The results of archaeological excavations can explain some questions about the story of Trojan horses. The period represented by the seventh class in Troy may have lasted for half a century. According to the general ancient Greek tradition, especially the stories of Iliad and Odyssey, it is traditionally believed that the destroyer of the period represented by the seventh floor of Troy was Mycenae from the central and southern parts of the Greek mainland. But from the archaeological point of view, there is no evidence to accurately infer who the destroyer is. On the contrary, there is some evidence that the destroyer is not Mycenae. For example, can the native Greeks attack Troy when the center of their Peloponnesian Peninsula is attacked? However, if the destruction of the Peloponnesus is due to natural disasters (for example, earthquakes that are often considered when discussing Troy and Mycenae recently), or because most of the living forces have gone to Troy, the local defense is lacking. Perhaps the more significant fact is that the coarse pottery of the b2 period on the seventh floor of Troy was a kind of pottery that first appeared in Troy after the end of the period represented by the seventh floor of Troy.

It has a deep connection with hand-polished porcelain that appeared in mainland Greece, Italy and Sicily at the same time. There is no precedent for pottery in these areas, and Dege-Jarkozy demonstrated that these pottery finally came from the hometown of traditional pottery-the middle reaches of the Danube River in Central Europe. The crude products of the period represented by the seventh floor Trojan 1 can be considered as a tool to identify the invaders of the period represented by the seventh floor Trojan. They are a group of people who passed through Bont, hoels, at the end of their migration from the central Danube to the Turkish Balkans. Similar people may be related to many major Mycenae settlements in the Peloponnesian Peninsula. However, it must be admitted that there are some defects in this reconstruction process. One of them is that the number of rough products existing in the period represented by the 7th floor of Troy 1 is relatively small compared with those hand-made polished pottery existing in Mycenae residential area in the Greek mainland during the period of Lhiiiic. Did these potters really play an important role in the political and military history of the late Bronze Age in the Aegean Sea, as some authorities said?