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Historic city protection
1. What is the protection of historic cities? Measures are formulated in urban planning to preserve and protect historic areas, buildings and buildings (including relics), and even the whole town. Protecting urban historic buildings is of great significance for inheriting and carrying forward excellent cultural traditions and studying the development history of politics, society, economy, ideology, culture, art and engineering technology of the country and the nation. Venice * * * proposed by UNESCO in 1964 has promoted the protection of historical buildings all over the world.

First, the description of the characteristics and connotation of historical and cultural cities should be comprehensive and complete.

Generally speaking, the characteristics of historical and cultural cities should include the historical evolution of famous cities, the present situation of various historical and cultural relics, local customs, celebrity allusions, ancient and famous trees, folklore, local dramas, special snacks and so on. This is an important chapter to show the long history and splendid culture of a famous city. The content must be informative and comprehensive, and it is also the touchstone to measure the historical and cultural protection of a region. Where the basic work is solid, all kinds of data, materials, documents and audio-visual images are rich, and the connotation of famous cities is prominent and comprehensive, which meets the requirements of the protection planning of famous cities.

Second, the concept of protection planning should be scientific and reasonable.

The concept of protection planning mainly refers to the planning basis, planning principles, protection system, planning time sequence and realization objectives, and is the framework of protection planning for famous cities. Whether the frame design is reasonable or not is directly related to the implementation of the next concrete plan, so the positioning must be accurate and feasible. For example, the principle of protecting famous cities should highlight the continuation of historical context of famous cities, the display of urban personality characteristics, and the renovation and protection of harmonious living environment, all of which should be fully reflected in the principle of protecting famous cities.

Three, the scope and level of protection of historical and cultural cities should be clear.

Historical and cultural cities cover a wide range. If a relatively rich and distinctive area cannot be determined, it is obviously unscientific and impossible to include all the administrative areas of the whole city in protection. After the protection scope of famous cities is clear, they are often protected in different levels and regions. There are generally four levels of protection, one is the overall landscape pattern of the old city, the other is the characteristic historical and cultural blocks (including the cultural relics buried areas where underground cultural relics are relatively concentrated), the third is the cultural relics protection units at all levels, and the fourth is the cultural relics control units and unidentified historical and cultural remains. For the protection of historical and cultural blocks and cultural relics protection units, it is necessary to delimit the necessary protection scope, construction control zone and style coordination zone. In particular, in many places, when planning famous cities, the scope of protection and construction control zones are often defined only for cultural relics protection units, but not for historical and cultural blocks and cultural relics control units. This practice of focusing only on individuals and ignoring the whole is very inappropriate and should be paid enough attention to in planning.

Fourth, the protection of intangible heritage should increase the proportion.

In the past, the protection planning of historical and cultural cities was mainly aimed at tangible cultural heritage, while the protection of intangible cultural heritage was often ignored. In recent years, with the increasing call for the protection of intangible cultural heritage, the protection of intangible cultural heritage has been more or less included in the protection planning of famous cities, which is a good sign. However, the strength, breadth and depth of intangible cultural heritage protection are not enough, and the operability is not strong. Many plans only stay at the level of principled protection. This kind of understanding and practice is very one-sided. Tangible cultural heritage and intangible cultural heritage are two inseparable parts in the protection planning of famous cities, and they are equally important. We can't favour one over the other. Recently, the upcoming regulatory detailed planning of the old city of Nanjing will include the historical allusions that happened in Nanjing into the protection scope of the old city, and compile and sort out the "Protection List of Historical Allusions in the Old City of Nanjing". Especially in the protection of Qinhuai folk culture, 24 festivals, 4 weddings, funerals, 9 people's daily customs and 6 customs have been included. This move has made a good start for protecting the intangible cultural heritage of historical and cultural cities. Therefore, when planning the protection of historical and cultural cities, we should carry out the general survey of intangible cultural heritage in advance, make necessary classification and definition, and determine the scope, items, objects and systems of protection. On the basis of fully understanding the family background, we can formulate protection measures and plans, and we can also consider making tangible copies of intangible cultural heritage, such as setting historical allusions, carving folk customs, setting up celebrity monuments, naming old streets and lanes, opening up folk culture corridors, and restoring traditional customs.

Five, planning drawings should be comprehensive and accurate.

The drawing part is a direct reflection of the sensory effect of the protection planning of historical and cultural cities, and should be drawn as accurately and comprehensively as possible. Generally, it includes the master plan for the protection of famous cities, the distribution map of cultural relics and scenic spots, the current map of old urban areas and historical and cultural blocks, the current map of building age, building function, building height, building quality, the protection scope and construction control zone map of cultural relics protection units at all levels, and the current map of traffic. In particular, there should be effect diagrams of future plans and measures.

