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Who did Cao Yin marry in history?
Jia Mu has a prototype. How can she see it? As we all know, Cao Xueqin's grandfather is, while his wife, surnamed Li, is his sister. Who is Xu Li? When Cao Yin was weaving in Jiangning, Xu Li was weaving in Suzhou. They were two great weavers in Jinling, Jiangnan. Moreover, Emperor Kangxi loved them very much, and often let them take turns in charge of local salt administration, sometimes together, sometimes separately and in turn; In addition to his own job, Kangxi also asked them to report a lot of local situations, especially what the adherents of the Ming Dynasty did, and what the local people thought of the court. They are very close. Cao Yin's wife, Li, is Xu Li's sister, so in the novel, we find the role of Jia Mu. The author changed her real surname Li into a surname, which shows that it has been artistically processed. Then why is Jia's prototype Li? There are many examples I don't do anything at once. I only give a few.

As we all know, during the Spring Festival and Lantern Festival in Guo Rongfu, Jia Mu was a hedonist. She is not only good at eating, but also good at wearing. She is also good at watching plays and appreciating literature and art. At home, I invited a storyteller to tell a story. She said that none of you could do it, so she broke the stereotype and told them how to tell books and how to act in her house. She said that there was a scene of playing the piano in our house at that time, and it was not empty. Because China's traditional operas are freehand brushwork and imaginary, playing a few times means playing the piano. She said we weren't. In our family, the real piano comes on stage and the real pianist comes on stage, so she gave an example. Sometimes together, she will play a few passbook songs, all related to playing the piano. She is talking about Listening to the Qin in The West Chamber, which is a very famous script. The Romance of the West Chamber is the work of Wang Shifu in Yuan Dynasty, which was very popular in Ming and Qing Dynasties. She also tells the story of the Qin tune in Gao Lian's play "The Jade Hairpin" in the Ming Dynasty. It was also very popular at that time, and it was not surprising that there were performances everywhere. She gave another example. There is also a play called "Continued Pipa", which is about Cai Wenji. In it, we will play the piano and sing Eighteen Beats of Hu Jia. She said that in these plays, we all invite actors who can play the piano to really play the piano on the stage. How beautiful. So who wrote "Continued Pipa"? You can't find the historical materials of China's operas. This is a very unpopular script, a script that has hardly been performed in public, and a script that has not continued to be performed today. This play was written by Cao Yin, that is, by Cao Xueqin's grandfather Cao Yin. According to the information, this play was only performed in Cao Yin's own home and his relatives' home, namely Li Xugu's home. This example proves that Jia's prototype is his sister. Otherwise, when Cao Xueqin wrote this pen, it was impossible to write such an unreachable play, and it was a play performed only by the Li family. This is an example. In addition, the book confessed that Shi Xiangyun was from the Jia family. According to the book, she has two uncles, both of whom were appointed as Hou, with high status. One is bowling Hou Shifei, and the other is loyal Hou Jing Shi Ding. In addition, it is clearly pointed out in the book that Shi Fei is the elder brother and Shi Ding is the younger brother. In other words, there are two nephews of Jia in the book, and Jia is surnamed Shi in the book, so they are all surnamed Shi. One of them is Shi Naian, and the other is Shi Ding. Then you can check Xu Li's family tree, and you will find that Li Nai is the eldest of Xu Li's two sons and Li Ding is the second. This can't be a coincidence. What a coincidence! And fiction, according to the truth, Ding should be a brother, because Nai added a word to Ding, which should be the second child, but he wrote it casually, indicating that he has a prototype. Jia's prototype is his wife Li.

This article comes from the Internet.

So does Jia Zheng have a prototype? The more prototypes, the more interesting. Now let's think about it. It's a little strange. Many readers are careless in reading A Dream of Red Mansions and don't scrutinize it carefully. Someone drew a big question mark when he looked closely, that is, Jia She was the eldest son, and he also attacked the rank of knight. He is a first-class general. According to the ethical order of feudal society, he should serve Jia Mu and live with Jia Mu. He should have come to live in the courtyard of Guo Rongfu, the building on the central axis of Guo Rongfu. This courtyard is the courtyard where Lin Daiyu later saw the plaque written by the emperor. It should be Jia She who came to live. He is the eldest son and was knighted. Why is Jia Zheng still alive? Is that weird? How to explain it? You are imaginary. Can it be so fictional? What is the purpose of this fiction? What happened? Why don't you think about it? Reading A Dream of Red Mansions should not be a lazy person, but a diligent person, diligent in thinking, good at observing and understanding, so as to read the taste.

