The story of Yueyang Tower shows Fan Zhongyan's great political ambition of "worrying about the world first, and enjoying the world later"
The same aspect: they all express their ambitions and feelings through touching the scene. These two ideological realms are both positive and positive, and they both express their noble feelings of helping the people despite being relegated, which is commendable.
Different aspects: The author of "Yueyang Tower" advocates "don't be happy with things, don't be sad for yourself", so as to comfort Teng and encourage himself, and directly express his lofty spiritual realm and open feelings. Zuiweng Pavilion contains some depressed feelings of sending love to mountains and rivers and exile.
-Comparison and appreciation of Zuiweng Pavilion and Yueyang Tower.
Pavilions and pavilions are branded with the bright red brand of the poets' innovation movement in the Northern Song Dynasty, and the combination of parallel prose and prose makes the language alive. "Pavilion" represents mountains and rivers, is good at it and has a wonderful sense of music, while "Building" is honest and thoughtful, and wins with profound philosophical beauty.
"Pavilion" is characterized by "music", which turns parallel prose into prose with cadence and presents beautiful rhythm and harmonious melody. Starting with a flat tone "sound", the keynote is rhyme, the syllable "drunk" is repeated six times, and the syllable "music" is repeated ten times, especially the practice of repeating the syllable "night" 2 1 time in 403 words is novel and unique. These twenty-one "yes" are all auxiliary words (equivalent to the interlining in the song), indicating many judgments, such as "the Chuhe River is also a mountain", which is clean and neat; Most of the expressions are to explain the mood, such as "the joy of mountains and rivers, the wine of the heart" and "drunken coke, who can wake up with words, is too defensive" The "Ye" here gives people a sudden and meaningful taste. These twenty-one "yes" are full of dripping joy, full of melancholy and mellow taste, melodious and tactfully, in one go. Ouyang Xiu is proficient in temperament. It is said that singers at that time could sing beautiful songs in a hurry by picking up their own words without preparation. Reading the Pavilion, we can unconsciously feel swaying, like a clear spring, gurgling into our hearts from Langya Mountain.
Lou is full of four compound sentence sentences, mostly in the second, third and fourth paragraphs, and the first, fifth and sixth paragraphs are all loose sentences. Compound sentence is parallel and dual, neat and symmetrical, with sonorous tone, gorgeous words and beautiful symmetry. Loose sentences are free and unconstrained, long or short, simple or unpretentious, or narrative or sigh or ask questions, just like nature itself. But whether it is symmetrical beauty or natural beauty, the purpose is not to admire the haze, but to serve the expression of emotions. Liang Shiqiu said: "All prose is translation, translating our thoughts and emotional imagination into words" (On Prose). Lou is such a typical "translated text". Fan's thinking on political history and life reality is shaped by pen and ink. What should I be sad about? What should I be happy about? Why worry? Why are you happy? The fifth paragraph is straightforward and reveals extraordinary personal understanding. Due to the corruption in the Northern Song Dynasty, the sense of national hardship was strengthened in Lou. The word "worry" appears repeatedly for 7 times in the article, which gradually inspires readers to worry about the country and the people in the ups and downs of emotional waves. At the end of the article, the rhetorical question "Wes, who are we going home" is even more thought-provoking. The philosophy is incisive, but it avoids empty preaching ── that's why after we concentrate on reading the article "Building", we collect books and meditate, as if there is a noble spirit transpiration from the bottom of our hearts, which purifies our souls and sublimates our thoughts.
Pavilions and pavilions are also good at grasping the characteristics and personality of the scenery. "Pavilion" describes the scenery with a coherent picture combination method, while "Building" uses a symbolic picture combination method of superposition and contrast.
Pavilion describes the four seasons with wild flowers in spring, shade in summer, wind and frost in autumn and dry spring in winter as the goal. Write wild flowers, let us smell "fragrance"; Write down countless shades, let us touch coolness ── "Jia Mu" mainly refers to the unique Langya elm, which is tall and vigorous and rooted in stones. Write wind and frost, one "high" and two "clean"; Depicting the dried-up spring erased the murmur of running water, but highlighted the stones at the bottom of the river. Spring, summer, autumn and winter, the time sequence is orderly, concrete analysis. Write "Journey of the Chu People": "The loser sings on the way, and the walker rests on the tree. The former calls and the latter should respond ",which is the middle scene; Bow your head and support-the white-haired hunchbacked old man is leaning on a crutch, the innocent child is jumping in the adult's hand, and the baby is nursing in the mother's arms-this is a close-up released by Zhongjing; "endless communication" is pulled into the panorama. Isn't this a documentary about the scenery that men, women and children like to visit Langya Mountain?