2. What is the protection of historic cities? Measures are formulated in urban planning to preserve and protect historic areas, buildings and buildings (including relics), and even the whole town.

Protecting urban historic buildings is of great significance for inheriting and carrying forward excellent cultural traditions and studying the development history of politics, society, economy, ideology, culture, art and engineering technology of the country and the nation. Venice * * * proposed by UNESCO in 1964 has promoted the protection of historical buildings all over the world.

First, the description of the characteristics of historical and cultural cities should be comprehensive and complete. Generally speaking, it should include the historical evolution of famous cities, the present situation of various historical and cultural relics, local customs, celebrity allusions, ancient trees, folk customs, local operas, special snacks and so on. This is an important chapter to show the long history and splendid culture of a famous city. The content must be informative and comprehensive, and it is also the touchstone to measure the historical and cultural protection of a region.

Where the basic work is solid, all kinds of data, materials, documents and audio-visual images are rich, and the connotation of famous cities is prominent and comprehensive, which meets the requirements of the protection planning of famous cities. Second, the concept orientation of protection planning should be scientific and reasonable. The concept of protection planning mainly refers to the planning basis, planning principles, protection system, planning sequence and realization goals. This is the framework of the protection planning of famous cities.

Whether the frame design is reasonable or not is directly related to the implementation of the next concrete plan, so the positioning must be accurate and feasible. For example, the principle of protecting famous cities should highlight the continuation of historical context of famous cities, the display of urban personality characteristics, and the renovation and protection of harmonious living environment, all of which should be fully reflected in the principle of protecting famous cities.

Third, the scope and level of protection of historical and cultural cities should be clear. Historical and cultural cities cover a wide range. If we can't determine a relatively rich and distinctive area, it is obviously unscientific and impossible to protect all the administrative areas of the whole city. After the protection scope of famous cities is clear, they are often protected in different levels and regions.

There are generally four levels of protection, one is the overall landscape pattern of the old city, the other is the characteristic historical and cultural blocks (including the cultural relics buried areas where underground cultural relics are relatively concentrated), the third is the cultural relics protection units at all levels, and the fourth is the cultural relics control units and unidentified historical and cultural remains. For the protection of historical and cultural blocks and cultural relics protection units, it is necessary to delimit the necessary protection scope, construction control zone and style coordination zone.

In particular, in many places, when planning famous cities, the scope of protection and construction control zones are often defined only for cultural relics protection units, but not for historical and cultural blocks and cultural relics control units. This practice of focusing only on individuals and ignoring the whole is very inappropriate and should be paid enough attention to in planning.

Fourth, the protection of intangible heritage should increase the proportion. In the past, the protection planning of historical and cultural cities was mainly aimed at tangible cultural heritage, while the protection of intangible cultural heritage was often ignored. In recent years, with the increasing call for the protection of intangible cultural heritage, the protection of intangible cultural heritage has been more or less included in the protection planning of famous cities, which is a good sign.

However, the strength, breadth and depth of intangible cultural heritage protection are not enough, and the operability is not strong. Many plans only stay at the level of principled protection. This kind of understanding and practice is very one-sided. Tangible cultural heritage and intangible cultural heritage are two inseparable parts in the protection planning of famous cities, and they are equally important. We can't favour one over the other.

Recently, the upcoming regulatory detailed planning of the old city of Nanjing will include the historical allusions that happened in Nanjing into the protection scope of the old city, and compile and sort out the "Protection List of Historical Allusions in the Old City of Nanjing". Especially in the protection of Qinhuai folk culture, 24 festivals, 4 weddings, funerals, 9 people's daily customs and 6 customs have been included.

This move has made a good start for protecting the intangible cultural heritage of historical and cultural cities. Therefore, when planning the protection of historical and cultural cities, we should carry out the general survey of intangible cultural heritage in advance, make necessary classification and definition, and determine the scope, items, objects and systems of protection.

On the basis of fully understanding the family background, we can formulate protection measures and plans, and we can also consider making tangible copies of intangible cultural heritage, such as setting historical allusions, carving folk customs, setting up celebrity monuments, naming old streets and lanes, opening up folk culture corridors, and restoring traditional customs. Five, planning drawings should be comprehensive and accurate. Drawings are a direct reflection of the sensory effect of the protection planning of historical and cultural cities, and should be drawn as accurately and comprehensively as possible.

