ISBN: 9787806924099
Format: 16
Pricing: 45.00 yuan music has a great effect on human beings, which no one can but admit. The last thing that has not improved in our country recently is music; Although some people are learning from westerners to play the piano and sing there now, most of them are just nobles. Popularizing music to the general public is really a far-reaching thing. Moreover, the culture of a country is definitely not counted by copying the fur of others. On the other hand, sticking to the rules and sticking to your own opinions can't count. On the one hand, we must adopt the inherent essence of our country, on the other hand, we must accommodate foreign trends and create new ways from the harmony and cooperation between things, so that we can say that progress has been made.
"China traditional music" refers to the music created by the people of China in their own ways and forms, including both ancient works produced in history and contemporary works. Traditional music is an extremely important part of China national music. The difference between traditional music and new music lies not in the order of music creation, but in its expression form and style characteristics. Qiao Jianzhong: Preface
Liu Tianhua: The Origin of the National Music Reform Association
Liu Tianhua: My plan for our society.
Qiao Jianzhong: Introduction
Yang: The future of China music and its research.
Qiao Jianzhong: Introduction
Lu Ji: An Outline of China's National Music Research
Qiao Jianzhong: Introduction
Chang: The Introduction and Development of Pipa in the Western Regions during the Han and Tang Dynasties
Qiao Jianzhong: Introduction
Wang Zhenya: Musical Analysis of the Beijing Opera "Drunk Imperial concubine"
Qiao Jianzhong: Introduction
Wu Junda: The Development of Singing from Folk Songs and Minor to Traditional Chinese Opera —— Taking The Dressing Table as an Example
Qiao Jianzhong: Introduction
Cheng Yun: On the Brand Music and Banqu of Traditional Chinese Opera Music —— A Chapter of Traditional Chinese Opera Music
Qiao Jianzhong: Introduction
Guo Naian: On the Plasticity of Folk Tunes
Qiao Jianzhong: Introduction
Yang: A Preliminary Study on the Sacrificial Music of Confucius Temple Ding
Qiao Jianzhong: Introduction
Qian Renkang: A Textual Research on the Origin of Moon Bend —— Also on Wu Ge
Qiao Jianzhong: Introduction
Gao: the principle of variation in the form of national music
Qiao Jianzhong: Introduction
Wang Yaohua: the juxtaposition of multiple major degrees and three degrees in Fujian Nanyin singing
Qiao Jianzhong: Introduction
Dong: Stylization and non-stylization in the structural form of national music
Qiao Jianzhong: Introduction
Yang Kuangmin: Formation and Color Division of Local Colors in Folk Melody
Qiao Jianzhong: Introduction
Xiang Peng Huang: On the Inheritance of Ancient Music in China —— A Review of Music History.
Qiao Jianzhong: Introduction
Jiang Ming Yun: Aesthetic Thinking on the Characteristics of Folk Songs
Qiao Jianzhong: Introduction
Qiao Jianzhong: exploration of the relationship between sound and place-on music geography from the distribution of folk music.
Qiao Jianzhong: Introduction
Luan Guijuan: Storytelling Tone and Singing —— On Two Singing Styles in Quyi Music
Qiao Jianzhong: Introduction
Zhao: On the Discipline Construction of Melody (Notes)
Qiao Jianzhong: Introduction
Yuan: Introduction to Musicology
Qiao Jianzhong: Introduction
Huang Yunzhen: The Trajectory of Changing Palace —— An Analysis of "Melody Gene" in Folk Song Inheritance
Qiao Jianzhong: Introduction
Author: editor-in-chief Cheng
Press: Shanghai Conservatory of Music Press
Publication date: August 2009-1 words: 329,000 editions: 1 pages: 303 printing date: August 2009-1 format: 16 format: 1 sheet: offset paper.
brief Introduction of the content
The term "China traditional music" appeared in modern times, which is a concept relative to China's "new music". It refers to music that has a certain circulation time and does not belong to the creation of contemporary musicians. In China's academic circles, the music formed before the Qing Dynasty or the music with traditional forms that happened later is usually classified as traditional music. It includes not only ancient works produced in history and passed down to this day, but also music works created by contemporary China people in their own local form with their own local morphological characteristics. It can be said that in the development of thousands of years, China traditional music has formed its own unique laws and characteristics, no matter from the legal system, scales, Gongdiao, musical morphological characteristics, cultural traditions to national ways of thinking. introduce
Chapter I Folk Songs
Section 1 Overview
First, the historical development of folk songs
Second, the basic characteristics of folk songs
Section 2 Artistic Features of Folk Songs
First, folk songs are the foundation of national music.
Second, the musical characteristics of folk songs
Section III Overview of Color Division of Han Folk Songs
Section 4 Genre Classification and Artistic Features of Han Folk Songs
First of all, songs
Second, folk songs.
Third, minor.
Section 5 Types and Artistic Features of Minority Folk Songs
First, Mongolian folk songs
Second, Kazakh folk songs
Three. Uygur folk songs
Fourth, Korean folk songs.
Verb (abbreviation of verb) Tibetan folk song
Six, minority multi-voice folk songs
View content
Chapter II Folk Song and Dance Music
Section 1 Overview
First, the historical development of song and dance music
Second, the basic characteristics of folk songs and dances
Section 2 Genre Classification of Folk Song and Dance
First, sing and dance.
Second, music and dance.
Third, musicals.
Section III Genre Classification of Folk Song and Dance Music
First, dance music
Second, dance music
Section 4 Han folk song and dance music
First, yangko
Second, a table for two.
Third, duet.
Fourth, picking tea.
Five, lanterns
Section 5 Minority Song and Dance Music
First, Uygur songs and dances
Second, Tibetan songs and dances.
Third, Mongolian songs and dances
Fourth, Korean song and dance.
Five, Miao song and dance
Six, Dai songs and dances
Seven, other minority songs and dances
View content
Chapter III Rap Music
Section 1 Overview
First, the historical development of rap music
Second, the basic characteristics of rap art
Section 2 Classification of Rap Music
First, drum characters
Second, play a good part of speech.
Third, brand music.
Fourth, the piano and books.
Fifth, go to singing class
Six, fishing drum Daoqing class
Seven, the genre of tunes
Section 3 Art Form of Rap Music
First, the form of expression
Second, accompaniment music.
Third, the structural form
Fourth, artistic features.