Shao Yi was originally from Linyi (now Shandong) and later moved to Yin Shan (now Shaoxing, Zhejiang). He was a calligrapher in the Eastern Jin Dynasty in China, and was known as a calligrapher. In order to move south to Langya, later officials worshipped the general's rights and army, and he was called Wang Youjun. Mrs Shi and Zhong You. Author of Preface to Lanting Collection. His calligraphy letters can be found in various books and posts in Tang Dynasty, Seventeen Posts, Japanese Funeral, Confucius and other famous works. His son Wang Xianzhi is also a calligrapher.

2. Ou Yangxun (557-64 1 year)

Xinshu was born in Linxiang, Tanzhou (now Changsha, Hunan) in the Tang Dynasty. His calligraphy achievements are based on regular script, with bold brushwork and unique structure, which is called "European style" by later generations. Regular script is the Ming Dynasty of Liquan in Jiucheng Palace, and the most famous running scripts are Meng Diantie and Hans Zhang Tie. Ou Yangxun's calligraphy is widely used by various schools, because it combines the characteristics of regular script in Han Li and Jin Dynasties, and also participates in the inscriptions in the Six Dynasties.

The main characteristics of Ou Yangxun's calligraphy style are rigorous and neat, vigorous and powerful. Although the font is a little long, it is white, neat and rigorous, and the middle palace is tight. The main pen is elongated, bold and unrestrained, dense and well-organized, in all directions, delicate and vivid, just right, coordinated in color, structured, upright and vigorous. Most of the fonts expand to the right, but the center of gravity is still stable.

3. Yan Zhenqing (709-785)

Chen Qing was born in Jingzhao, Tang Dynasty, and his ancestral home was in Linyi, Tang Dynasty (now Linyi, Shandong). Kaiyuan Jinshi An Shi Rebellion, who made meritorious service in resisting thieves, entered Beijing as an official, prince and founder of the county, so it was also called Yan. In the history of calligraphy, he is the most accomplished and influential calligrapher after the two kings. His book was a beginner in Zhang Xu, and there were four schools in the early Tang Dynasty. After that, many scholars were widely gathered to change the past into the law, forming a solemn, square and simple "face style".

He is a representative figure of calligraphy innovation in the middle Tang Dynasty. His regular script is dignified, magnificent and imposing. The running script is vigorous and comfortable, and the colors are flying. His calligraphy is not only influenced by the charm and charm in the previous style of calligraphy, but also not bound by the ancient law. It breaks through the conventions of the early Tang Dynasty and is unique and named "quiver".

Song Ouyang Xiu commented: "Thinking about life is loyal, so calligraphy and painting are strong and independent, and they don't attack the past. They are quite magical, a bit like people. In the Song Dynasty, Zhu listed his calligraphy as a sacred product in "Continued Book Break". " And commented: "Point is like a falling stone, painting is like Xia Yun, hook is like a bow, and ge is like a crossbow. There are images in both vertical and horizontal directions, and there is a low posture. Since Xi 'an, there is no such thing as a public figure.

4. Liu Gongquan (778-865)

China calligrapher of Tang Dynasty. Sincere words. Jingzhao Huayuan (now Yaoxian County, Shaanxi Province) was born. He used to be a Bachelor of Calligraphy in the Imperial Academy, a calligrapher in China, a Bachelor of Calligraphy in the Imperial Academy, a Prince of Taibao and a Duke of Hedong. Honest and frank temperament, dare to speak out. He was good at regular script, and widely studied the philosophers in Wei, Jin and early Tang Dynasties, which was greatly influenced by Yan Zhenqing. His book structure is tight, the brushwork is sharp, such as vigorous and powerful, and the book style is charming and vigorous, which can be compared with Yan Zhenqing's vigorous and graceful book style and is praised as Yan Gu by later generations. It has a great influence in the history of calligraphy.

5. Mifei (1051-1107)

Mi, the word Qian, Bi and Kun, was a calligrapher, painter and painting theorist in the Northern Song Dynasty. First named Kun, later changed to Fu, the word stamp, Xiangyang lay man, Haiyue Mountain people and so on. Originally from Taiyuan, he moved to Xiangyang, Hubei, and lived in Runzhou (now Zhenjiang, Jiangsu) for a long time. He used to be a school book lang, a doctor of calligraphy and painting, and a foreign minister of the Ministry of Rites.

Good at poetry and calligraphy, good at seal script, official script, regular script, running script, cursive script and so on. And he is good at copying ancient calligraphy, reaching a chaotic level. Ou Yangxun and Liu Gongquan started with tight fonts and strong strokes, and later transferred to Wang Xizhi and Wang Xianzhi, with developed bodies and vigorous strokes. They called themselves "calligraphy" and were called "Song Sijia" with Su Shi, Huang Tingjian and Cai Xiang.