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Commercialized historical and cultural resources
Should traditional culture be commercialized? In fact, I support the commercialization of traditional culture. Sometimes, we will see a beggar who occasionally donates money to charity, or a beggar who specializes in collecting garbage, donating all the money collected from garbage to non-profit organizations and so on.

Whether these things are true or not, we will find that, on the surface, these things convey a very positive positive energy to people, but if we think deeply, we will wonder whether these people have received help after donating money, and whether such efforts have brought more burdens to their originally difficult lives. Why? Why are there such stupid people? In fact, we take the problem too complicated. The rich can do charity, why can't the poor? Everyone sticks to his beliefs. What's wrong with that? He doesn't steal or rob, but uses his own efforts to get the money with his own hands. Don't you care how he spends it? It doesn't matter whether traditional culture is commercialized. The important thing is whether we can carry forward and pass on the traditional culture. Some people will say that commercialization contributes to the development and better inheritance of traditional culture. Yes, you're right, give them commercial value, and then let them usher in a better spring.

Watching movie reviews online, people often complain. Why does our country only know how to shoot costume films, but not science fiction films? Learn from other people's American blockbusters, how comfortable it looks. There is no history in America. They can't make costume films, but science fiction films.

Traditional culture is a national heritage, a social resource and a public resource. We can inherit it on the basis of public welfare or commercialize it. There are no contradictions and conflicts.

If traditional culture is commercialized, in fact, many details will be tampered with because of business needs and social needs. I watch Journey to the West every day, with all kinds of remakes and many tricks, but I still think the 86 version of Journey to the West is the best and classic, which can't be surpassed.

Nowadays, the remake of The Journey to the West, most of the films are too commercialized and lose the culture itself. Therefore, commercialization will have a great impact on the inheritance of culture, and even make people misunderstand or even misinterpret culture. Finally, as descendants of Chinese people, we don't know the spirit left by our ancestors. Aren't you sad? Qu Yuan was badly played, The Journey to the West was remake, Pan Jinlian was washed, and the Monkey King became more like a symbol of individual heroism.

All this is the result of commercialization, not that commercialization is not good, but that after you decide to commercialize traditional culture, your ultimate goal is not to preserve but to make money. Cultural content may be permanently modified and misinterpreted.

In some historical sites, what people leave behind after visiting is neither memory nor awe, but the ubiquitous garbage follows them here. This is also the impact of commercialization, not that commercialization is not good, but that commercialization is not concerned with culture itself, but whether it can create benefits for people.

What are the historical and cultural tourism resources in China? China has a long history and rich culture. The accumulation of 5,000 years of civilization has made rich and colorful historical and cultural tourism resources.

Famous historical and cultural city:

1. Beijing: Forbidden City, Great Wall, Ming Tombs, etc.

2. Xi 'an, Shaanxi: The Wild Goose Pagoda of Terracotta Warriors and Horses of Qin Shihuang

3. Kaifeng, Henan: Qingming Shanghe Garden

4. Luoyang, Henan: Longmen Grottoes

5. Dunhuang, Shaanxi: Mogao Grottoes

6. Datong, Shanxi: Yungang Grottoes

7. Nanjing, Jiangsu: Sun Yat-sen Mausoleum

8. Tai 'an, Shandong: Mount Tai

9. Qufu, Shandong: Confucius Temple

10. * * *: Potala Palace

Local historical resources refer to traditional culture and customs. Collated and edited cultural materials collected by local authorities. Local chronicles are outstanding representatives.

Specially organize personnel editing.

The earliest existing local chronicles in China is the Map of Yuanhe Counties compiled by Li Jifu in the Tang Dynasty in August/Kloc-October/3 (later renamed as the Map of Yuanhe Counties due to the loss of the map), with a total of 40 volumes * * *, which was later partially lost. It takes 47 towns in the Tang Dynasty as the key link, and each town has maps and records, which record in detail the evolution, geography, hukou, tribute and so on of all counties in the country. After the Southern Song Dynasty, local chronicles increased greatly, especially in the Ming and Qing Dynasties. According to the statistics of 1976, there are more than 8,000 kinds of local chronicles in China, about120,000 volumes. Personally, I think local historical resources refer to local places of interest, historical figures, stories, geography, character styles and so on. The collection method of local historical resources should be the information compiled by local personnel to reflect the cultural stories and geographical features at that time, and local chronicles are only a part of it. I don't know the earliest collection time, but maybe something like Zhu should be included. Local chronicles, cultural relics, historical sites, culture.