The technique of Huansha Ji comes from Historical Records of wuyue's Family and Zhao Rihua's Wu Yue Chun Qiu. Both Jin and Yuan Zaju have works. Liang Chenyu's "Huansha Ji" wants to summarize the historical lessons of wuyue's rise and fall, borrow the past from the present, and place his worries about current politics. The content of the plot is too complicated and lacks refinement, which inevitably leads to verbosity. But this play is of great significance. In the play, the love with Stone and the rise and fall of wuyue are combined, and the feelings of rise and fall are written with the feeling of separation, and the national interests are put above love, which is the first of similar themes in later generations. This is the second meaning of the play. Get rid of the traditional concept of chastity, and let him join hands for life after completing the great cause of rejuvenating the country. Instead of following the feudal old tune of "women are in trouble", they will be executed by despicable means, which is also one of the meanings of this play. After the downfall of the State of Wu, the one who had the best personal relationship with the King of Yue and made the greatest contribution realized that "the King of Yue could be embarrassed with * * * *, and broke up with * * *", and was not bound by the idea of loyalty to the monarch, so he retired with an official. This sober understanding of the ruling class is very rare. This is the third meaning of the play. Before Huansha Ji, Kunshan dialect was reformed by Wei Liangfu and others, but it was only used in oratorios. In the stage performance of Huansha Ji, Liang Chenyu used Kunshan dialect to further study phonology. After that, Kunshan dialect was spread by the wonderful play of Huansha Ji, which became the most important vocal cavity occupying the stage for hundreds of years, and Huansha Ji contributed a lot. This is the fourth meaning of the play. It is commendable that the author's thought, vision, realm, artistic accomplishment and contribution can reach such a level. At the same time, the characters in the play, such as Shi, Wu Zixu, Gou Jian, Fu Cha, and Bofei, are also lifelike. The dialogue between characters is vivid and deeply loved by everyone.