Selected Poems of Li Bai 1 Reading Notes
As the saying goes: "Read 300 Tang poems by heart, and if you can't write, you can recite them.". Tang poetry is not only one of China's outstanding literary heritages, but also a bright pearl in the treasure house of world literature. Because of this, I carefully read 300 Tang Poems during the National Day holiday. The book mainly introduces the main poets in the Tang Dynasty and their representative works: into the wine, called the poet Li Bai; Chunwang, known as the poet Du Fu; An autumn night in the mountains, called Shi Fo Wang Wei, and so on. Every time I read a poem, I seem to walk into a hazy and beautiful world built by words. No matter whether I am sad or happy, I will miss going back and forth. I will choose the most impressive poem to talk about my feelings.
The first is Chai Lu by Wang Wei. There seems to be no one on the empty mountain, but I think I heard a voice. The beginning of this sentence was originally intended to highlight the silence in the mountain, but the poet did the opposite. He didn't write "silence" directly, but boldly used the word "voice". With the faint voice from the empty and silent valley, the silence of the deep mountains is set off, and the poet's lonely mood is highlighted. When writing, we can also use this contrast writing technique to express the psychological description of the characters by taking advantage of the scenery, adding interest and connotation to our articles.
Next is Li Bai's question and answer in the mountains. Although there are only four short sentences, from this short and pithy poem, I read out the way of life that belongs to the poet. Li Bai, who has all kinds of money, does not covet the luxurious life of the bustling city, but chooses to live in seclusion in the mountains and actively study in the depths of the Bishan jungle to learn spiritual food. The ancients said: there are poetry books in the belly. As a great poet with a long reputation, Li Bai is constantly learning and making progress, and has not been complacent and stopped because of his achievements. We should also learn from Li Bai's tireless spirit, persist in learning and guard against arrogance and rashness.
Finally, Shi Fo Wang Wei's Youth Travel. "Meet each other, drink for you, and be tall." These two sentences describe the scene where the rangers in Xianyang meet on the road. As soon as they meet, they invite each other to a roadside restaurant for a drink and chat. The poem is full of enthusiasm and heroism, which makes my young readers angry after 1000 years. Although this kind of scene didn't happen around us in ancient times, in the new century, we should also open our hearts and make friends to make our lives colorful.
Poems and songs in the Tang Dynasty are like a big garden with a hundred flowers blooming. There are more than 50,000 poems written by Tang people in less than 300 years. Although we can't say that every article is the essence, there are many places worth learning and learning from. As teenagers, we should learn more about the essence of Chinese studies, inherit the classics of Chinese studies and improve our cultural quality.
Notes on Selected Reading of Li Bai's Poetry II
Very good! I was lucky enough to read the book 300 Tang Poems this summer. After reading this book, I benefited a lot.
Every poem in the book is so intriguing and every poem is so profound. Pick up "Three Hundred Tang Poems" and read it carefully. We will find that every poem is an Aesop fable, which tells us a profound truth. As long as we read the ancient poems carefully, this is the wealth of a lifetime and will benefit us all our lives.
These words, like lights on the sea and coal in the snow, always help and warm us, all of which are inseparable from the philosophy told by ancient poems. Ancient poetry, he is not dumb, no matter what difficulties he encounters in study or work, he teaches us, cares about us and gives us hope like a teacher.
"Three Hundred Poems of Tang Dynasty" has entrusted the civilized dream of China people. As modern people, in order to live up to the hopes of the ancients, we should work hard for him and fight for him. Create a great cause not only for the motherland, but also for ourselves.
Tang poetry is the peak of China's poetry development and the symbol of a generation of literature. The authors of Tang poetry are emperors and generals, fishermen and firewood men, monks and Taoists; In the Tang Dynasty, there were not only four outstanding poets in the early Tang Dynasty: Wang Wei, Meng Haoran, Gao Shi, Cen Can, Bai Juyi, Han Yu, Meng Jiao, Liu Zongyuan, Liu Yuxi, Li He, Li Shangyin and Du Mu, but also two great poets-Li Bai and Du Fu.
Among the Tang poems read by our primary school students, some poems are actually the same as those in our real life. For example, Li Bai's Silent Night Thoughts expresses the poet's thoughts and feelings of missing his loved ones. In our life, many people go out to work and miss their families for a long time. For another example, there is a word "knock" in Jia Dao's poem entitled "Li Ning lives in seclusion", which shows that Jia Dao's behavior is very civilized and polite. In our life, we often meet traffic lights. We should obey the traffic rules, stop at the red light and go at the green light. When you go to other people, you should be polite and know manners.
