Artistic features of ancient gardens in China. Gardening art, learning from nature, learning from nature, contains two layers. First, the overall layout and combination should conform to nature. The relationship between mountains and water in rockery and the combination of landscape factors such as peaks, streams, slopes and caves should conform to the objective law of natural landscape formation. Second, the image combination of various landscape elements should conform to the laws of nature. For example, rockery peaks are made up of many small stones. When stacking, we should imitate the texture of natural rocks and minimize the traces of artificial stacking. The pool often twists and turns naturally, rising and falling. The arrangement of flowers and trees should be dense and natural. Trees and shrubs are also mixed, pursuing natural wild interests. Second, separate the space and blend in with nature. Ancient gardens in China used various methods to separate spaces, among which buildings were mainly used to enclose and separate spaces. Separated space strives to break through the limitations of limited space of garden entities from the perspective, so that it can be integrated with nature and express nature. Therefore, we must deal with the relationship between form and spirit, scenery and emotion, meaning and environment, emptiness and reality, movement and quietness, cause and borrowing, truth and falsehood, finiteness and infinity, and law and law. In this way, garden space and natural space have been integrated and expanded. For example, the use of leaky windows makes the space circulate and the vision smooth, so it is continuous and plays a role of mutual penetration in the space. Looking through the leaky window, exquisite floral decorations and colorful patterns have a strong national flavor and aesthetic value; Through the leaking window, bamboo trees are blurred and swaying, pavilions are hidden from time to time, and blue sky and white clouds are flying in the distance, resulting in a deep and broad space boundary and interest. Third, garden architecture conforms to nature. Ancient gardens in China have mountains and waters, and buildings such as halls, corridors, pavilions, buildings, platforms, pavilions, pavilions, pavilions, boats and walls. Artificial mountains, stone patterns, caves, stone steps, stone peaks, etc. All show natural beauty. Artificial water, the shore is free to bend, and the ripples in the water are progressive, which also shows the natural scenery. All buildings are in harmony with the natural environment in the sky and underground, and all parts of the garden are naturally connected, so that the garden embodies the artistic characteristics of nature, indifference, tranquility and implication, and receives ornamental effects such as changing scenery, getting better and better, and seeing the big from the small. Fourth, trees, flowers and plants, the performance of nature is different from that of western systematic gardens. The treatment and installation of flowers and trees in ancient gardens in China pay attention to the expression of nature. Pines and cypresses soar into the sky, willow branches hang gracefully, peach blossoms bloom for miles, branches bend freely, and flowers are overflowing. Its shape and spirit are very important in expressing nature. Learn from nature, blend in with nature, conform to nature and express nature-this is the place where China ancient gardens embody the national culture of "harmony between man and nature", which is the biggest feature independent of the world forest and the fundamental reason for the eternal vitality of art. Aesthetic Thought of China's Garden Architecture Art