Hao Feng first liked this drama because of the grand picture, exquisite composition, well-designed costumes and props, and the wonderful interpretation of a bunch of actors at the beginning of the drama.
When I came to Zhang Lu for a while, I was shocked. Ying Zheng, the 13-year-old king of Qin, is such a vicissitudes. The forehead lines after cosmetic peeling are clearly visible. Occasionally stretched out a pair of skinny, miserable hands, always let people play.
But after watching it for several nights, I was familiar with Edward Zhang and forgot his age. Evonne said, "You are still a child." The vicissitudes of Edward Zhang appear in the camera, and you get used to it.
It's just that this drama still makes people feel uncomfortable. It took several days to understand why-it was the writer's fault that the grade dropped.
As we know, TV script is similar to novel creation, in which the characters should have personalized language, and the growth and transformation of the characters have transition and support points; The story is tortuous, but the unexpected plot must be reasonable.
The large-scale TV series "Dafuqin" has been seriously damaged in dialogue, characterization and plot setting.
These lines lack a strong sense of history. In this respect, the role of Evonne is the most talked about, and the chicken soup dialogue often makes people think that they are chasing a modern idol drama.
Ying Zheng's words are also very popular. In addition to traveling around the world with Lv Buwei, he also made a deep confession to Mi Hua after Lao Ai's rebellion, accusing the Queen Mother ... Readers have a try: Do you have the illusion of chasing Qiong Yao's drama by replacing "I" with "I" in Ying Zheng's lines? This sudden change in language style always catches people off guard.
Personalized language is an important factor in shaping successful characters.
For example, Lu Xun's Kong Yiji would ask "How many ways to write fennel beans"; Hotel waiters will never say "too much, not too much" and so on.
Sister Xianglin will say "I'm so stupid, really"; Master Ruth would never say.
Lin Daiyu can write mourning poems, but Wang Xifeng can't.
The TV series Ode to the Qin Dynasty is a big hit, and people from many different countries are waiting for BLACKPINK to appear. Except for Zhao Yan and Guo Kai of Zhao, the lines of other actors are recognizable, and the dialogue recognition of other actors is extremely low. Everyone occasionally takes two affirmative sentences to complicate the character's personality.
Evonne and Ying Zheng, two people with different personalities, have very similar lines.
The language distinction between Lao Ai and Li Sri, a clown, is also not high, except of course that the screenwriter deliberately arranged for him not to understand Wei Yan's lines, such as "I don't like childe".
The reason why I said intentionally is because Lao Ai molested Evonne with the love poems in The Book of Songs in the previous episode, and then suddenly she couldn't understand the sentences in The Book of Songs. It is not difficult for people in the Warring States period to listen to a folk song of Zheng, and no matter from the development of the plot or the expression of the actor Lao Ai, it is impossible to see that he pretended not to understand it.
In this play, writers often ask actors to say a line whenever they want, rather than what lines they may say according to the character.
For example, the award-winning stranger image, the TV series has been opposed from the beginning: I learned that Lv Buwei and Mrs. Huayang had a secret meeting, and immediately took people to catch it; Knowing that the winning aliens are hiding in the prison to stop; Later, he even stabbed a stranger. And all this is because of the struggle for kingship.
Later, after winning the alien succession, he forgave his son and sent him back to Xianyang, making him the head of the imperial clan. As soon as my son was moved, he began to help the aliens with all his strength.
As a result, when Queen Huayang launched the palace revolution, he began to have ideas again. Finally, Evonne's theory that the emperor was unhappy made him swear to help Ying Zheng take the upper position. This unprovoked change is a bit abrupt.
What's more exaggerated is that Weiyangjun won wildly and started a separatist performance. After a while, King Kong glared and went on the rampage. Will be hurt by love for a while, crying; I will temporarily bear the burden of humiliation, just like a tamed sheep ... but most of these emotions lack transition and bedding, so they give the audience an uncomfortable feeling. It's a pity that actor Zhou Tie lost his superb acting skills and was said by the screenwriter to be out of date.
The shaping of the role of Ying Zheng is also very tangled. For a period of time, he was a harmless boy and felt that his mother and Guan Zhong were his own days. One is a violent dictator, moody. Moreover, several modes of a character switch at will with the development of the plot. You thought the character had grown up, but soon he returned to his original state. You thought the role had changed, but soon he changed back. The change of characters really caught the audience off guard!
In fact, Hao Feng particularly appreciated the setting of several plots in the play at first.
For example, when the five countries jointly attacked Qin, Fan released Prince Dan of Yan State, laying the groundwork for Fan to go to Yan State in the future.
