1. First, you can draw a text box on the left, and then draw a typical historical figure in the Romance of the Three Kingdoms on the right.
2. Then draw walls and borders for embellishment, and draw horizontal lines in the text box.
3. Finally, color it.
Main contents of Romance of the Three Kingdoms
The Romance of the Three Kingdoms describes the history of nearly a hundred years from the end of the Eastern Han Dynasty to the beginning of the Western Jin Dynasty, mainly describing the war, telling the story of the warlord melee in the end of the Eastern Han Dynasty, the political and military struggle between Wei, Shu and Wu, and finally Sima Yan unified the three countries and established the Jin Dynasty. It reflects the transformation of various social struggles and contradictions during the Three Kingdoms period, summarizes the historical changes of this era, and shapes a group of heroes of the Three Kingdoms.
The book can be roughly divided into five parts: The Yellow turban insurrectionary, Dong Zhuo's rebellion, competing among the heroes, the Three Kingdoms' separation, and the Three Kingdoms' return to Jin. On the vast historical stage, a magnificent war scene was staged. Luo Guanzhong, the author, combines the thirty-six strategies of Sun Tzu's Art of War between the lines, including both the plot and the strategy of Sun Tzu's Art of War.
Appreciation of Romance of the Three Kingdoms
Luo Guanzhong integrated culture from two different levels of elegance and vulgarity, and according to his own subjective understanding, values and
The distortion of artistic likes and dislikes makes the works have very rich cultural connotations. In The Romance of The Three Kingdoms, there are not only the refraction of the ideology of the upper ruling class, but also profound folk thoughts. It is a visualized history of the rise and fall of the Three Kingdoms and a political and military history in the eyes of the people.
Because most of the materials come from the people, it certainly provides rich materials for the creation of Romance of the Three Kingdoms, but it also brings great pressure to the writers. When they enter the novel text, they are accompanied by the infiltration of different ideas and different aesthetic tastes. However, folk feelings and good historical spirit are not always consistent, and may even conflict with each other, which constitutes a strict requirement for writers' creation.
A severe test. Luo Guanzhong's greatness lies in properly handling the relationship between folk feelings and good historical spirit and creating an artistic world with great tolerance.
The historical works of the Three Kingdoms not only provide the basic material and historical framework for The Romance of the Three Kingdoms, but also directly affect the novel's creation mode and basic tendency. The spirit of seeking truth from facts and the consciousness of seeking truth from facts are the basic characteristics of historiographer culture, which are reflected in the compilation of historical books. Editors are required to take an objective attitude and pay attention to summing up and exploring historical experiences and lessons in order to achieve the purpose of "governing the country with capital" and educating people. These characteristics are well reflected in the Romance of the Three Kingdoms.