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The manuscript of Romance of the Three Kingdoms is short.
Catalogue of Manuscripts of Romance of the Three Kingdoms:

Introduction of Romance of the Three Kingdoms: Romance of the Three Kingdoms is one of the four classical novels in China, and the first historical romance novel in China. Its full name is Popular Romance of the Three Kingdoms, written by Luo Guanzhong, a novelist in the late Yuan Dynasty and early Ming Dynasty.

Romance of the Three Kingdoms describes the historical situation from the end of the Eastern Han Dynasty to the beginning of the Western Jin Dynasty 105, mainly describing the war, reflecting the political and military struggle between the political groups of Wei, Shu and Wu Sanda. It reflects the transformation of various social struggles and contradictions during the Three Kingdoms period, summarizes the historical changes of this era, and shapes a group of heroes of the Three Kingdoms.

Introduction to this book:

The book is divided into five parts: the Yellow turban insurrectionary, the Dong Zhuo insurrectionary, the competing among the heroes, the tripartite confrontation among the three countries, and the return of the three countries to Jin. On a broad background, a magnificent war scene was staged.

Luo Guanzhong, the editor, integrated the thirty-six strategies of Sun Tzu's Art of War between the lines, including both the plot and the strategy of Sun Tzu's Art of War. Introduction to the Romance of the Three Kingdoms The Romance of the Three Kingdoms embodies rich historical contents, and the names, places and major events are basically the same as those in the Romance of the Three Kingdoms.

The characters are also based on the fixed image left by the Three Kingdoms, and then play again, exaggerating, beautifying, uglifying and so on. This is also the routine of historical romance novels. On the one hand, The Romance of the Three Kingdoms reflects the real history of the Three Kingdoms and caters to the readers' needs to know the real history. On the other hand, according to the actual situation of Ming society, the figures of the Three Kingdoms were exaggerated, beautified and vilified.