An exhibition expresses the simplest shapes to expand people's imagination. Seeing this exhibition, I can't help thinking a lot.

In fact, the shapes of squares and circles in the concept are very personal, ethnic, regional, cultural and spatial, and have extensive ancient and modern significance in visual space and philosophical space.

The ancient six vessels and six sites show the origin of Fiona Fang symbol in China's mother culture, and are also indispensable factors in myth and totem decoration.

Contemporary artists often use concentric circles, which usually refer to arrows or cores, while in China artists, they represent centripetal force and are the perfection of family, country and cultural spirit.

Simple circular forms, such as chaotic circles, caves and pebbles, have recalled the ancient and pregnant significance far away, accepted the contrast and coordination between artists of western modern thought and Fiona Fang, and are full of thoughts and philosophies. They are also rational symbols in constructivism, and the newly compiled flag emblem totem has extremely rich performance fields in extremely simple modeling.

The dotted line walking in the square, purely decorative, symbolic and personalized by hand, extends the simple expression of simple symbols.

Square and circle are local concepts and the most fundamental spatial concepts of human beings. Different cultural societies endow this foundation with different natural and humanistic ideas, which can refer to the concept of cosmic boundaries and the cultural totem of regional nationalities, and can be regarded as the private code of personal fables.

The most basic geometric form, which once contained symbolic concepts such as myth, political power, religion, ethics and etiquette, is widely used in modern modeling today.

Looking at Fiona Fang and creating an image can be regarded as the balance between existence and ideas and the rational pursuit of aesthetics.

Many modern artists use symbolic concepts of squares and circles. The influence of constructivism and abstractionism combines personal cultural genes, and the form is simple, but because of the extension of the tentacles of human life, there is a new imagination space.

Since the 20th century, there have been more squares than circles in plastic arts, which shows the concept of people living instead of heaven. The metaphysical world is out of reach, but there are many physical places to explore.

Generally speaking, the western world believes in vertical upward and direct forces, while the eastern world develops a flexible curve and believes in harmonious and inclusive forces.

In thinking, abstraction, symbolism and surrealism should be trinity concepts. From the concept of ancient square diagram to the concept of modern square diagram, it has become a knowledge of spiritual evolution. In the humanistic interpretation of nature and culture, there are often differences in consciousness between society and nation.

The site of Stonehenge in southern England has become the research site of Fiona Fang graphics in ancient civilization.

Historians have verified that in the 4000 BC, this Fiona Fang pattern seems to be related to the change of sunshine in the four seasons, which determines people's life and rest. Its function is similar to that of a solar instrument, because its square column layout is related to the movement of the sun, and it may also be a prehistoric celestial instrument.

In the Middle Ages, it was thought that this was the place where Marin, the legendary wizard of Arthurian period, tried magic. Stones are always endowed with the mysterious power of witchcraft and interpreted as symbols of military power, such as round-table warriors and round-table meetings, which are symbols of political consultation.

It makes the megalithic civilization, which originally belonged to naturalism, enter the political and cultural field.

Another way of saying this is that, from the perspective of human sociology, it is believed that the boulder has always been a public place for ancient residents to sacrifice or * * * *.

But all the textual research can't prove how these circular square columns are overlapped. Therefore, there is also an explanation that aliens are the contact base with another starry sky stronghold, which makes the composition of Fiona Fang a blueprint design idea for the mysterious magnetic field of science and technology.

Taking the evolution of the concept of Fiona Fang in British megalithic civilization as an example, people's understanding of Fiona Fang has changed from mysticism, political ethics and sci-fi imagination.

It can be said that civilization is the process of acquiring laws in collective consciousness space.

Although this unified law is not absolutely unique.

The best example of the geometric code of China culture is the perfect presentation of the gluttonous pattern of Shang and Zhou Dynasties, which has a more abstract linear shape than the animal form of ancient Persian grassland culture, and also has a complex witchcraft color in decoration.

Fiona Fang entered the field of architectural design, reviving humanistic spirit and artificial ideal, not only for decoration.

With the combination of practicality and artistry, architecture has become a means to create a utopia on earth. Today, due to the revival of abstraction and structuralism in modern art in the 20th century, Fiona Fang has once again become the theme of art.

Nowadays, squares and circles can be seen everywhere in modern life. Square tables and circles in catering culture, round necks and squares in clothing culture, domes and squares in housing culture and no-go signs in tourism culture are all full of squares and circles.

The infinity of Japanese contemporary artist Yayoi Kusama, such as bacteria, is also regarded as a popular aesthetic feeling.

As for the order of squares and the expansion of tic-tac-toe, there is infinite space for expansion and contraction in the network world.

Fiona Fang's concept, from heavy to light, presents a more complex ideological space under the pluralistic differentiation of social and cultural life values.

From what we see every day, from works of art, from the environment where we live and walk, the ubiquitous form has become a multi-interpretation angle that can radiate from ancient civilization, western modern thoughts, regional customs and contemporary life scale.

Artists can put forward their new horizons in eastern and western cultures, ancient and modern cultures through symbols related to squares and circles, with each individual's different life course.