboo in poetry and the ideal and pursuit of flute are really the portrayal of the poet's upright character, beautiful life ideal and high-spirited spirit.
This poem was written by Chen Ziang after he saw Dong Fang's Ode to a Lonely Tong (the original poem was lost). It is the concentrated expression of Chen Ziang's poetry theory. As a scholar in Chen Ziang, the specific writing year is unknown. Poetic Works: Poems of Zhu Xiushi in Dongyou Zuoshi Author: Poetry classification of Chen Ziang in Tang Dynasty: chanting things, chanting bamboo and expressing feelings.