There are too few records about Fan in Historical Records, only that he fled from Qin to Yan and finally committed suicide, supporting Jing Ke to assassinate the king of Qin with his own head.
Biography of the Eastern Zhou Dynasty said that he was dissatisfied with Lv Buwei and thought that Ying Zheng might have a problem with his pedigree, so he supported Ying Zheng's younger brother, Gongzi, to rebel. In the end, he was killed, but Fan was safe and sound. He continued to be a general in the State of Qin until he was defeated by Li Mu, the general of Zhao, who was afraid of being sent to the State of Yan.
The plot of the TV series Dafuqin well explains why Fan was not killed, because everything Fan did was planned by himself, so he was able to get away with it.
However, in Dafuqin, Fan did not wait until he went to war with Li Mu. In the play, he failed to protect Dong Er, which led to Dong Er's death and he fled in fear.
In fact, the play also shows how Van Yuqi saved Dong Er and Fu Su regardless of his own life and death. If he fails to save Dong Er, he will be punished. So, is it necessary to reward him for successfully saving Fu Su? Why did you run away? As for later, "parents and clans were killed", why did the king of Qin offer a reward for his head?
I always feel that the later series and the previous series are not a screenwriter, and the loopholes are too big. The goodwill and understanding of the audience can't make up for it.
The plot arrangement of winning in the play is also very unreasonable. The screenwriter may have designed a spy among spies, but the design of this cartoon is too messy. In addition to the screenwriter, the audience can't solve it at all, and they can't expect it.
In addition, the process of Ying Zheng's extermination of Lao Ai is also briefly mentioned in Historical Records. The author should learn from the story of Duan Yanyu of Zheng Boke in Zuo Zhuan.
Zheng Boxian indulged his younger brother, uncle Duan, who was favored by his mother, and made him grow bigger and bigger, and seized the handle of his rebellion and got rid of him in one fell swoop.
Ying Zheng also wants to do this to Laoyi and the Empress Dowager, hoping to use Laoyi to weaken the imperial clan and Lv Buwei.
It's just that the operation process is too slow, and many people complain that Dafuqin has been made into Biography of Lao Ai.
When Ying Zheng ran to the Queen Mother's room in the middle of the night and hung a sword similar to Damocles on the bed, I didn't know how others felt, and the good wind almost collapsed.
Besides, in Zheng Boke's view, Zheng Bo is in control of the whole situation, and his younger brother is waiting to fall into the trap. But in Dafuqin, the king of Qin didn't kill Lao Ai first, saying that when there was no evidence, Hao Feng thought that he was looking for reasons for the big move behind him.
Looking at it, I found that the king of Qin thought so from the heart! Then why didn't he prove it when he killed Gan Luo 12 years old? Someone interceded for the queen mother and killed 27 people directly. Why not prove it? Do you need evidence to kill a man who has an affair with his mother and is promiscuous in the harem?
The key point is that in dealing with Lao Yi, the operation of Qin Wang and Li Si is fierce, and in the end it is full of loopholes. If the general Wang Jian hadn't received the news from his son and saved his life (note that the news from his son wasn't arranged with Reese), then Qin might have been surnamed Mao.
Using this "last-minute rescue" method in movies and TV series can really make the plot wonderful, but it must be reasonable, otherwise the audience will feel cheated by the screenwriter, and the completely unreliable plot will be pulled together by the screenwriter, and how to violate it.
Of course, it's because there are many remarkable points in this drama, such as Lv Buwei played by Duan Long, Wang Jian played by You Yongzhi, and Huayang Queen played by Vivian Wu.
The costumes and props in the play are also very attentive, because I have read many related books, including the costume culture of the Qin Dynasty, and I feel that the crew is really attentive.
For example, the crown worn by the king of Qin in Yongcheng is exquisite. The plate on the top of the hat is called Yan, and the belt tied to the chin is called Bi. The two ears are connected by "Tang", and several rows of jade beads are hung at the front end of the extension, which is called Tang.
This is exquisite, from the emperor, the vassal to the doctor, each has an equal difference. The emperor has the most crowns, 12, others are 9, 7 and 5.
In the drama Dafuqin, the crown of the king of Qin was nine beads, because he was the king of Qin and a vassal at that time. In the preface, the crown symbolizing imperial power is 12 beaded string, and below it is a big word "Tian". At that time, he was the supreme first emperor, unifying the country!
From this perspective, "Dafuqin" is worth pursuing.
Of course, different people have different views on a play, and wise people have different views. These are just words of a good wind. Welcome everyone to participate in the discussion, chase and spit!