draw

Tang Yin seldom indicates the year when he paints, and his painting style changes irregularly, so it is difficult to infer the time when he painted, and it is also difficult to divide the changing process of his painting style by time. As far as subject matter is concerned, Tang Yin's paintings mainly include landscape painting, figure painting, flower-and-bird painting and so on.

On the one hand, Tang Yin's artistic achievement lies in breaking the stereotype, accepting both the North-South School of Painting, the Southern Song Dynasty Academy Painting and the Yuan Dynasty literati landscape painting, mainly learning from the Southern Song Dynasty and Liu Songnian Academy Painting School, and learning from the rigorous and vigorous painting style of the Song Dynasty. At the same time, he participated in Xia Gui's composition and pen and ink techniques, extensively dabbled in Li Cheng, Fan Kuan, Guo He, Huang and Wang Meng in the Northern Song Dynasty, and gradually formed his own style. The layout of the picture is rigorous and orderly, the shape is real and vivid, the mountains are majestic, the rocks are steep, the axe is chopped, the brushwork is vigorous, and the pen and ink are dripping. On the other hand, I have personal observation and real feelings about natural mountains and rivers. Representative works include Loneliness in the Sunset, Spring Mountain Companion, Empty Pavilion at Night, Apricot Blossom House, etc.

Tang Yin's figure painting has profound realistic skills, accurate images and unique charm. Ming Album commented that his figure painting was "under Qian Shunju and above Du Chang (Du Jin)". There are two kinds of ladies' paintings, one is fine lines, bright colors and high weather, which comes from the institutional paintings of the Southern Song Dynasty, such as the prostitute map of Wang Shu Palace. Exquisite brushwork and heavy colors, with the "three white methods" to dye the face of ladies and gentlemen, highlighting the thick coating of ladies and gentlemen. The lines of clothes are drawn with fine and smooth iron lines, and the clothes are painted with rich colors, which makes the front edge gorgeous. It vividly depicts the famous prostitutes scrambling to dress up, competing for beauty and coquettish, and is an excellent painting of ladies by Tang Yin. The other was born out of the courtyard of the Southern Song Dynasty, and the pen and ink were fluent. The brushwork is vigorous, the lines are undulating, and the beauty is simplified. Representative works include Autumn Fan Map and Li Duanduan Tu Tu. In the Song Dynasty, Li's description of flowing clouds and flowing water is combined with Yan Hui's description of broken reeds, and the picture is full of rhythm.

Tang Yin ink freehand brushwork flowers and birds, Mo Yun bright and clean, elegant style and full of realism. The picture of dried grass carp, as the representative, is composed of broken branches, and the branches of dead trees bend and extend from the bottom right to the top, full of colors, old and straight. Draw a myna perched on a branch with ink accumulation, with a bald pen and leaves, one or two thin vines and a few wild bamboos. In the upper right corner, the poem reads: "The mountains are boundless and the birds are singing in the spring rain." Painting with calligraphy, painting with pen instead of description, strong brushwork, beautiful shape, concise and accurate pen and ink, elegant and free and easy. "Rain Bamboo Map", the picture is mainly composed of two groups of thick leaves, then light leaves, and then a few leaves echo, all the leaves rush down and the rain hits the bamboo leaves. In addition, there are Mumei map, Fengzhu map, Waterfront Lotus map and Apricot Flower map.

calligraphy

Tang Yin's calligraphy originated from his mastery of Zhao Mengfu. His style is vigorous and agile, and he is elegant and agile. His masterpiece is Poems of Falling Flowers.

Wang Shizhen commented in "Yizhou Mountain Man Draft": "The book of Bohu entered Xing Wu Temple, which is weak." According to the documentary records and existing works, he has made extensive research on Zhao Mengfu, Li Yong, Yan Zhenqing, Mi Fei and so on, with different emphases in different periods, forming a constantly changing stage view. Generally speaking, his book style changes can be divided into four periods.

Zi Shu Ci, Volume I, Ming and Tang Yinshu

The first period was before he was 30 years old. He lives in his hometown of Suzhou and makes friends with his peers, which is deeply influenced by Wen. Therefore, their calligraphy and painting are very close. When Tang Yin was in his twenties, Huang Xiaojing's Atlas (collected by Shanghai Museum) was very similar to Wen's meticulous brushwork. Calligraphy also started in Zhao Mengfu, and they are all beautiful and beautiful, with beautiful strokes. Tang Yin's Master of Tibetan Painting is very similar to Wen Zhiming's.

The second period is from 30 to 36. Tang Yin's imperial examination hall was ruined and his wife divorced, so he had no choice but to make a living by poetry and painting. At that time, he pursued the Tang Dynasty in calligraphy and made every effort to standardize it. Youzong Yan Zhenqing's regular script is dignified, round and fleshy, with a long knot, strong and dense, fine stippling and absorbing official script, ending with a horizontal pen like a "silkworm head".

