Author: Mei

In the early morning, the rolling Lushan Mountain, with thousands of peaks competing and beautiful, is spectacular, which just caters to my interest in natural scenery.

Along the way, the mountain range in front of me is constantly changing, and a person is immersed in the winding and deep wild road, but forgets where to go.

The sun rises, the snow melts, the mountains look more silent and empty, the silly bear is slowly climbing the tree, and the deer is leisurely sipping the stream.

I can't see any buildings or smoke, so I can't help wondering if there are people living in the mountains. Just then, I suddenly heard a crow crowing on the distant mountain.

Precautions:

1, Lushan: In Lushan County, Henan Province today.

2, suitable: just right. Crazy Love: Love for Shan Ye. Just: I am satisfied.

3. Wild love: Love Shan Ye's love.

4. Change everywhere: (Mountain peak) changes with the visual angle.

5, secluded path: path.

6. Xiong Shengshu: The bear climbed the tree.

7. Why: Where, where.

8, outside the cloud: describe far away. A chicken: a hint of someone.

Translation:

Just in line with my interest in Shan Ye scenery,

Thousands of miles of mountain roads are rugged, high and low.

Climbing all the way,

(Mountain peak) With the change of visual angle,

The deep path makes me lonely and confused.

In the evening, frost leaves fall,

The bear climbed up the tree and the forest became quiet.

Deer are drinking water leisurely by the stream.

Where are they?

There is a cock crow outside the cloud.

Suggesting that there was someone else,

It seems to be answering (only far away).

Appreciate:

This poem depicts a colorful mountain scene with rich ideas and dynamic and static methods: in late autumn, in the sky of first frost, the poet visited Lushan Mountain. There were no other pedestrians on the mountain road, and the poet was in high spirits, enjoying the various peaks and scenery in the mountain while walking.

This poem is a process of the author Mei Dengshan. First of all, it expresses a kind of happiness in mountain climbing. The author was very surprised and relaxed when he saw this wonderful scenery, but in the end, the author found that the existing family was still far away. Walking in the mountains, in the quiet autumn mountain, I can't see houses and smoke, and I doubt whether this mountain is inhabited. I can't help asking myself where they are. While I was meditating, I suddenly heard a cock crow from the white clouds in the mountain. Oh, the original home is still at the top of that high mountain. This last sentence sounds like a chicken outside the cloud, which is natural and really gives people the feeling that there are endless opinions behind the sentence.

The first couplet: I saw that Shan Ye liked it very much, and I was very satisfied. The mountains are undulating, and the word "high and low" is enough to understand the author's complacent mood at that time.

Lushan Mountain is mountainous, with thousands of beautiful peaks, one high and one low, which is spectacular, just in line with my preference for natural scenery. This is the meaning of the first two poems, which shows that we are going to Lushan Mountain because it is fun inside and beautiful outside, and it will be a trip.

Zhuanlian: The beautiful peaks are undulating, walking on a quiet path, as if walking into a maze. A riddle shows the poet's elegant state of mind when he is lost in the path.

You can see a good mountain peak in one place, and another strange ridge in another place, so you can change it everywhere. It's wonderful that the word has been changed everywhere. If you sit still in the mountains and always look at the mountains from one angle, Haofeng will not change. Because of ok, Haofeng will change everywhere, from one picture to another. Changing the current font conforms to the meaning of this poem. A person walking on a mountain road, winding, even don't know where to go, and sometimes get lost. The reason why I am fascinated by the secluded path is exactly what the poem says. First, the winding path is deep and easy to go wrong. Second, you are alone, and there is no one to guide you, so you can easily go astray, so you get lost. Here, a person's experience of traveling in the mountains is vividly displayed.

Necklace: first frost, vaguely like seeing a bear on a tree and a deer drinking water. The unique visual experience makes readers feel as if they are there.

Because there is frost in autumn, the frost makes all the leaves fall, making the trees in the mountains bare and empty. This feeling of open forest is only available in autumn. The mountain forest is empty, and you can see the blind bear climbing to the bare tree; Through the sparse cracks in the trees, you can also see wild deer drinking water by the mountain stream. This couplet depicts a very moving picture of a bear and deer in Lin Qiu. This painting is moving, the bear is climbing the tree, and the deer is drinking water, but the poem is static, showing the secluded and very quiet realm in the mountains, which is the so-called writing method of static in motion.

Tail couplet: skillfully using rhetoric, I wrote that there seems to be no one on the empty mountain. However, I think I heard a voice, the scenery is changing, and an original ecological picture came into view, expressing the poet's detached and indifferent leisure and quiet state of mind.

