Guosuotu

Huang Jucai's word "Lu 'an" was born in Chengdu (present-day Sichuan) and was born in Huangquan. He is good at painting flowers, birds and bamboos, and is good at sketching. His pen is steady and colorful, and the image of bamboo feathers in his garden is vivid and wonderful. The grotesque mountains and rivers surpass Nai's father. After becoming an official with his father, Shu is waiting for a letter from Hanlin. The walls of the taste cooperation hall and the screens of the palace are unforgettable. When he entered the Song Dynasty, he was still an academician, especially valued by Emperor Taizong, who entrusted him with the task of searching for famous paintings and identifying objects. At one time, many people had to chip in. The paintings of Jucai and his father are colorful and suitable for the needs of the court. Therefore, Huang is in a presiding position in the painting academy, and other painters want to enter the painting academy. Huang's painting style was once regarded as the standard for selecting people. In the fourth year of Chunhua (993), at the age of 61, he painted murals such as Longshui, Tiantai Mountain and Shi Shui in Sheng Xing Temple. Xuanhe Huapu recorded 332 of his works, including Spring Mountain Map, Spring Shore Flying Flower Map and Peach Blossom Mountain Pomfret Map. Handed down from ancient times, there are albums of Bamboo Stone Brocade and Mountain Swallow and Thorn Birds, which are printed in silk, 99 cm long and 53.6 cm wide, and inscribed horizontally with "Mountain Swallow and Thorn Birds Collected by Evonne in the Song Dynasty", which is now in the National Palace Museum in Taipei. His brothers lay man and jubao both had painting names, but they died young and their fame was not as good as gathering talents.

Southern Song Dynasty

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No money, the color of the silk is 23.8 cm vertically and 25. 1 cm horizontally. It's in the Palace Museum. This picture is a water lily, reddish and stained, with green leaves below and three lotus stems below. The author depicts the natural graceful appearance and dirt removal characteristics of lotus from above. The whole painting is delicate and colorful, and there is no trace of pen and ink. It is a masterpiece in the Southern Song Dynasty's college paintings. The picture has no seal, and it is passed on as Wu Bingzuo. Description of Virtual Homophonic Picture Record. 》

Li anzhong 12 century sand bird map of southern song dynasty

The date of birth and death of Qiantang (now Hangzhou, Zhejiang) is unknown. Song Huizong Xuanhe (1119-1125) became a loyal minister only after waiting for the Academy. After Du Nan, Shaoxing (1131-kloc-0/162) restored the Painting Academy and gave it a gold belt. Painting flowers and birds and animals is especially good at "catching pleasure" (such as eagle stork), and "Painting with Addendum" says "catching pleasure with painting, so that it can be caught and avoided". Also intercropping mountains and rivers. Ma Zhen wrote the poem "Snow in Ivy Ho and Western jackdaw": "The north wind blows in Wan Lishi, and the old trees crush the iron. The crowd was dumb and hungry, tired of flying and resting in the open forest. The lonely village is too cold to eat far, and the feeling is different when the sand pecks at the residual snow at dusk, and the envy of the painter can't wait. I have tasted it and remember that the sky follows the poem. So far, I have been so excited to read the skirt that I think of Golden Cage Day. Lao Wu, Lao Wu, I am black and hairy, and I am tired of crying. Why don't you fly around singing in your husband's house, whose head is green? " The trace of painting is "pastoral map", which is recorded in "painting and calligraphy"; The picture of lion training in Yichun Garden is recorded in Preparation for Painting. Handed down works include The Butterfly in Spring and The Atlas of Wild Chrysanthemum and Autumn Quail, which are now in the Palace Museum, with a length of 24. 1 cm and a width of 40.5 cm, and are in the National Palace Museum in Taipei. It is said that this "quail map" was painted by him and is now in the Jingen Art Museum in Tokyo, Japan.