Fallen Flowers Poetry-Photocopying (10)

The third stage is 37 to 45 years old. Tang Yin, in his prime, lived in Taohua Temple and devoted himself to poetry, painting and calligraphy, reaching the peak of his creation. At that time, calligraphy returned to Zhao Mengfu, catching up with Li Yong in Tang Dynasty, and formed its own mature style. It takes the handsome and charming Zhao Ti as the prototype, uses beautiful pen and ink circulation, and incorporates Li Yong's oblique posture, bold brushwork and vivid layout, making him vigorous and agile in beauty. Many works of this style, such as Zheng Deyuannian (1506)37-year-old Seven-character Rhythmic Axe (collected by the National Palace Museum in Taipei), 30-year-old Mountain Road Pine Axe (collected by the National Palace Museum in Taipei), and three unique running scripts (collected by Ding Nianxian), all reflect the integration of Zhao Mengfu and Li Yong.

The fourth stage is Tang Yin's death at the age of 46 to 54. Since Wang Ning, Jiangxi, pretended to be crazy and further saw through the world, calligraphy has also become an attitude, and absorbed Mi Fei's style of seeking meaning and borrowing power. His pen is swift and vigorous, easy and carefree, straightforward and free and easy, and he pursues strength, speed and rhyme; At the same time, the brushwork of various schools is integrated, which makes the structure and pen full of changes and achieves a comfortable situation. Representative works include "The First Topic of Xizhou Dialect" (collected by the National Palace Museum in Taipei) and "The First Topic of Looking at Spring and Listening to the Wind" (collected by Nanjing Museum).

literature

Tang Yin's poetry and prose win with talent and emotion. His poems are full of travel, painting and sentimental works. In his early years, his works were neat and beautiful, with the breath of parallel prose in the Six Dynasties. After the publication of topic cases, most of them are outrageous works, which use a lot of spoken language and have a fresh artistic conception, often containing pride and grievances. He is the author of the Collection of Six Confucian Interpretations, and the Complete Works of Six Confucian Interpretations was compiled in Qing Dynasty.

There are more than 600 songs, such as Hundred Endures Song, Wu Shang Tianguan Book, Jiangnan Four Seasons Song, Peach Blossom Temple Song, One Year Song and Leisure Love Song. There are singers in the poetry anthology, such as "Flower Wine", "Send a Prostitute", "Cry a Prostitute Xu Su", "Send a Prostitute to People" and "To Wang Liren". Chen Jiru's "Taiping Flower Green" Note: "A thousand words in Tang Bohu's" Romantic Escape "are all brothel game words." There is no evidence that the book has been lost.

Besides poetry and prose, Tang Yin also tried to compose music, mostly in the form of folk songs. Because of his profound literary and artistic accomplishment in many aspects, he has experienced many ups and downs, has a profound understanding of life and society, and is known for his taste for both refined and popular tastes.

Tang Yin (1470 March 6-1524 65438+1October 7) was born on the fourth day of February in the sixth year of Chenghua and died on the second day of December in the second year of Jiajing. His name was Bohu, later changed to Wei Zi, and his number was six, such as the lay man, the Lord of Peach Blossom Garden, Tang Sheng of Lu, and a monk. He was a painter and calligrapher in the Ming Dynasty.

When I was 30 years old, I went to Beijing to take an exam, but because of the exam, I was dismissed and my wife remarried. My life is bumpy. After that, he traveled to famous mountains and rivers and became famous all over the world for selling literature and paintings.

In his early years, he studied painting with Shen Zhou, Chen Zhou, Zong, Liu Songnian, etc., and integrated the North and South painting schools, with delicate brushwork, sparse layout and elegant style. Portrait painters inherit the tradition of the Tang Dynasty, with bright and elegant colors, beautiful posture and accurate modeling; He is also a freehand brushwork figure, and his pen is concise and interesting. His flower-and-bird paintings are good at freehand brushwork and free and easy. Calligraphy is fantastic and handsome, taken from Zhao Mengfu.

Poetry, together with Zhu Yunming, Wen Zhiming and Xu Zhenqing, is called "four gifted scholars in Wuzhong". In painting, Shen Zhou, Wen Zhiming and Chou Ying are also called "Wumen Fourth Hospital", also known as "Ming Sijia".

Tang Yin's works include Homesickness by Riding an Donkey, Song of Mountain Road, Mingming Map, Prostitute of Wangshu Palace, Birthplace of Li Duanduan, Fanfan Map of Autumn Wind, Drowning and other paintings, which are collected in major museums all over the world.