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Poems and famous sayings about regular script
1. Regular script poems

Poetry about regular script 1. Poetry about calligraphy.

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Sentence about calligraphy: 1. Full of pen power: pen and ink can be used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor. 2. flowing, flowing. 3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth. 4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching. 5. Look at its strength without losing, show its posture without boasting, and its pen is flowing. 6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly. 7. Flourishing sea, flying cranes and swimming in the air (Liang Wudi, Xiao Yan, commenting on Wang Xizhi) 8. Floating like a cloud, agile like a dragon. Iron book silver hook, the most ancient and modern. 9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns. 10. Pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful. People call it Weng Long (a famous Weng). 1 1. zigzag, big and small, open and closed, with obvious changes in line thickness and ups and downs. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong's posture is steep, his writing style is inclined or positive, heavy or light, and she begins to vent her anger like a thunderbolt. He writes quickly,

2. Poems describing calligraphy

1, Book of the Tang Dynasty: Li Qiao cut short and saw the dragon, and the birds in Linchi were at ease.

The gossip about the river map has come out, and Fan Luo is at the top of the nine domains. The birdsong by the pool is sparse, the environment is quiet and leisurely, and the words on the book list are carefully evaluated against the railing.

Calligraphy is the source of China culture, and the existence of Luohe led to the appearance of Luoshu. 2, "Shi Zui Mo Tang" Song Dynasty: Su Shi's life began to be literate, and his name was thick.

Why use cursive script to praise speed? It's sad to open the book. The bitterness of a person's life begins with literacy, so as long as he can write, he will recognize his name.

What's more, boasting about the magic and speed of calligraphy with cursive script is confusing and worrying. 3, "After the cursive script written by the drunken man" Song Dynasty: Lu You has five soldiers hidden in his chest, and there is no way to try.

Wine is the flag, pen is the knife, and the potential falls from the sky to the galaxy. I have my own military strategy in my heart, and I want to test it, but there is no way, and I am full of pride.

Cursive writing is like marching to fight, drinking before writing, like a majestic military flag, the pen in your hand is like a weapon, and the momentum is like the milky way falling from the sky. 4. Song Dynasty: Su Shi Lanting cocoon paper entered Zhaoling, which has a long history.

Yan Zhenqing Gong's calligraphy is innovative, with strong fonts, such as an autumn eagle. The original preface to Lanting Collection written on cocoon paper has been buried in Zhaoling, and the glyph of Wang Xizhi's dragon and tiger leaping still remains in the world.

Yan Zhenqing Gong changed his calligraphy to bring forth the old and bring forth the new, and the font was eagle in autumn. 5, "Cursive Screen" Tang Dynasty: Where there is a screen in the Han Dynasty, Huai Su can clearly see it.

Although it is covered with dust, there is still thick ink on it. Strange rocks rush to the autumn stream, and Han Teng Gu Hangge.

Close to the water tower, you get the moon first, and every word is good. Where did you get this screen? There are obvious traces of Huai Su's calligraphy on it.

Although there is a lot of dust and color pollution, you can still see thick ink. The written words are like strange stones rushing to the mountain stream in autumn, and the vertical hook strokes of the words are like the cold withered Gu Teng hanging upside down under Gu Song.

If you put the screen by the water, I'm afraid every word will turn into a dragon and swim into the water.

3. Sentences describing calligraphy

Sentences describing good calligraphy

1. Full of pen power: pen and ink are used freely and fully. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.

2. flowing, flowing.

3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.

4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.

5. Look at its strength without losing, show its posture without boasting, and its pen is flowing.

6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly.

4. The famous aphorisms about calligraphy are very poetic.

● Books originate from nature (Han Caiyong) ● Silence is better than sound, and there is no intangible phase (Tang) ● Learning books can be general knowledge (Tang Zhangyanyuan) ● Xuanyi, out of the table; The deep reason lies in the shadows; What is natural can be said, and what is wise can be measured (Tang Huai-King) ● Either place it on vertical and horizontal ambitions or place it on stagnation.