After reading this book, I deeply feel the close connection between Tang poetry and our real life. We primary school students must recite the Tang poems well!
Notes on Selected Poems of Li Bai 3
The admiration for nature, the feat of heroes and the yearning for friends. I can't describe it in words, so I have to borrow one of the 300 Tang poems to replace my indescribable poem. Let's recite and comprehend 300 Tang poems together.
Qi of mountains and rivers
Gently open the "300 Tang Poems" and swim with Wang Moshu between the mountains and rivers. A bright full moon blows through pine branches, like a delicate light spot on the soft mud in the mountains, like a broken gem embedded in the brocade of Shan Ye, natural but not vain, simple but not kitsch. A clear spring flows quietly and gently through the forest, hitting the stone wall from time to time, winding and hovering, rippling beautiful and poetic ripples. In the quiet night by the stream, I became a faint miss in my heart.
The idea of love
Slowly open the "Three Hundred Tang Poems" and immerse yourself in the thoughts of being friends with Wang Bo. His wish is "We two officials parted ways, and we said goodbye sadly". However, "China keeps our friendship, and heaven is still our neighbor" is his heartfelt wish, and "No matter where you go, you are a dreamer" is his yearning, yearning for friends, and giving up on friends. Together in the long river, happiness will disappear forever.
Life's setbacks
Quietly open the "300 Tang Poems" and face life setbacks with Li Bai. "I will cross the Yellow River, but ice will block the ferry and Taihang Mountain will be covered with snow" is his frustration. "It's hard to walk, it's hard to walk, a lot of roads, are you safe now?" This is his sigh, and "one day I will ride the long wind, break through the huge waves, raise my muddy sails and build a bridge on the deep sea" is his belief. That firm belief left a permanent mark on his heart.
"300 Tang Poems" let me appreciate such a gentle scenery, so beautiful!
"Three hundred Tang Poems" made me feel the deep friendship between friends. Not bad!
"Three hundred Tang Poems" let me appreciate such a great setback in life, wonderful!
Brewing a cup of chrysanthemum tea, holding 300 Tang poems, the sun outside the window shines on the curtains, suddenly looking back, enjoying the gentle scenery, feeling deep thoughts, savoring the great disappointment of life, and suddenly forgetting today.
Gratitude is infinite in life, sometimes it is a simple greeting to a friend, sometimes it is the process of extending an arm to others, and sometimes it is a smile to strangers. Only by knowing the meaning of gratitude can we learn to be grateful.
Notes on Selected Reading of Li Bai's Poems 4
Persistence means sticking to the guard and never giving up.
Stick to the culture and stick to the post. When I saw Li Shangyin's poem "Spring silkworms die, and tears are exhausted every night", I remembered the teacher's hard work on the podium; I think of the cleaner cleaning silently in the street; I remember the traffic policeman waving at the crossroads.
Adhere to culture and country. When I saw Wen Tianxiang's Crossing the Ocean, "Who hasn't died in life since ancient times? I think of Huang Jiguang, who blocked the enemy's bullets with his chest and provided a plan for his teammates to charge. When I saw "Julian Waghann set the Central Plains Day in the north, but I didn't forget the family sacrifice", I thought of a dying old man, and I was unwilling to think that the country had not quelled the war.
When I saw "only make the Dragon City fly, don't teach Huma to cross the Yinshan Mountain", I seemed to see a frontier poet standing on the wall, staring at the Xiongnu from a distance. When I saw that "the adherents shed tears, looking south to Julian Waghann for another year", I seemed to see an old man with white hair in the early autumn. He was still in the heat, and the sultry weather and inner suffering made him unable to sleep; He even thought of the dust raised by the Golden Horse Team, but they had been looking forward to the sight of Julian Waghann, but how could he think that the Southern Song Dynasty had already forgotten them?
When I saw "snow on the night boat, autumn wind on the iron horse", I saw a patriotic poet who was eager to go into battle and kill the enemy, but was transferred back from the front by the emperor. When I saw "I am lying in a remote village, I don't feel sorry for myself, but I still want to defend my country." Lying in the dead of night listening to the wind and rain, iron horse glacier dream. "An old and frail man is lying in a lonely and desolate country, and he doesn't feel sad. It turned out that I was still thinking about defending my country, galloping on the battlefield, and even dreaming that I was wearing armor for my country.
