A nation's cultural revival must first understand its own history. When we look at history too jokingly, we lose the ability to recognize the future. The most striking feature of A General History of China is that modern China people combine modern technology with historical materials and traditions to express their own history. It is not fragmented knowledge, but magnificent historical feelings born out of national character.

Many people can't imagine how the 3D technology in martial arts games is so perfectly applied to documentaries. It is especially pleasant to see that A General History of China finally "fuses" 3D animation with official history. In particular, Emperor Wendi of Sui Dynasty, Emperor Wendi of Sui Dynasty, recreated a unified episode. The troops, warships, natural disasters, palaces and cities are all so modern and full of classical charm.

Among the first seven documentaries, Liang Wudi is the most distinctive person, and his most famous unofficial history is always ready to become a monk. The film quotes historical materials to explain how he tried to use Buddhism to incite some thoughts and finally realize the idea of governing the country with Confucianism. I also made a personal psychological and emotional observation on his loss of Buddha in his later years, which led to the chaos in Houjing.

This episode of Emperor Yang brings the charm of historiography to the extreme. Yang Di, the darling of unofficial history, is famous for his luxury and fatuity.

In the film, experts from China Academy of Social Sciences, Peking University, Renmin University and Historical Society of Wei, Jin, Southern and Northern Dynasties respectively interpreted Yang-ti's strategy and mentality around Luoyang, the Grand Canal, the Western Expedition and North Korea, and guided the audience to "understand" a person calmly and objectively, instead of blindly judging through hearsay.