Walking in the mountains, in the quiet autumn mountain, I can't see houses and smoke, and I doubt whether this mountain is inhabited. I can't help asking myself where they are. While I was meditating, I suddenly heard a cock crow from the white clouds in the mountain. Oh, the original home is still at the top of that high mountain. This last sentence sounds like a chicken outside the cloud, which is natural and really gives people the feeling that there are endless opinions behind the sentence.

Mei Yao Chen dongxi

thing

Author: Mei

I came to the east to see the stream scenery, and I was reluctant to part with the lonely stones in the water.

Ducks are asleep on the shore, full of leisure; The old trees are spreading beautiful branches and flowers are in full bloom, which is pleasing to the eye.

Short wool is like scissors, and flat sand is like a sieve.

I'm lost here, but I must go back. The horse is tired and weak at night.

Appreciate:

In the early Northern Song Dynasty, Mei played an important role in poetry. With his creative achievements, he became the right-hand man of Ouyang Xiu, the leader of poetry innovation. However, Mei's official career was not smooth, and she served as the main book and magistrate of a county several times. It was not until the third year of Injong's reign (105 1) that the emperor was fifty years old that he was awarded the status of scholar. I didn't expect the court to let him guard Yongjicang as a doctor. This appointment surprised him and made him very depressed. Feeling old and sick, he was helpless and forced to live alone with his wife (Farewell Cloud and Guan Yu), so he had to suppress his resentment and dissatisfaction and take office.

A year later, the first mother, Shu, died at the age of 90. Due to financial constraints, I can't hire a boat to protect the coffin from returning to my hometown. Thanks to the help of a friend, I opened the back door and sent him an official ship to transport grain. Dongxi was written in the spring when the garrison was coming to an end (1055).

Losing my mother, I can't travel far, I don't have many friends, and my life is very leisurely. Xuancheng, my hometown, is a place where immigrants lament. No matter Xie Tiao, Li Bai or some other people who have been to Xuancheng, they all left traces. There are two small rivers outside the city, Zhuxi and Wanxi. Wanxi is the East Stream, winding from south to north. But after a long time, I still feel bored and anxious. Looking at the end of the system in a few months, I feel more and more uneasy. Now, near my village, are the people he met excited at the last moment? I have nothing to do every day, so I just walk around, and I don't know why I always go to Dongxi.

A person chooses a secluded place to sit down and feel that he is on an isolated island, as if living in another world. Friends and relatives, whether they are alive or dead, whether they are ascending or descending, only their own lives remain unchanged. It is really difficult for him to see ships moving in the water. Just like this lonely day, he doesn't know where to go. He is a hooligan. It wasn't water, it was a boat! The water flows north, the ship goes north, and the thoughts are thrown north. In Jiangnan, autumn water is not as big as spring water. For Mei Yaochen, who often travels long distances by boat, spring is the best season for traveling. But no, we have to wait patiently for a few months.

The savage sleeps leisurely on the shore, and the old tree is in full bloom, with no ugly branches, which gives people praise. It seems to have written a scene, but in fact it shows the author's ambivalence of excitement and difficulty in choosing in a strong contrast. The wild ducks are tired of swimming in the water and are taking a nap on the shore. There is a very old tree on the shore, which is bare in winter and ugly with aging. At this time, it was moved by the spring air, and a hundred flowers blossomed, showing great vitality. I am willing to live a leisurely, elegant and free life, like a duck; But that old tree is more like itself.

Spring is not its strongest time. Pucao only grows a short piece, thin and neat, as if it had been cut; The beach has been washed by the river countless times, like a sieve, very clean. The nature of nature is deliberately carved. Cutting and screening seems to be a deliberate reminder that you live in this world. As an ordinary person, it is extremely difficult to think about injustice.

So the result can be imagined, although I am not tired of living, I am tired of returning to the car at dusk. It should be said that chariots and horses are empty and fatigue is real. These two periods showed the contradiction between emotion and reason, externalizing the inner conflict. Why don't you love it and never tire of using it? Li Bai wrote a poem "Sitting alone in Jingting Mountain" in Xuancheng: Birds are high, and lonely clouds go to leisure alone. You look at me, I look at you, and there are only my eyes and Jingting Mountain's eyes. There are many similarities between the two poems, but they have different tastes. The difference lies in their different moods when they look at the scenery. When Li Bai faces Jingting Mountain, he will have an illusion of being alone between heaven and earth, which Mei will never have.