Adhere to culture and friendship. "Peach Blossom Lake is deeper than thousands of feet, not as good as Wang Lun", which profoundly shows the deep affection between Li Bai and Wang Lun. A story is about five college students who live in a dormitory. One of them came from the countryside, and four people in the city asked people in the countryside to draw water and mop the floor ... There were not many people in the countryside, so four years passed. After graduating from college, people from the countryside came out to start businesses, and four people in the city also learned something. Many big companies offered them an olive branch, and they hesitated. At this time, the rural people also invited them to work in his company, and the four of them came to his company without hesitation. Their reason is: "it's not how high your salary is, but because you pumped water for us in college for four years."
China's ancient poetry has a long history and is the essence of China's ancient culture. Adhere to culture and ancient poetry.
Notes on Selected Poems of Li Bai 5
As a romantic poet, Li Bai is great and the most typical. He said that his poem was "Xing Han put pen to paper to shake the five mountains, and the poem became a small Aoling Cangzhou". Du Fu praised his poems and said, "Putting pen to paper scares the wind and rain, and a poem makes you cry." This magical artistic charm is indeed the most distinctive feature of his poems. His poems not only have the strongest romantic spirit, but also creatively use all romantic methods to make the content and form highly unified.
Li Bai is not an infallible poet. On the contrary, he seems to care about everything. He has experienced and shown a lot of life. Although he can't satisfy his life forever, his passionate feelings and strong personality have left an indelible mark on poems expressing various lives, leaving a strong subjective color of self-expression everywhere. When he wanted to be an official in Beijing, he declared, "Laugh to the sky. Are we Artemisia people? " When politics is frustrated, they will shout, "The road is like the blue sky, but there is no way out before my eyes!" " He wanted to accuse himself of injustice, so he said, "I want to climb the dragon to see the Lord, and Lei Gong plays the drums." He misses Chang 'an, that is, "the wind blows my heart and hangs Xianyang trees in the west." When he climbed Taibai Peak, let Taibai talk to me and open the sky for me. When he asks for immortality, there must be "the immortal caresses me and I become immortal." He wants to drink, including Dongzaoqiu in Luoyang, "Building a restaurant for the south of Tianjin Bridge". He lamented Xuancheng's good wine making and asked, "Without Li Bai at the night stage, who is the wine sold to?" This strong subjective color of self-expression, in terms of artistic effect, adds overwhelming momentum to poetry in some places and takes the lead; Some places make people feel warm and kind when reading. Of course, this subjective color is not limited to poems and poems with the word "I". For example, in many poems, the names of Lu Zhonglian, Yan Ziling, Zhuge Liang, Xie An and others are often regarded as first-person pronouns by Li Bai, which makes the ancients fully incarnate him.
In line with the above characteristics, he did not suppress and converge in the expression of feelings, but gushed and poured thousands of miles. When ordinary language is not enough to express his passion, he exaggerates boldly; When things in real life are not enough to describe, compare and symbolize his thoughts and wishes, he resorts to unrealistic myths and absurd and amazing fantasies. From some lyric poems quoted in the last section, we can already feel this feature. Using "but since the water is still flowing, although we cut it with the sword" as a metaphor to "raise a glass to relieve sorrow" is extremely exaggerated, but it makes people feel the highest truth. Another example is "White hair and three thousands of feet, sorrow is like a long beard" in Song of Autumn Pu. With tangible hair, it highlights invisible worries, and exaggeration is extremely bold. Others, such as "Chivalrous Man", said, "Three cups spit infinite, and five mountains are light." Take the five mountains as light and exaggerate the importance of chivalrous promises. "Elegant Ballad": "Speak out of turn, trust a friend, and welcome Jiu Feng's suspicion." Mountain peaks are also used to exaggerate the estrangement and suspicion between friends. In "Popular North", "Yanshan snowflakes are as big as seats, and pieces blow down Xuanyuantai". Everyone is familiar with it, but there are two sentences at the end of the poem: "The Yellow River can hold soil, and the north wind hates rain and snow." It is also thrilling. Without this amazing metaphor that the Yellow River can be blocked, we would not understand the deep despair and sorrow of the wives of fallen soldiers. Bold exaggeration can never be separated from amazing imagination. Here, we also want to focus on his most romantic landscape poems, especially "Difficult Road to Shu", which made Li Bai gain great reputation:
Hey, shh, it's dangerous! Such a trip was more difficult than climbing the blue sky, until the two rulers of this area squeezed in in the foggy age. Second, he is eight thousand years old and has nothing to do with Qin Sai. And Dabaishan, to the west, still has only one bird path, all the way to the peak of Emei. Once it was broken by an earthquake, some brave people lost it, and then the ladder stone pile was hooked. On the high flag, six dragons drive the sun, and far below, the river lashes its twisted channel. Such a height is difficult for a yellow crane, poor monkey, they only have claws to use. The Green Mud Mountain is made up of many circles. For every hundred steps, we have to turn nine times in the middle of its mound. Panting, we passed Orion, passed Jingxing, and then fell to the ground with our arms folded and groaned. We want to know whether this path to the west will never end. The road is too steep to climb, and nothing can be heard except the cries of birds surrounded by ancient forests. The male bird rotates smoothly and follows the female bird. Jathyapple, what comes to us is the melancholy voice of Du Fu, a sad empty mountain. This kind of trip is more difficult than climbing the blue sky, and even hearing it will make people pale! ……
This poem, with a magic pen, rises out of thin air. From Can Cong Yufu to Wuding Mountain, all myths and legends are used to set off a strange atmosphere. Putting high standards in the sky can make "Six Dragons Return to Japan" and also rely on myths to gallop fantasy. The following is an exaggerated embellishment with yellow cranes, apes, sad birds and rules, and then the narrative of threatening, caressing and fading Zhu Yan is inserted as the backbone of the whole poem. The poem "it is hard to go ascended to the sky" appeared three times in the text, which set the tone for these five complicated movements. Li Bai has never been to Jiange in his life. This poem is entirely based on legend. Because of this, his mind and personality have been fully displayed here. Fan Yin's "He Yue Ling Photo Collection" said that this poem is "both strange and strange, and it is rare for a poet to return it." It just reflects the surprise and admiration of contemporaries for this poem. Today, when the Shu Road is unblocked, it is still an immortal masterpiece with historical and aesthetic value. His two poems "Looking at Lushan Waterfall" and "Lushan Ballad" are also well-known works. In the latter poem, he wrote about the view of the great river from the top of Lushan Mountain: "I climbed to the top of the mountain. I look around the world, and the great river is gone forever. The yellow cloud was blown away by the wind for hundreds of miles, and a snow peak was surrounded by a vortex with nine times the current. " He completely got rid of the shackles of the sense of real space and exaggerated it with bold imagination, highlighting the magnificence of mountains and rivers and showing the poet's magnificent mind. Bai Juyi's poem "Climbing to the top of incense burner": "The river is as thin as a rope, and the city is smaller than the palm." Completely realistic. Comparing the two poems, the artistic value is self-evident.
Li Bai's romanticism is based on his rich life. His poems are often full of emotion and changeable characteristics. We have seen this from the first poem of Difficult to Go, Uncle Yun's farewell school book in Xiezhao Building in Xuanzhou, and Tianmu sleepwalking. His masterpiece "Into the Wine" is also a very prominent example in this regard. In the poem, he encourages people to drink to their heart's content: "Oh, let a man with spirit take risks where he likes, and don't point his golden cup at the moon! He seems to be content with a decadent and enjoyable life, but his feelings are as unpredictable as the Yellow River. He suddenly said, "Since God has given talent, let him get a job! , spin one thousand silver, all back! ! Strong confidence suddenly replaced negative sighs. There is a similar situation in his Liang Yuan Shi Hua. In the first paragraph of the poem, he described the carnival and even lamented the impermanence of fame and fortune with tears in his eyes, but in the end, he suddenly said, "Songs and ballads have far-reaching influence. It is not too late to make a comeback and help the poor. " The poet's feelings were changed in an instant. Only a few poets in the history of poetry have reached this level by handling contradictory and complicated thoughts and feelings so freely and flexibly and achieving a high degree of artistic perfection. From this change, he continued to develop, so in some poems, he used both romanticism and realism. Some poems are both realistic and imaginative, such as those popular in North China and Guan Shanyue. Sometimes ideal wishes and realistic sufferings are combined in a poem, such as Article 19 of Antique:
The fairy shines like a star on the lotus peak in Huashan Mountain. Holding a white hibiscus flower in both hands, curled up into a ball. Dressed in colorful clothes, elegant clouds floated high into the sky. I boarded the rainbow platform and bowed to Wei Shuqing. Anxiously follow them and take Hongyan to Zixuan. Inadvertently, the Luoyang Plain was full of soldiers in the Anshi Rebellion. The bones are bloody, and the traitors turn their backs on the court.
