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The collision between history and modernity
Comments on "People's Art": I think the collision between modern consciousness and ancient background in "Lu" is true. First, the women in the play are very inspirational, and second, the women in the play will not yield to the rules. Finally, the women in the play are very aggressive.

First of all, this play is really true, because the women in the play can inspire people to comment on art: The Chinese Dream, where modern consciousness collides with ancient background, is really true. The women in this play are just like the thoughts of modern women. When they encounter difficulties, they will no longer want to rely on men, but rely on themselves and make a world by their own efforts. This inspirational look really feels modern. I hope the women displayed in ancient times are also modern.

Secondly, this play is really true, because the women in the play will not stick to the rules. The comments of the artist: Dream of China, the modern consciousness and the ancient background collide and spark, and the women in this play are not trapped in the ancient secular routine, they have their own ideas. Under the betrayal of men, they will not succumb to these relationships, but be strong and independent of men, so your approach is very modern.

Finally, the play is really true, because the women in the play dare to comment on people's art: In a Dream, the modern consciousness collides with the ancient background, and the women in the play are very bold. In ancient times, few women started businesses, especially in more formal shops, but the three of them started a new era of women in an unconventional era, which is very bold and worth learning by modern women.

In a word, I think the comments on people's art: Meng Hua Lu, the comments on the collision between modern consciousness and ancient background are in place, because it is true that the three women in the play are all representatives of modern women, and even if they live in an era bound by the secular world, they are still unwilling to accept the oppression brought by the secular world.