The play was a great success, and both the director and the screenwriter were great. The appearances of Lu Xun and Mao Zedong, the speeches of Cai Yuanpei and Gu Hongming, the begonia flowers in a pool of blood, the towering trees that can't fly out, and the grand and tragic music will not be deliberately incited and pretentious, but will only make people deeply moved with the characters and history in the play. Perhaps this is the most successful drama, and it is also the common point of all excellent film and television dramas, that is, it can naturally resonate with people.
The May 4th Movement has reached the second half of the plot, and the exhibition is still beyond my expectation. There are not too many student demonstrations and exciting scenes, but more about the helplessness and difficulties of the diplomatic mission of the Paris Peace Conference, the twists and turns in the course of the movement that lasted for several months, the mediation within the Beiyang government, the white curtain flying when Qingdao was hopeless, and the anger and sobs that have always been gentle and steady.
These people may be more radical and disappointed when trying to find their way. Therefore, this drama focuses on socialism, anarchism, revolution and improvement, problems and socialism, new culture movement and China people's spirit. To some extent, the early years of the Republic of China are very similar to the Eastern Zhou Dynasty, and it is possible that every most turbulent era in history has the conditions to give birth to the ideological trend of letting a hundred schools of thought contend.
Only in this way can the history of Party building be integrated into the history of China, so that people can believe that China, one hundred years later, has lived up to this road.
What impressed me the most was actually the songs sung by the students, the establishment of the workers and peasants mutual aid society and the final separation. Young people sang a beautiful yearning for the ideal and the cruel reality that they had to face: parents are looking forward to their children's return, and they will rely on us to rule the country and level the world in the future.
"Su Wu Shepherd" sung by the students imprisoned in the classroom during the May 4th Movement did not find a specific title until the end, but it remained deeply in my mind. The age of awakening depends entirely on us.
Just for the country, they would rather die than surrender. Their road is full of hardships. When I first arrived at Peking University, there was opposition from the retro school. The May 4th Movement was suppressed by the Beiyang government. Spread Marxism, risk being arrested ... drive away the last darkness before dawn and welcome the first sunshine after morning. Throw one's head, shed blood, and be fearless of sacrifice; Not for myself, but for my country. I would rather die than surrender.
They exchanged their own blood for me and a bright future for China.
One hundred years later, Mr. Shou Chang's hope has already come true. Today, China has been reborn from the ashes, built from generation to generation, moved towards prosperity, and its comprehensive national strength has been greatly enhanced. Like the spring breeze, today is another world. A series of thunder, like the roar of an oriental lion, flashed across the sky, showing the strength of China and China. I know this is China's voice.
One hundred years, witnessed the course of generations of young people serving the country; One hundred years has witnessed the transformation from the awakening era to a new era. A hundred years is just a reincarnation. Although changing with each passing day, China youth's thoughts have never changed, their aspirations remain unchanged, their enthusiasm remains undiminished, and they are United and marching towards the future of the motherland!