In the beautiful fantasy of ascension, I suddenly saw Luoyang being ravaged and destroyed by An Lushan. We can't help but think of the ending of Li Sao: "I became an emperor and was suddenly shocked by my hometown." The plummeting of feelings and the disillusionment of romantic fantasies profoundly show the poet's extremely painful patriotism.
"Clear water produces hibiscus, and carving is natural." These two poems by Li Bai are the most vivid descriptions and generalizations of his poetic language. Li Bai's poetic language can reach such an ideal simple and natural state, which is inseparable from his careful study of Yuefu folk songs in the Han, Wei and Six Dynasties. According to Quan Deyu's Preface to Wei Qumou's Poems, Li Bai once taught eleven-year-old Wei Qumou the Ancient Yuefu. There are many imitations of ancient Yuefu in his Yuefu poems, which are well known and need not be exemplified. But his most effective place in Yuefu folk songs is language first. The language of his Long March and Midnight Wu Ge is very similar to Peacock Flying Southeast, Midnight Song and Xizhou Song. "I don't know the month for hours, and it's called Bai Yupan. I also suspect that Yao Taijing has flown to Qingyun. " "The breeze and bright moon don't need a dollar to buy, and Yushan is not pushed by people." "Such a trip is more difficult than climbing the blue sky." How vivid and natural it is, it is unforgettable to read. "Don't you see how the water of the Yellow River flows down from the sky into the ocean and never comes back?" Learn Han Yuefu's "Long Songs": "When will the hundred rivers return to the east and the sea to the west?" How it shines on you. At first glance, these places seem to be the most common, but none of the poets who imitated Li Bai in later generations reached such a highly perfect situation. It seems difficult to learn an accent, but it is easy to learn a language.
Li Bai used a variety of poetic styles, but the seven ancient poems and the seven unique poems contributed the most. These two poetic styles were also the newest and freest at that time, especially adapted to his free and bold personality. His achievements in this respect are also very effective in learning Yuefu folk songs. Seven ancient don't have to talk about, here are just a few of his famous four-line:
In the autumn of the first half of Mount Emei, the Pingqiang River reflected. In the evening, Qingxi went to the Three Gorges, but the four gentlemen did not see Yuzhou.
-"Emei Mountain Moon Song"
Early in the morning, I bid farewell to Jiangling city, which is high into the sky, thousands of miles away, and the boat is only one day away. The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills.
-"Early Baidu City"
Old friends frequently waved to me, bid farewell to the Yellow Crane Tower, and traveled to Yangzhou in this beautiful spring filled with catkins and flowers. Sailing alone in the blue sky, I can see the Yangtze River flowing in the sky.
-"Yellow Crane Tower Farewell to Meng Haoran on the way to Yangzhou"
Li Bai was just about to leave when he heard a farewell song from the shore. Even if the Peach Blossom Pond is deep, it is not as deep as Wang Lun's sending away my love.
-"To Wang Lun"
Shen Deqian's Three Hundred Tang Poems said: "Seven-character quatrains are close to feelings, and hidden words are more important. Just look at the prospects, talk, and have overtones, which makes people stay away from it, too white and embarrassed. " These characteristics he said are actually the naive natural charm of folk songs. That is to say, as far as the poem "Send Baidicheng Early" is concerned, the meaning of the whole poem comes entirely from the "martial arts" in the Notes on Shui Jing, but the natural language and joyful artistic conception are quite different from the original style. His four outstanding achievements have always been as famous as Wang Changling's, each with its own characteristics. But as far as folk songs are concerned, he surpassed Wang Changling. His Five Laws convey the simplicity and grandeur of ancient poetry in temperament style, which is often eclectic and unique. Such as "Niu Zhu's Night Sleeping Thoughts" and "Farewell to Friends" have always been cited by critics.
