Author: Dou Liang
Publishing House: * * Literature and Art Publishing House
Release date: March 2005-1
History of the sky
Author: Xu Guixiang
Publishing House: * * Literature and Art Publishing House
Release date: July 2007-1
TV series "Historical Sky"
Original: Xu Guixiang
Director: Gao Xixi
Screenwriter: Jiang,,, Deng Hainan.
Producer: Wu Jun
Length: 36 episodes
Co-production:
Shanghai Shi Tian Cultural Communication Co., Ltd.
Beijing Ma Xiao Benteng Movie and Television Culture Development Co., Ltd.
China People's Air Force Television Art Center
Release date: August 2004 1
TV series "Bright Sword"
Liang Jian
Length: 36 episodes
Type: military drama
Set the highest ratings of CCTV in 2005.
The popularity of the TV series "Bright Sword" has aroused people's enthusiasm for reading war-related works such as "Bright Sword" and "Historical Sky".
A novel that was once not highly regarded, its essence has been greatly strengthened and poured into the TV series.
The biggest breakthrough in Liang Jian and Historical Sky is to turn the traditional aesthetic psychology hidden in society into reality, and to turn the expectation that has been called for decades in the field of war into reality-to dig up the Chinese-style "General Barton".
As long as we listen to the question "Is Li Yunlong a bandit or a hero?", people will think that the two Republic generals, Li Yunlong in "Bright Sword" and Jiang Daya (also known as Jiang Bida) in "Historical Sky", are very different from the heroic descriptions of war themes in the past.
They are flesh and blood, and their brilliant achievements and personalities coexist. How many advantages they have, how many disadvantages they have; Their motivation to participate in the revolution started from a very low point-it is hard to imagine that Jiang Daya looked down on the New Fourth Army and was bent on going to the "National Army" because of "a fragrant pimple" and a beautiful woman who looked at it.
Li Yunlong has more problems: crossing the grassland violates the discipline of ethnic minorities, shooting prisoners of war, and privately launching a "movement" to avenge his wife.
He disobeyed orders many times, was demoted twice and came back three times. ...
The hero's rough spirit partially offsets the traditional heroic aura, but it brings great realism to the audience and readers in the 2 1 century.
On the surface, the personality starting point of Li Yunlong and Jiang Daya lowered the threshold of social cognition and acceptance.
But in fact, Liang Jian and the Historical Sky reveals the historical process of a reckless farmer becoming a hero in a new way of thinking.
The growth process of Jiang Daya and Li Yunlong is the process of China farmers' understanding of the Red Revolution and the Red War.
In the cruel war environment, they reformed themselves in their own way, thus becoming revolutionaries with firm beliefs. However, their personalities have not disappeared, but have become more distinct.
They are not "Barton like a gentleman", but "Barton like a farmer in China".
The way of thinking of farmers and the growing process of farmers' character make these two works gain great historical reality.
Li Yunlong and Jiang Daya are called "General Barton" with Chinese style because they obviously have the shadow of China's traditional chivalrous men.
Some of their personality characteristics bear the marks of chivalrous men in martial arts novels.
They will not shrink back, see what they say and go with the flow; They treat their comrades-in-arms with the same temperament and care for each other.
For ordinary people, they are hateful! Even if they take off their military uniforms, Li Yunlong and Jiang Daya are heroes in life! They conform to China's traditional heroic aesthetic.
No matter how low you fly, an eagle is still an eagle.
People will not accept bandits and savages, but heroes with bandits.
There is a natural gene in the characters of Li Yunlong and Jiang Daya, as if they were born for war! What is hidden in the spirit and wildness of robbers is their perception of superman on the battlefield.
For the fleeting soldiers, they have a sense of smell like police dogs and a savage decision like bandits.
The extraordinary ability to survive and win in the war makes the images of Li Yunlong and Jiang Daya truly legendary.
The war molded these soldiers into professional soldiers.
Their occupation is to destroy their opponents and win.
They fought cruelly on the battlefield. The contest between them is not only a contest between justice and injustice, but also a contest between cunning and more cunning, alert and more alert, brave and braver, savage and more savage, powerful and powerful, lucky and unfortunate! This is rarely seen in previous military war works.
Li Yunlong and Jiang Daya are both top figures on the battlefield. They don't follow the dogma of military textbooks. They made the battlefield more accidental and were deeply branded as battlefield commanders.
In this sense, Li Yunlong and Jiang Daya can be said to be Lord of War and "God of War"!
In these two works, we finally see the charm of war.
The entertainment effect made in Hollywood has a rule: extreme rendering and handling of major catastrophic events in human history.
Bright Sword seems to have learned a lesson from it.
Li Yunlong shouted out the heroic spirit of "bloody battle to the end" and "the last person left will fall on the road of attack" and carried it through.
Li Youbin, who plays Li Yunlong, said that he kept shouting and got a headache when he came down.
The fierce sound filled the eardrum, and the audience's nerves were not relaxed. This is people's admiration for the war between Jin Ge and Ma Tie.