Although it is expensive, you can't restrain its height, although you can't exert your strength through clever planning (Tang) ● Words can't be rewritten, and words can't be passed around indiscriminately ● Write like a dog, the uglier you are, the more afraid you are ● Words are afraid of practicing, and horses are afraid of riding ● Words should be practiced ● Words should have backbone, meat should be covered with tendons, and posts should be beautiful (Song. Mo Mo Wan Yuan Bao (stone) ● Start writing hard, if the swan flies high, the dragonfly is graceful (Jin Weiheng) ● If the silver hook, if the source is amazing (Jin) ● If it floats like a cloud, if it is agile, the Yue Long sky is blue, the tiger lies in the Fengge (Southern and Northern Dynasties), and the pearls and jade are fluttering tassels (Tang Huai-Sheng) ● Like a breeze, it will be in your arms tomorrow and next month (Tang Lisi)

5. Sentences describing calligraphy

1. Full of pen power: pen and ink are used freely and fully.

Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.

Describe the vigorous and free brushwork of calligraphy. Also for the conductor.

2. flowing, flowing. 3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.

4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching. 5. Look at its strength without losing, show its posture without boasting, and its pen is flowing.

6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly. 7. Flourishing sea, flying cranes and swimming in the air (Liang Wudi, Xiao Yan, commenting on Wang Xizhi) 8. Floating like a cloud, agile like a dragon.

Iron book silver hook, the most ancient and modern. 9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns.

10. Pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied.

Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said). 1 1. zigzag, big and small, open and closed, with obvious changes in line thickness and ups and downs.

The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt".

He writes quickly, with a strong pen and great effort. 12. Simple and unpretentious.

13. The teacher's handwriting is a symbol of the years, and the strokes are forceful. 14. Make public, it is not bound at all, even the whole line goes down, like the escape of the gods, coming and going without a trace.

15. The teacher's handwriting, like petals, smells far and wide, getting more and more fragrant. 16. The dragon and snake raced through the iron inkstone.

17. Its color, its shape, its shade and dryness, its discontinuity and twists and turns, its thickness and concealment are infinite, and its weather is countless. 18. His brushwork is magnificent and his posture is changeable. Due to carelessness, his palm was forgotten, which has the most vivid and perfusion characteristics.

19. Gu Mo grinds a few perfumes lightly, and the new bath in the inkstone pool is full of light, or it is strong and gentle, or it is like a graceful beauty, or it is like a vigorous warrior, or it is like a spring breeze, or it is like a deep cold north wind entering the customs. 20. The strong man drew his sword and looked moving.

2 1. pen, Yan Gu 22. Luan Xiang Feng Dong: Dong: Fly high. Metaphor calligraphy flying posture.

23. Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.

It is also a metaphor for the separation of husband and wife in high flyers. 24. Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes.

Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." 25. Dragon and phoenix dance: like a dragonfly, like a phoenix flying.

The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.

26. Examples: Zuo Qiuming made a biography of the Spring and Autumn Annals, and summarized the calligraphy of the Spring and Autumn Annals into several examples for a general explanation. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another".

See "Draw inferences from one instance". Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.

27. The sword has been drawn and the bow has been drawn. Describe the situation as tense and explosive.

Later, it also refers to the vigorous and magnificent calligraphy. 28. Spring earthworm autumn snake: It is a metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.

29. I first wrote Huang Ting: Huang Ting: Taoist classic Huang Ting Jing, and Jin people have Huang Ting Jing in small letters. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".

Later, the metaphor was just right. 30. Beauty flowers: describe the beauty of calligraphy or poetry style.

3 1. Get to the point: The original description of calligraphy was powerful (according to legend, Wang Jinxi wrote on the board, and the ink penetrated into the board three points deep), but now the analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.

32. Waving paper like clouds and smoke. Tang Li Bai's cursive song: "Always seeing dragons and snakes, the left side is surprised." Although it is paternal, this is not a new coincidence.

Judging from its character potential, it is as thin as a dead tree in the middle of winter; Look at his handwriting, if you are hungry. 35. Enter the forest. Wang Xizhi has a deep understanding of real books, cursive scripts and calligraphy.

His real books are ingenious and dense, opening up a new realm; His grass is long and thick; His running script is full of charm and strength. People call his words "floating like clouds, agile like dragons"; "Yue Long heaven, the tiger lies in the phoenix pavilion".

37. Graffiti of letter: letter: free and easy; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing.

Others claim to believe that graffiti is to show modesty. 38. alphabet graffiti: alphabet pen: write casually.

Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.

39. Iron-painted silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.

40. the pen moves the dragon snake, and the iron hits the silver hook.