Shen Zhou 1427- 1509 Ming

Outstanding painter in Ming dynasty. Characters include Qi Nan, Shi Tian, Bai Shiwen, Tian Yu Sheng, Zhu Ju Zhu Zhu Zhu, etc. And, Tang Yin, also known as "Ming Sijia", is the first "Wu Pai" in the south of the Yangtze River, which has a far-reaching influence in the history of painting. The Shen family lived in seclusion in Wumen for generations and lived in Xiangcheng, Suzhou. Their hometown and tomb are in Yangcheng Lake Town, Xiangcheng District. Shen Zhou's great-grandfather was a good friend of Wang Meng, and his father Henderson was also a student. Calligraphy and painting come from the family. Father and uncle are famous for their poems, paintings and calligraphy. Shen Zhou spent his whole life studying at home, reciting poems and painting, wandering among nymphs, pursuing spiritual freedom and despising filthy political reality. He failed to take the imperial examination all his life and has been engaged in painting and calligraphy. He is knowledgeable and has a rich collection. He has a wide range of friends and is very popular with the audience. He is usually peaceful and approachable. People who want books and paintings are "all outdoors", and "hustlers and pawns" ask him for paintings and never refuse. Someone even impersonated him and asked for an inscription, and he readily agreed. Shen Zhou's paintings and calligraphy are widely circulated, and the authenticity is mixed, so it is difficult to tell the authenticity. Wen Zhiming therefore called him a "fairy middleman" floating on earth. His important works include Imitation of Dong Ju's Landscape (9th year of Chenghua, AD 1473), Interesting Pictures of Cangzhou, Death of Yi, Mocai Map (these two books were originally albums, and then compiled into volumes), Sleeping Tour Map and so on.

Chen chun 1483- 1544

Changzhou (now Suzhou, Jiangsu) people. The word "Dao" is repeated, the word "Xing" is followed, and the word "Fu" is named Baiyang and Baiyangshan. Chen Chun's juvenile painting is based on the method of Yuan people and is deeply influenced by freehand brushwork in ink and wash. His sketch painting, which took one and a half flowers, was full of faint ink, which had its own causes of sparse and chaotic history. Some of his works are relatively simple, and it can be seen that they are influenced by Shen Zhou's painting. From his existing works, we can see that his style and pen can be relaxed and restrained. He is good at poetry, calligraphy and painting. Chen Chun and Xu Wei are also called poplars and green vines. Chen was meticulous in painting when he was young, but he was unrestrained and maverick after middle age. Chen Chunshi studied in Wen Zhiming and gained the highest reputation. He is good at freehand brushwork of flowers. Although his works show one and a half flowers, they are dripping and carefree, which was deeply appreciated by the literati at that time. He is a painter who has made great contributions to the development of freehand flower-and-bird painting after Shen Zhou and Tang Yin. After middle age, Chen Chun intercropped mountains and rivers, and technically studied under Mi Youren and Gao Gong Ke. Most of them are based on the scenery in the south of the Yangtze River, with concise techniques and strong interest in literati life. Wen Zhiming once said with a smile, "I am a teacher. I have my own writing and painting methods. I am not a disciple." Existing works include Poetry and Painting of Red Pear, Camellia and Narcissus, Kwai Stone and Loyal Man. His son Chen Kuo inherited his father's style and was good at flowers. Light map of Qingjiang River in autumn, vertical axis, color setting, paper book, vertical 157.8cm, horizontal 43.5cm ... Nanjing Museum collection. This picture closely follows the word "Qiu Jiang", with withered lotus, hibiscus, reed and other flowers with seasonal characteristics as the main theme, supplemented by kingfisher and domestic duck, depicting a school of autumn weather. Lotus leaves are dotted with gamboge and ink, showing a dry texture; Lotus leaves are dotted with flowers, branches are written in light ink, and flowers are marked with light red in light ink; Ducks are rubbed with broken pens, and their feathers are fluffy. Beautiful brushwork, light tone, sparse composition, won the charm of autumn

Wei Xu1521-1593

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Han nationality, Yin Shan (now Shaoxing, Zhejiang). The early word Wen Qing, later changed to Wen Chang, alias Tianchi Mountain, or Department Tian Shuiyue, Tian Danshui, Ivy League Old Man, Ivy League Taoist, Ivy League layman, Tianchi Fishing Hidden, Jin Lei, Jin Hui Mountain Man, Yin Shanbuyi, Bai Xieshan Man, Goose-nosed Shan Nong, etc. China was a writer, painter and strategist in the Ming Dynasty. People also widely spread stories and legends about how clever he was when he was young and how he played tricks on bureaucrats later.

Xu Wenchang once said: "My book is the first, my poem is the second, my writing is the third, and my painting is the fourth." This is probably the usual trick of literati, that is, to put their most valued art in the last position to raise others. In fact, he is a great master of freehand brushwork in China, which has influenced Badashanren, Shi Tao, Yangzhou Eight Eccentrics and even Wu Changshuo and Qi Baishi. He has a high position in the history of art. He is best at flower painting, indulged in pen and ink, vigorous and charming, full of poetic lyricism and rhythm, and is highly respected by people. His calligraphy is better than cursive script. Although Xu Wenchang ranks first, his achievements seem to be inferior to those of painting.