Generally, it includes the master plan for the protection of famous cities, the distribution map of cultural relics and scenic spots, the current map of old urban areas and historical and cultural blocks, the current map of building age, building function, building height, building quality, the protection scope and construction control zone map of cultural relics protection units at all levels, and the current map of traffic. In particular, there should be effect diagrams of future plans and measures.

How to protect and develop the history and culture of the city? A city without humanistic spirit certainly has no soul of its own.

Towards a modern metropolis, cities need prosperous industry and commerce, and also need the nourishment of humanistic spirit. Respecting tradition and patiently interpreting historical blocks and buildings bearing tradition and urban memory are important paths for us to explore humanistic spirit.

As a developing tourist city, the ancient culture left over from history can be used as an important support for economic growth, and it is also a valuable heritage for shaping a city with high-quality living standards and high-grade cultural connotations. Protecting, developing and making good use of historical and cultural heritage culture can improve the cultural taste and spiritual connotation of our city, provide a broad space for the future tourism of our ancient cultural blocks, and finally form a benign interaction between tourism income and feedback protection.

If the existing historical and cultural heritage is not protected, after several years, people will not know what Liaocheng is like, what are the different characteristics and personalities compared with other cities, and what cultural heritage to be proud of. Only by doing our best to protect historical and cultural relics can the historical life of the old city be continued and sublimated and the development level of modern cities be greatly improved.

4. How to Protect Historic Sites Abstract: A large-scale urban renewal movement once made a large number of architectural heritages around the world disappear.

Historical areas and their buildings, as the heritage of human architectural culture, are unrepeatable. "The more national it is, the more cosmopolitan it is." When people realize this, the protection of historical buildings becomes extremely important.

Since the mid-20th century, the "renovation and reuse" of historical sites and their old buildings, as a positive way to protect historical and cultural heritage, has attracted more and more attention, and has become the mainstream of protecting historical buildings in today's era and the trend of future development. In the process of protecting architectural heritage, the relationship between protection and economy is very great.

The way of protection must be realized by economic means. Without funds, the architectural heritage can only be left in ruins and there is no way to protect it. The economic benefits of heritage protection can further provide effective economic guarantee for the future operation and management of the project. A certain degree of economic development will promote the protection of architectural heritage, and the two will promote each other. However, excessive economic development will often cause great damage to architectural heritage.

A large number of examples of protection, reconstruction and reuse at home and abroad show that the biggest difficulty in the protection of historical sites and their buildings is the lack of funds. Especially in China, even the funds for cultural relics protection cannot be met one by one, let alone the protection of historical sites and buildings with relatively small cultural value.

With the enhancement of people's awareness of protection and the continuous expansion of the scope of protection, it is increasingly infeasible to completely rely on * * * to complete the renewal. So, where is it?

5. How to protect and develop the city's history and culture? A city without humanistic spirit certainly has no soul of its own.

Towards a modern metropolis, cities need prosperous industry and commerce, and also need the nourishment of humanistic spirit. Respecting tradition and patiently interpreting historical blocks and buildings bearing tradition and urban memory are important paths for us to explore humanistic spirit.

As a developing tourist city, the ancient culture left over from history can be used as an important support for economic growth, and it is also a valuable heritage for shaping a city with high-quality living standards and high-grade cultural connotations. Protecting, developing and making good use of historical and cultural heritage culture can improve the cultural taste and spiritual connotation of our city, provide a broad space for the future tourism of our ancient cultural blocks, and finally form a benign interaction between tourism income and feedback protection.

If the existing historical and cultural heritage is not protected, after several years, people will not know what Liaocheng is like, what are the different characteristics and personalities compared with other cities, and what cultural heritage to be proud of. Only by doing our best to protect historical and cultural relics can the historical life of the old city be continued and sublimated and the development level of modern cities be greatly improved.

What is intransitive verb? What is the protection of urban historical and cultural heritage and urban renewal? Protection of urban historical and cultural heritage and urban renewal 1. The utilization principle of cultural relics protection units: the combination of utilization and maintenance; Should be used as far as possible according to its original function; It should be combined with the restoration and construction of cultural relics and the vitality of their surrounding areas.

2. The utilization modes of cultural relics protection units can generally be divided into the following four types: continuation of original purposes; Change the original use; Keep it as a spatial symbol of the city; 3. The way of urban renewal: reconstruction or redevelopment: overall construction; Maintenance. 4. Urban planning system includes three parts: laws and regulations, planning management and planning operation.

Among them, planning laws and regulations are the core of modern urban planning system, which provide legal basis and legal procedures for planning management and planning operation.