I like Zhang Jiang's clothes and her sweet but not greasy voice. Moon Palace Ayu is pure and lovely, Kotori Shirakawa is gentle and considerate, Furude Hanyuu is brave and strong, Kushieda Minori is energetic and sunny, and Hanekawa Tsubasa is calm and intellectual. Yu Yi in Grand Prix has played all kinds of roles, and each role has been portrayed very well. This is not only because of the contrast of the plot itself, but also because of the hard work of The Rising River.

I like Noto Mamiko and her silky voice. Excellent but insipid Tsukamoto Yakumo, indifferent but warm Yan Moe, lonely but optimistic jasmine, eccentric but natural Ichinose Kotomi, gloomy but kind Kuronuma Sawako. Being able to climb the unique healing voice line makes the role under her voice full of warm colors, just like a cup of hot tea in winter, which is refreshing.

I like Kana Hanazawa. I like her voice, which is very similar to Deng, but very different. Sengoku Nadeko, a shy and introverted spoony girl, Tachibana Kanade, an angel who loves Mapo tofu, Gokou Ruri, a black cat with dishonest eyes, Charlotte Dino, a woman disguised as a man, and Amano Tooko, a literary girl who likes reading. Most of Hua Ze's characters are sisters, so the healing sound that resembles Nengden is mixed with a little anxiety and dependence, which makes people fondle it.

I like Lin Yuanhui and her simple and pure voice. Ling Boli's moving smile is still fresh in my mind. Haiyuan Ai's rich personality charm and deplorable fate still attract a large number of followers, and Lina Inverse's blood makes The Watchman still enduring. Lin Yuanhui's works are not many, but her simple voice and the roles she created make her worthy of the title of "seiyuu Queen".

I like Mizuki Nana and her high-profile and gorgeous voice. Hinata Hyuga, who is strong and persistent, Fete Tesrosa, who fights to protect her mother's smile, perhaps, Ogata Rina, a talented singer, and nanase, a beautiful girl who is proud and clumsy. Mizuki Nana's voice, like her singing, is gorgeous and gorgeous, emitting charming fragrance.

I like Maaya Sakamoto and her cold deep voice. Ciel phantomhive, a calm young man, Makinami Mari Illustrious, over-conscious, Ryougi Shiki, determined by reason, Alfred, giving up all emotions, Aerith Gainsborough, proactive, Kiyomi Takada, is a queen. Sakamoto's voice is always a little oppressive, but you can feel the gentle warmth when you savor it carefully. Although it is cold, it is beautiful.

I like Kawasumi Ayako and her clear and mellow voice. Kamigishi Akari, a docile childhood friend, Ying Tingkui, a demure and shy little lady, Sakuragi Matsuri, a weak and crying little girl, Yoshida kazumi, a self-sacrificing woman, Sabo, an upright and loyal queen knight, Qianhe Yuan, a bold fox demon, and Alice, a rough but occasionally gentle black rabbit. Most of the characters in Kawasumi's novels are optimistic, strong and gentle, all of which are fused by her clear voice.

I like Aya Hirano and her gentle and lovely voice. Misa Amane, who traded her death for her lover, Harumi Harumi, head of the exclusive SOS group, Fang Quan, a super otaku who likes to vomit, Yuki Morikawa, a fragile singer, Kurumizawa Ume, a lovely campus idol, and Nagase, a perfect sister who is heavily controlled by her brother. Aya Hirano's voice is not as lovely as her voice in the animation, but she has tried to interpret every role she deserves.

I like Mai Nakahara and her gentle voice. Ryuuguu Rena, a blackened girl who likes lovely things, Morimiya Aono, a girl who is cold outside and hot inside, Furukawa Nagisa, a tearful woman who lacks self-confidence, Phyllis, an idiot who cooks hard, Yasuri Nanami, a talented girl who longs for death. The voice of Zhongyuan wheat is not like a nail house or a board, and it has extremely distinctive characteristics. Her voice is in a very balanced position and can be balanced.

I like Kugimiya Rie and her proud and charming voice. A fierce crusader Xia Na, a zero wizard Louise francoise, 3,000 courtyards, a palm tiger Aisaka Taiga and a rich girl Shen Qi ·h·Iaria. The role played by Nail Palace is not only charming, but also most widely known for her charming voice.

I like Rie Tanaka and her wide and changeable voice. She can match a little tweet that can only say "Ji" at first, she can match a famous singer Lax Klein, she can match a mercury lamp that is lonely, cold and eager to be recognized, and she can match a mature old-fashioned girl who is a little dark-bellied. Tanaka can pour different feelings and feelings into every different role, which makes people lament his solid basic skills.