Personally, I think the scenery in front of me is really endless. But May Yao Chen doesn't belong to him. He has too many questions. Therefore, I can't bear to part with this scene, but I suppress my inner attachment and express my feelings in a dull and indifferent tone, although I am not tired of living. As a playboy, although he likes wild fun very much, the sky is falling and he must go back to China. As for why you have to go home? Can't you come back? I seldom think about it. Even if this idea pops up occasionally, it will soon be annihilated, because subconsciously, this idea of not going home is unacceptable. Why not? As usual, I seldom think about it. Mei has completely integrated into that social group, and his personal preferences are naturally avoided, and his choices should be obeyed. So he didn't dare to get too close to his eyes from the beginning, for fear of indulging his feelings and keeping his distance from time to time, which made him feel embarrassed and almost tired. After repeated resistance and struggle, I can't get rid of the big net woven by my social consciousness.

May Yao Chen Tao Zhe

potter

Author: Mei

Tao used up the dirt in front of the door.

There are no tiles on the house.

Fingers are not stained with mud,

Linlinju building

Translation:

Dig out the dirt in front of the door to make tiles,

But there are no tiles on my roof.

Some people don't touch the soil,

But there are high-rise tiles like fish scales.

Appreciate:

In ancient times, there were many poems that exposed the pains of feudal society and reflected the sufferings of laborers. However, from Meng Jiao's poems on Weaving Maid in Tang Dynasty to Zhang Yu's poems on Silkworm Maid in Song Dynasty, most of them were about clothes. Zheng Gu's My Book and Yu Juan's Hard Work all started with Land to the Tiller. In contrast, Mei's poems about kiln workers are very novel. Some of these two sentences are written in books where the fingers are not stained with mud, the cross is not as good as the inch, and the very rich don't work at all. And to describe the building in proportion, the image is also very clear. The poet's writing is concise and profound, and it is thought-provoking to read.

Pottery is a work that reflects social reality and people's life. The first two sentences compare the mud in front of the door to the tiles on the house, and the injustice of the world is all in it. In the last two sentences, we can imagine the injustice of the world by comparing residence with scale-scale residence. The first two sentences are comparative expressions, and the last two sentences are also comparative expressions. The contrast between the first two sentences and the last two sentences is even more distinct. In this interlocking contrast, the poem "Pottery" reveals the unfairness of the world in a simple style and expresses sympathy for the weak.

From pottery, we can see that Mei constantly observes and pays attention to the details of daily life, explores and looks for themes that have not been noticed by predecessors in life scenes and experiences, or refurbishes the themes written by predecessors, thus creating an atmosphere of novelty and avoiding the old. Mei's poems are ingenious in conception, simple in materials, indifferent in meaning, profound in emotion, plain in sentence, strange in simplicity, light in dryness, elegant in elegance. This is the creative pursuit of Mei's poems and the aesthetic orientation of Song poetry.

Du Mu in Mountain Tour _ Ancient Poems in Mountain Tour

Du Mu in Mountain Tour _ Ancient Poems in Mountain Tour

Mountain travel

Author: Du Mu

The stone road winds to the cliff in the distance.

Where there are some white clouds, you can see some households.

I stopped the carriage and was fascinated by Fenglin.

The frosty autumn leaves are redder than the flowers in February.

Precautions:

1, hiking: walking in the mountains.

2. Hanshan: refers to the mountain in late autumn.

3. Diameter: path.

4. Bai Yunsheng: The rising, winding and floating dynamics of white clouds also show that this mountain is very high.

5. Oblique: This word is pronounced xi, which means extension.

6. Sit: Because.

Translation:

The rocky path is far from the top of the mountain, winding and crooked.

There are several families where Baiyun grows.

I stopped the carriage only because I like the night view of Fenglin.

Frosted maple leaves are better than bright February flowers.

Appreciate:

This is a seven-character quatrain that describes and praises the scenery of mountains and forests in late autumn.

The first sentence is far from Hanshan, and the stone path is inclined. From the bottom up, write a stone road, winding to the mountains and autumn. Cold words in late autumn; Write down the length of the mountain road in distant words; The oblique characters take care of the distant characters at the beginning of the sentence and write a high and slow mountain. Because the slope is not big, you can travel by car.