Li Bai inherited the rich heritage of the previous generation of poetry in his creation. The traditions he inherited were firstly Chu Ci and Yuefu folk songs in the Han, Wei and Six Dynasties. He was influenced by Qu Yuan in many ways. He carried forward Qu Yuan's patriotism and indomitable spirit of struggle, and also inherited Qu Yuan's romantic creative methods, such as casting myths and legends, boldly exaggerating fantasies, and attaching importance to the inheritance of folk songs. He is exactly the same as Qu Yuan. As far as specific works are concerned, such as Farewell, Fu Liangyin, Tianmu Sleepwalking and even Shu Daonan are similar to Qu Yuan's works in mental outlook, theme, conception and syntax. He also carefully studied the works of literati in the Han, Wei and Six Dynasties. Duan's Youyang Miscellaneous Notes said: "Li Bai's three manuscripts are selected, and if they are unhappy, they will burn." This legend must have some basis. He praised Jian 'an's poems, Ruan Ji, Tao Yuanming, Xie Lingyun, Xie Zhao and Bao Zhao, which he often saw.
. There are countless examples of his imitating and using the poems and songs of these poets. The poems Du Fu gave him also pointed out that his works were similar to those of Bao Zhao, Yu Xin and Yin Keng. He could not have become a great romantic poet without carefully studying his legacy.
Part four: Li Bai's position and influence in the development of romantic poetry.
Realism and Romanticism are two great traditions in the history of China literature, both of which have reached new heights in Tang poetry. Li Bai's poems and songs have a lofty position in the development of romantic poetry.
The myths and legends created orally by ancient people are the seeds of romanticism in the history of China literature. During the Warring States Period, Qu Yuan absorbed the achievements of the previous generation of literature and culture, and created a series of brilliant poems in the real struggle, which created the first peak of rich content and fantastic form for the romantic tradition. At the same time, Zhuangzi created many absurd fables in his philosophical prose, which also made important contributions to the romantic tradition. From the Han Dynasty to the early Tang Dynasty, the romantic tradition developed continuously in the creation of folk and progressive literati. Shang Mo Sang and Mulan Ci in Yuefu folk songs of Han, Wei and Six Dynasties, some poems by Cao Zhi, Ruan Ji, Zuo Si, Tao Yuanming and Bao Zhao, and excellent legends in novels of the Six Dynasties all enriched the romantic tradition. In the prosperous Tang Dynasty, there appeared the climax of romantic poetry represented by Li Bai.
Li Bai's poems and songs inherited the achievements of the previous generation's romantic creation. With their rebellious thoughts and bold styles, they reflected the optimistic creative spirit and potential power of dissatisfaction with feudal order in the prosperous Tang Dynasty, expanded the expressive field of romanticism, enriched the expressive methods of romanticism, and to some extent reflected the combination of romanticism and realism. These achievements make his poetry a new peak of romantic poetry after Qu Yuan.
Li Bai also made outstanding contributions to the innovation of Tang poetry. He inherited Chen Ziang's poetic innovation thought, and achieved the final success in theory and practice. In his first poem "Antique", he reviewed the whole history of poetry development and pointed out that "beauty is not precious since Jian 'an". And with the heroic spirit, he affirmed the correct way for Tang poetry to pull back the decadent wind and restore the elegant tradition. In the thirty-fifth "Antique", he criticized the remaining formalistic poetic style that emphasized simulated carving and neglected ideological content: "A brilliant song is childish. "In creative practice, he also has similarities with Chen Ziang, writing more ancient styles and less regular poems, but his achievements in learning Yuefu folk songs and vigorously developing seven-character poems far exceed those of Chen Ziang. His efforts have played a great role in completing the task of poetry innovation. After Li's death, he said in the preface to his collection of poems "Caotang Collection": "Lu Huangmen said:' The legacy of Chen Collection has changed suddenly. Today, the poetic style of the dynasty has been dominated by Liang Chengong, which has changed greatly and swept the floor to the extreme. This is a correct evaluation of his achievements in innovating poetry.
The influence of Li Bai's poems on later generations is also extremely far-reaching. His poems were widely circulated in the contemporary era, and by Zhenyuan period, his unconfirmed poems had been "found in every family". In the middle Tang Dynasty, Han Yu and Meng Jiao praised his poems, and learned from him, forming their own different poetic styles. Li He's romantic poetic style is obviously more inspired by him. Su Shunqin, Wang Ling, Su Shi and Lu You in the Song Dynasty, and Gao Qi, Yang Shen, Huang Jingren and Gong Zizhen in the Ming and Qing Dynasties all drew nutrition from his poems. In addition, the words of the uninhibited school represented by Su Shi and Xin Qiji in the Song Dynasty were also influenced by him. His story and legend of "being friends in the play" were written into traditional Chinese opera novels and circulated among the people, showing the love of people who love freedom.