I like Itou Shizuka, and I like her crisp and powerful voice. All-round elder sister Xiang Banhuan, Katsura Hinagiku, the proud president, Rosen, the high-profile eldest daughter of Jiuyuan Temple, Morishima Haruka, the charming and natural senior, and Takei Hisa, the generous and heroic mahjong minister. Ito's voice always has a condescending tone and strength, but when it is carefully tasted, it can feel a little care and love, just like a strict and gentle sister.

I like Yukari Tamura and her childish voice. The core story of Hatsune Hatsune series, Yoshino Sakura, the "tyrant" Neiye who made friends with a gun, Furude Rika who was reincarnated endlessly to escape his fate, and Fa Ya Kubrick, a cursed prop lacking common sense. Tamura's voice is like a childish sister, with a little femininity and liveliness.

I like Yu Gannai. I like her cold and warm voice. C.C., the immortal witch, Tenko Kuugen, a cheerful and stubborn fox spirit, Nanasaki Ai, a handsome school girl who is good at taking care of people, and Cecilia Alcott, a talented pilot with arrogant personality. Yuganai's voice always makes people feel rejected, but in fact, he is as eager to love and be loved as C.C.

I like Sawashiro Miyuki and her elegant and noble voice. Zhen Hong, a noble and conceited queen doll, Lihua Kitajima, a super lady with both talents and looks, Canaan, a ruthless killer with unique skills, Busujima Saeko, the head of Leng Yan Kendo Department, and Dalian, a tough and willful and vicious pot. Zecheng's voice always has a strong temperament, which makes people unconsciously attracted.

I like Satou Rina and her quiet and powerful voice. The positive causes of death are still the mysterious longevity of Yoyoyo Palace, the proud and unyielding electric shock princess Misaka Mikoto, and the willful and cheerful childhood sweetheart. The characters in Satou Rina's works are always serious, strong and unyielding, and Sato performed these characters well with his own voice.

I like Koshimizu Ami and her natural and pure voice. Nukumoto tenyou, who is lively but often silly, is a beautiful conservative girl who helps her class, and Holo, a calm and sophisticated virtuous wolf, a fierce and competitive mechanic, Red Crescent Karin, a serious and shy powerful mahjong girl Haramura Nodoka, and a particularly clingy cat princess Noihara Himari. Koshimizu's voice is either loud and Nadeshiko, quiet and docile, or slightly wild and charming, but either one is quite natural and pure.

I like Itou Kanae, and I like her proud nasal voice. Hinamori Amu, who is slender and easy to be shy, is naive but also has some optimists, such as always insincere, Alusi who stays boldly and naturally, Matsumae Ohana who loves fantasy, Kashiwazaki Sena who is full of pride, and Shinnai Oda who can't be honest and jealous. Itou Kanae's characters are always shy, with a sour and sweet taste of first love.

I like Marina Inoue, and I like her broad neutral voice. Kana Minami, known as the representative of Japanese idiot, is synonymous with the sluggish seto fish in anime, the jasmine in Wang Xi Temple, the maid who loves to vomit, Miyamoto Rei who is prone to hysteria, Laura Bodewig who lacks common sense but is fierce and belligerent, Mikazuki Yozora who has pungent words and strong action ability, and Haruka Nanase who is upright and kind. Marina Inoue's voice is broad and distinctive, so she always plays the role well.

I like Yoko Hikasa, and I like her powerful voice like a heroine's version. Some queens are afraid of ghosts, such as Qiu Shanling, the president of Huangduanzi, the proud and stern childhood sweetheart Tian, and the glib serafim, known as the "strongest" sword knight, who is resourceful. Yoko Hikasa's voice temperament is slightly weaker than Sawashiro Miyuki's, and there is a trace of tenderness and weakness in her strength, which is fascinating.

I like Ayane Wuda and her strong voice mixed with soft girls. Kousaka kirino, an outspoken sister, catalpa meow, a serious and lovely junior, Shi Dongmeixu, a senior who often blushes, Jiang Yaxiang, a bold and open sister, and a lovely Tacheng kitten. Many characters played by Ayana Taketatsu are similar to Kugimiya Rie, strong, spontaneous and willful, but compared with the shrill voice and nasal voice of nail house, Cai Nai's voice is more natural and beautiful.

I like many seiyuu, such as Toyosaki Aki who voiced Hirasawa Yui and Yamagata Lamp, Haruka Tomatsu who voiced Lala and Baxina, Kitamura Eri who voiced Liang Yue Cuo and Yuyi, Yuka Iguchi who voiced Index and Araragi Tsukihi, Maehara Minoru who voiced Yuegong Shenle and Nagamoto Youxi, Yi Shi Morier who voiced Feng Zikai and Gonassises, Takahashi Caiyang who voiced Asakura Yinji and Shi Dongnai, and Takahashi Yoshiyuki and Park Road, all of whom were Kawabata Yasuko.

Okay, I admit, I'm voice-activated.

The above ... I originally wrote the diary, but later I added a few more people ~

After typing so many words, I hope to adopt them ~