6. The number of words of poetry suitable for calligraphy should not be too short, nor should it exceed 50 words.

Mid-Autumn Festival (Tang Dynasty) Li Puhao's spirit ascended to heaven, and the fairy was silent among the clouds; A full round, accompanied by Wan Liyun; The sly rabbit falls the string, and the demon frog rests in front of him; Lingcha plans to go hand in hand until the Milky Way is completely clear.

0 | Comment 2011-10-28 23: 51Yuzi Ruoxuan | Level 2 "Silent Night Thinking" Tang Libai Will there be frost on the bright line at the foot of my bed? . I looked up at the moon and looked down, feeling nostalgic.

Drinking the bright moon alone Tang Li Bai from from a pot of wine among the flowers, I drink alone. No one is with me. Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people.

The moon doesn't know how to drink, but the shadow in front of it is behind. I have to mingle with them and enjoy the happiness of spring.

The song I sing is bright and wandering, and I dance the shadow before wandering. Wake up and be happy together, and disperse after drunkenness.

I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way. On the Night of August 15th, Tang Du Fu looked at the moon and flew to the mirror, returning to his heart and folding his sword.

Turn the tent and travel far, climb the laurel and ascend to heaven. The waterway is suspected of frost and snow, and the forest is covered with feathers.

At this time, I look forward to the white rabbit, and I want to count the autumnal equinox. "Moonlight Memories Brothers" Tang Du Fu wanderers listen to drums and autumn geese.

The dew turns to frost tonight, and the moonlight at home is bright! Brothers are scattered, and no one can ask about life and death.

Letters sent to Luoyang city are often not delivered, and wars often do not stop. "Watching Pavilion Moon on the 15th night of August" On the 15th night of August the year before the Tang Dynasty, beside the apricot garden on the banks of Qujiang Pool.

On the night of August 15 this year, in front of Songpu Shatou Water Hall. Where is the hometown in the northwest and the full moon in the southeast.

Yesterday, the wind blew and no one would meet. Tonight, the light is as clear as usual. "Looking at the moon reminds me of a distant place." The moon in Zhang Tang in 1990 is now at sea, and the horizon is * * * at this time.

People who love hate long nights and sleepless nights and miss their loved ones. Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes.

You can't have beautiful moonlight, just want to meet you in your dreams. "There is a bosom under the autumn night" Tang Meng Haoran) The bright moon hangs in the autumn sky, and Guanghua is wet.

The surprised magpie has not settled, and the flying fireflies are rolling in. The courtyard is sparsely shaded, and the sound of the neighboring night is urgent.

What is the ceremony? Look at the sky and stand. "Looking at the Moon at Fifteen Nights" The crows in the atrium of the Tang Dynasty, and the silent and humid osmanthus.

I don't know who Qiu Si will meet tonight. "Playing with the Moon on August 15th" Liu Tang Yuxi is going to wash the world again tonight.

Go to Qiu Lai in summer. The stars are shining and the breeze is bright.

What can change the human world is Yujing in You Ran. "Chang 'e" Tang Li Shangyin mica screen candle shadow is deep, the long river gradually falls and the stars sink.

Chang 'e, I must regret eating the elixir, and now I am alone, in the blue sky, singing every night. "Frost Moon" Tang Li Shangyin heard nothing at first, and the water was high.

The frost goddess and the moon are not afraid of the cold, and they are more beautiful and pure in the cold and frost recreation. "Mid-Autumn Festival Waiting for the Moon" Tang Lu Guimeng turned short and the frost was defeated late, and the wind was like a good season.

The curtain leans against the tree, feeling infinite, and the candle is faint and fragrant. I like to listen to the northern sheng sound, and gradually see the southern star fans.

Who is the coolpad of the school and wants to reduce the first round and noon? "Moonlit Night" In the Tang Dynasty, Liu, the moonlight was deeper than half of the families, and Beidou was dry in the south.

Tonight, through the green screen window, I know that spring is warm and the sound of insects is fresh. On the night of August 15th, Guizi in Tianzhu Temple, a jade star in Pi Rixiu in the Tang Dynasty got off the moon and was found in front of the temple.

So far, the sky doesn't exist, but Chang 'e should be thrown to people. In the Mid-Autumn Moon in the Song Dynasty, Su Shi's twilight cloud overflowed, and silver and Han silently turned to the jade plate.

If you don't meet a good night in this life, where will you see the bright moon next year?