Chen Gua Ming Dynasty

Zizizheng,no. Tuojiang, was born in Suzhou, Jiangsu. Chen Chun's son. Good at painting flowers, the pen is like his father. In the 26th year of Jiajing's life (1547), he wrote Haitang Map, in the 28th year, Beautiful Lake and Mountain Map and in the 32nd year (1553), from which we can know the age of his life. His works include "Ken Mountain Landscape Axis" and "Flower Stone Axis".

Chen Hongshou1598 ——1652

Lotus Stone Map Album

The word is thick, the number is old and cheap, and the number is old and late. He was a genius when he was a teenager, and he was good at poetry and songs, especially painting. At the age of 4, he made a mural of Guanzhuang (Guan Yu) which was eight or nine feet long. Chen Hongshou 12 years old sells paintings in the market. However, although Chen Hongshou lost to the Wizards, he failed many times. Chen Hongshou was deeply dissatisfied with the political corruption in the late Ming Dynasty. After the death of Ming Chengzu, he felt very sad and often indulged in drinking and having fun. Because of the pain of national subjugation, I changed my name to "Regret Late". The Qing army invaded Zhejiang, forced him to paint, and put a knife in his head, but he still refused to write. Lotus and Yuanyang is Chen Hongshou's middle-aged work. There are several lotus leaves in the picture, either lateral or positive; Several blooming or budding lotus flowers. A grotesque Taihu stone stands between the lotus leaves. The posture of the leaves is colorful and the flowers are delicate and charming, which is in sharp contrast with the thin and hard texture of the stone, but it is natural. Two colorful butterflies, one is flying away from a lotus flower blocked by a lotus leaf on the upper left of the painting, and the other has stayed in the heart of the flower. Motion and stillness echo each other. The two mandarin ducks on the water generally don't lie side by side, but face each other from left to right. One is resting among the stone leaves, the other is playing in the water, but its head is facing its lover, and its eyes are more affectionate. The positive picture has perfect composition and harmonious colors.

Badashanren 1626- 1705

Painter and calligrapher in the late Ming and early Qing dynasties, one of the "four monks" in the painting circle in the early Qing dynasty. Originally, he was the grandson of the Prince of the Ming Dynasty. After the demise of the Ming Dynasty, the country lost its family and became a monk. His works often use symbolic means to express his feelings, such as painting fish, ducks and birds, all of which look at the sky with white eyes and are full of stubborn pen and ink, characterized by laissez-faire, vigorous and beautiful, elegant and smart. No matter big or small, there is a simple, clear and healthy spirit. The structure of rules is unconventional, seeking completeness in incompleteness. Zhu Da's paintings have a great influence on later generations.

Shi Tao 1630- 1724

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One of the "Four Monks in the Early Qing Dynasty" in the Late Ming and Early Qing Dynasties. Painters in China in Qing Dynasty. Monks. Painting and composition are very novel. Whether it is the clouds in Huangshan Mountain, ink paintings in the south of the Yangtze River, cliffs, dead trees in Western jackdaw in the west, or flat, far-reaching and lofty scenery, we strive to have a novel layout and a new artistic conception. He is especially good at using "interception method" to convey profound realm with close-ups Shi Tao also talks about momentum. His brushwork is unrestrained, dripping and free, regardless of minor flaws. His works have a bold and unrestrained momentum and win with bold and unrestrained momentum.

He is the tenth grandson of Wang Zanyi, the imperial clan of Jingjiang in the Ming Dynasty. His ancestral home is Guilin, Guangxi, and he is from Quanzhou, Guangxi. Born in the ninth, fourteenth and fifteenth years of Chongzhen in Ming Dynasty (1636,164, 1642), he died in the forty-fourth, forty-ninth and fifty-seventh years of Kangxi in Qing Dynasty (1705,1742). After the death of Ming Chengzu, Zhu Hengjia claimed to be the supervisor of the country and was executed by Zhu, the king of Tang Dynasty, in Fuzhou. Shi Tao was taken away by eunuchs when he was young and became a monk. His legal name is Yuanji, the word Shi Tao, and his nicknames are Dadizi, the old man in Qing Xiang, the bitter gourd monk and the blind elder. I visited a famous monk as a teacher this month and liked roaming. I have been to Jingting Mountain, Huangshan Mountain, Nanjing and Yangzhou many times and lived in Yangzhou in my later years. He not only suffered from the ruin of his country, but also knelt down twice to meet Emperor Kangxi. He had many contacts with high-ranking figures in the Qing Dynasty, and his heart was full of contradictions.