There are people in the depths of the white clouds, describing the distant scenery that the poet saw when he was hiking in the mountains. A new word vividly shows the dynamics of white clouds rising, winding and floating, and also shows that mountains are very high. The word "somebody else" will make people think of smoke curling up, chickens barking and dogs barking, making them feel that the mountains are full of vitality and there is no dead terror. Some people also take care of the stone road in the above sentence, because this stone road is a passage for mountain residents.

In the third sentence, the word "stop and sit in the maple forest" is interpreted as "because". Because the evening scenery of the sunset maple forest is so charming, the poet deliberately stopped to watch it. The word "late" in this sentence is exquisitely used and contains multiple meanings: (1) points out that the first two sentences are seen during the day and the last two sentences are scenes at night. (2) Because there is a sunset glow in the evening, the gorgeous sunset glow and the flaming maple leaves reflect each other, and the maple forest is particularly beautiful. (3) The poet lingered, and in the evening, he reluctantly boarded the bus and left, showing his love for red leaves. (4) Because of the long parking time and careful observation, I can appreciate the fourth sentence, which is full of rational and interesting epigrams.

Frost leaves are red in February flowers, which is the central sentence of the whole poem. The descriptions of the first three sentences are all paving the way for this sentence. Why do poets use red instead of red? Because red, like flowers in spring, is nothing more than decorating natural beauty; Red flowers are incomparable to spring flowers. It is not only brighter in color, but also more cold-resistant and can stand the test of wind and frost.

This little poem is not only an impromptu ode to scenery, but also an expression of ambition. It is the expression of the poet's inner spiritual world and the sustenance of his interest, so it can enlighten and inspire readers.

This poem depicts the colors of autumn and shows a touching autumn color map of mountains and forests. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. These scenes are not juxtaposed in the same position, but are organically linked, with the master and the slave, some in the center of the picture and some in the background. To put it simply, the first three sentences are the object, the fourth sentence is the subject, and the first three sentences describe the background, which creates an atmosphere for the fourth sentence and plays a role in paving the way and setting off the background.

Stay away from the cold mountain, the stone path is oblique, write mountains and write mountain roads. A winding path winds to the top of the mountain. The far word describes the length of the mountain road, and the oblique word echoes the above word to write a high and slow mountain.

Someone is in Bai Yunsheng, writing about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. People here take care of the stone road in the previous sentence. This mountain road is the passage for those families, right? This organically links the two kinds of scenery. There are white clouds around, which means the mountain is very high. The poet used the technique of breaking through clouds and mountains, so that these white clouds covered the reader's sight, but left room for imagination: there must be another kind of scenery besides white clouds, right?

The poet is only describing these scenery objectively. Although a cold word is used, it just sorts out the following late words and frost words, and does not show the poet's emotional tendency. After all, it is only to prepare for the following description to outline the environment where Fenglin is located.

Parking and sitting in the maple grove at night is different, and the tendency is obvious and strong. Mountain roads, white clouds and others did not impress the poet, but the evening scenery of Fenglin surprised him. In order to stop and enjoy the scenery of this mountain forest, I don't care to continue driving. The scenery written in the first two sentences is already beautiful, but the poet loves the maple forest. Through the background, I have made a good preparation for describing the maple forest, so it comes naturally and leads to the fourth sentence, pointing out the reasons for loving the maple forest.

Frost leaves are red in February flowers. To add the third sentence, a beautiful scenery of maple forest in late autumn is displayed in front of us. The poet was pleasantly surprised to find that under the sunset glow, the maple leaves were about to drip and the forest was dyed. It is really full of mountains and clouds, just like bright rosy clouds. More fiery than the spring flowers in February in Jiangnan! What is commendable is that the poet saw the vitality of autumn as spring through this piece of red, which made Lin Qiu present a warm and vibrant scene.

Unlike ordinary feudal literati, this poet did not sigh sadly when autumn came. He praised the beauty of autumn in nature, embodied the spirit of being bold and uplifting, and showed the poet's talent and insight with a wave of his pen. This is an autumn hymn.

The fourth sentence is the center of the whole poem, written by the poet with strong colors and coherent brushwork. Not only did the first two sentences set off the gorgeous autumn scenery, but even the seemingly lyrical narrative of stopping to sit and love maple trees late actually played a role in setting off the scenery: the poet who stopped to watch, Tao Ran drunk, became a part of the scenery, and with this scene, the autumn scenery became more charming. After a rewriting, it came to an abrupt end, and it seemed melodious and memorable.

The quatrains of ancient poetry are so classic, concise and full of infinite feelings. Want to see more quatrains and ancient poems? Please enjoy Mei's poems about orchids.