Jia Zheng in the book made it very clear that Jia Zheng didn't attack Jue at all, because the emperor stipulated that attacking Jue could only be passed on to one person and your eldest son. Of course, it's also written in the book. After Jia Daishan died, the emperor immediately asked Jia to forgive him, and then asked him if he had a son. He agreed, and the emperor was very happy. The emperor was very concerned about Jia Jia's achievements when he was founded in People's Republic of China (PRC), and immediately introduced him. Jia Zheng liked it very much. If he couldn't be knighted, he was rewarded with the title of master, and he was allowed to study in the Ministry. Later, he was made an official and became a foreign minister. What does Yuan Wailang mean? It's neither too big nor too small. I once joked that this official is only a deputy ministerial level today. Therefore, enthusiastic fans solemnly pointed out to me that the highest officials of the Ministry of Industry are ministers and assistant ministers, equivalent to vice ministers. Yuan Wailang's death is only a CPC. Thank you very much for your comments. In fact, how can officials in the Qing Dynasty compare with civil servants today? This metaphor is somewhat neither fish nor fowl, but the reason why we use this metaphor is just to tell you that Jia Zheng, written in the book, has a very low political status and should be lower than Jia She. Then, since he is neither the eldest son, nor a knight, nor a fairy, how can he occupy the main hall of Guo Rongfu's central axis? Even if you have to live like that, Jia Mingming knows that the eldest son is a first-class general, and the husband's title is passed on to the eldest son, but he does not let the eldest son live with her, only saying that it is eccentric. Can it be so outrageous? Moreover, how can Jia forgive this calmly? Seeing this, I also think it is normal for Jia Zheng and Mrs. Wang to live in the first yard of Guo Rongfu's central axis. What the hell is going on here? According to feudal etiquette, if you are the boss, you should live with your mother and wait on her every day. What's wrong with living in another black door? Reprinted from the network

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The more we watch it, the more strange it becomes. Write the Mid-Autumn Festival for the seventy-fifth time, another Mid-Autumn Festival. At that time, the Jia family was already teetering and forced to eat a spiritual reunion dinner. You find the seat strange. The people sitting on Jia Mu's right are the people who are directly with her. Who is sitting there? It's Jia Zheng, Jia Baoyu, Jia Huan and Jia Lan. How can there be no forgiveness from Jia? Jia diya should sit on her right. First, he is the boss. But Jia Diya sits on her left. Who else is on the left besides Jia She? Of course, there are Jia Lian's son and Jia Zhen Jia Rong. Obviously, they are all collateral figures, aren't they? What's going on here? Cao Xueqin's novels, his artistic imagination, how did he come up with this idea?

In fact, the reason is very simple. Cao Xueqin wrote this because he was too loyal to the prototype of life. He is too realistic. This mystery has long been uncovered by Mr. Zhou through rigorous research. This is because the historical prototype Cao Yin has been diluted in the novel, that is, Jia Daishan, leaving only a fictional name; Gave birth to a son Cao, so Emperor Kangxi liked the Cao family very much. After Cao Yin's death, Kangxi also asked his son to work as a weaver in Jiangning, which was a well-paid job and left him property. However, Cao is very disappointing. He is very talented and has a good reputation, but he is in poor health. Died after a few years without working. Jia's archetypal wife in the book is not only a widow, but also has no son. If the Cao Yin family were allowed to spin again, there would be no men. But at that time, Kangxi really liked Cao Cao, especially Jia prototype Li's maiden brother, so Kangxi personally asked, saying that you should choose an adoption for the nephew's sake. Although this person is dead, you can also nominally adopt a son, let him serve Li and take over the Jiangning weaving. Later, he carefully helped him choose, picked out his nephew Cao, and gave him adoption, that is, adoption to Li and became one of her sons. Moreover, Cao gave birth to another son, Cao Xueqin, the prototype of Jia Baoyu-of course, whether Cao Xueqin was born by Cao is controversial in the red circle, and some people think that Cao Xueqin is Cao's posthumous son, which will not be discussed here for the time being. When you understand this, looking back, you will find that a dream of red mansions is too realistic. He wrote that the relationship between Jia Mu and Jia Zheng is very weak, and Jia Mu likes her grandson, because according to the concept of feudal society, if the son is not biological, but adopted, then the grandson must be biological. My son came here when he was the boss. It's hard for both sides to talk about flesh and blood. My grandson was brought up from a young age, so I can hide it from him since I was a child, right? When you grow up, telling him or trying to let him know is another matter, so that you can treat him very intimately as a continuation of your own flesh and blood. So you see, why did Cao Xueqin write this way? Because he has a prototype of life. His father Cao is the prototype of Jia Zheng, a prototype figure. Cao is not Li's own son, but he adopted Li and inherited Cao's family business. Therefore, in the novel, Jia Zheng lives in the main courtyard of the government. In fact, Fu has only one adopted son. Why did he write Jia She? This is his artistic imagination and his artistic fiction. If you are too faithful to the truth of life, it will be very troublesome to write, so similar items will be merged, because Jia She is really Jia Zheng's brother in the novel and Cao's brother in the prototype of life. He and Jia Zheng are brothers, but he didn't adopt them to Jia Mu, understand? He doesn't adapt to Jia Mu. How can he live in the courtyard of the mansion? Of course, he lives in another yard. See this logic? Cao Xueqin wrote this because he was too loyal to the prototype of life.