The "building" in the article is not a real scene, but an imaginary fantasy and image in the late autumn picture of Dongting, so a distinctive visual image and auditory image are created with symbolic stacked pictures. First of all, the author used thick pen and ink to render the gloomy Dongting Lake. Continuous torrential rain, howling evil wind, empty turbid waves, destruction during the day, and hearing "tigers howling and apes crying" on the Wuxia gorge at night show that it is desolate and empty; As a result, the bright and quiet "relaxed and happy" in Dongting Lake area is highlighted: skylight, clear water, Sha Ou, Jinlin, Lan Zhi, Hao Yue, magic pen and fishing songs. During the day, the sky is full of vitality, the water is extremely beautiful, the shore is colorful and fragrant; At night, the light floating on the water is like broken gold, the moon sinking on the water is like jade, and the songs flying on the water are one after another, brilliant and beaming. Fan connected these two sets of scenery with different colors and strong contrast, which produced a sense of strangeness, caused a huge gap between audio and video, and formed a strong emotional impact.
Different structural skills. These two masterpieces are not long, about 400 words, but they contain such profound thoughts, which shows the superb structural skills. The author skillfully combines the brief notes at the beginning, the vivid scenery in the middle and the incisive reasoning at the end, thus making the context structure rigorous but not rigid, clear and turbulent. Moreover, the style of writing is changeable, and the winding path is secluded and fascinating. Sometimes you have to describe it to your heart's content, but you come to an abrupt end and find another way. Sometimes it seems that the meaning of the text has been exhausted, but it has turned a corner. What is written in an eloquent way is not the gist, nor is it idle writing. Seemingly correct, but denied. The story of the drunken pavilion is a complete story with the word "music", which is interlocking and ingenious. The beginning is written with a long lens. After pointing out Zuiweng Pavilion, the author drew the joy of mountains and rivers from its name, and skillfully used care and bedding. Excellent articles, drunken words are hidden or present, linking the past and the future; The word "music" is bright and dark, and the word "music" comes before and after. In short, the whole article is joyful and intoxicating, forming a rigorous and complete artistic framework.
Different from Yueyang Tower, the way of expression is to explain the author's progressive thought and great political reward of "not being happy with things, not being sad for himself", worrying about the world first, and enjoying the world later. It adopts the method of combining narration, lyricism and discussion, expressing emotion with scenes and blending scenes. Zuiwengting Ji describes the natural fusion of lyricism in a narrative way, expressing the love for mountains and rivers and the enjoyment of the people, so as to dispel his depressed and complicated thoughts and feelings. The same is the sentiment in the scenery, but there is a difference in writing about the scenery. The story of Yueyang Tower expresses the different feelings of the emigrant poets in The Wind and Rain Map of Dongting Lake and The Mystery Map of Dongting Lake through association, which is not what Gong Fan saw when he climbed the building, while the story of Zuiwengting depicts the beauty of mountains, waters, pavilions and people in Chuzhou through his personal experience, and expresses his complex feelings of enjoying with the people.
Different from Yueyang Tower, the language expression is a combination of compound sentence, cadence and uneven beauty. ; Words and phrases appear in pairs, catchy and witty. The article is not only well-organized, but also fluent in words and sentences, with a degree of relaxation and discussion. And the meaning is profound, the words are refined and alert, the words are read, and the voice is sonorous and thoughtful. Although drunken prose also has the combination of parallel prose sentences, it uses long sentences and is innovative. Only by using antithetical sentences is it unique and unique. Single sentences in pairs, two sentences in pairs, three sentences in pairs. Drunk people use it to narrate, which is bright and concise; Use it to write scenery, beautiful and quiet; It is deep and implicit to express emotions with it. In particular, the use of more than 20 words makes the meaning of the text clear, the rhythm of the language has a sense of ups and downs, and the rhyme is harmonious and pleasant. All this gives people the enjoyment of beauty, the edification of feelings and the soaring of thinking.
The theme is profound and unique. The way of expressing the theme in Zuiweng Pavilion is implicit and profound. In the narrative description, The Drunken Man's Meaning Is Not in the Wine hides the feeling of saving the world with the people, which does not hit the nail on the head. He is still drunk writing music, drunk writing in the gravel, which is why the meaning of drunkenness is not in wine, but also an eternal saying between mountains and rivers. The theme of Yueyang Tower is very straightforward. After comparing the joys and sorrows of literati's career advancement and retreat, Gong Fan directly expressed the ancient people's open mind of "not being happy with things, not being sad for themselves", and encouraged himself with the spiritual realm of "worrying about the world first, and enjoying the world later". It shows his noble character and integrity of taking the world as his responsibility! This kind of wisdom is inspiring, thought-provoking, clear-headed and inspiring.