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Who are the three saints in the history of ancient art in China?
Poet Saint Du Fu

Painting Sage-Wu Daozi

The Book Sage-Wang Xizhi

Poet Saint-Du Fu: Du Fu (7 12- 770 AD), with beautiful words, Han nationality, was born in Gongxian County, Henan Province (now Gongyi, Henan Province). Du Fu's great-grandfather, Du Fu, moved to Gongxian County from Xiangyang, Hubei Province. Grandfather Du, father, Du Fu and Du Jia lived in Gongxian for 85 years. Du family in Xiangyang, one of the branches of Du family in Jingzhao, moved to Gongxian County, Henan Province. A great realistic poet in the Tang Dynasty, who claimed to be a young man at night, was called "Du Li" together with Li Bai. In order to distinguish Li Shangyin, Du Mu and Xiao Du Li, Du Fu and Li Bai are also called Da Du Li, and Du Fu is often called Lao Du.

Du Fu had a profound influence on China's classical poetry, and was called "Poet Saint" by later generations. Du Fu's poems in middle age are called "the history of poetry" because of his gloomy poetic style and feelings of worrying about the country and the people. His poems are good at antique and rhythmic poems, and have various styles. He accurately summed up his work style with the words "depressed and frustrated", mainly focusing on depression. Du Fu lived in the historical period from prosperity to decline in the Tang Dynasty. Most of his poems involve social unrest, political darkness and people's sufferings. His poems reflected the social contradictions and people's sufferings at that time. His poems recorded the historical changes of the Tang Dynasty from prosperity to decline, and expressed the lofty Confucian spirit of benevolence and strong sense of hardship, so they were called "the history of poetry". Later generations called him Du Shiyi and Du Gongbu, and also called him Du Shaoling and Du Caotang.

Du Fu wrote such famous works as Spring Hope, Northern Expedition, Three Officials and Three Farewells. In 759, Du Fu abandoned his official position and went to Sichuan. Although he fled the war and lived a relatively stable life, he still cared about his life and managed state affairs. Although Du Fu is a realistic poet, he also has a wild and unruly side. It is not difficult to see Du Fu's heroism and dry clouds from his masterpiece Song of Drinking Eight Immortals.

The core of Du Fu's thought is the Confucian thought of benevolent government, and he has the great wish of "making the monarch Yao and Shun superior, and then making the customs pure". Although Du Fu was not famous during his lifetime, his fame spread far and wide, which had a far-reaching impact on China literature and Japanese literature. There are about 65,438+0,500 existing poems by Du Fu, most of which are collected in Du Gongbu Collection.

Painting Sage-Wu Daozi: Wu Daozi (about 680 ~ 759 AD), a famous painter in the Tang Dynasty, was honored as a painting sage in the history of painting, also known as Daoxuan. Han nationality, from Yangzhai (now Yuzhou, Henan). Born in 680 AD (the first year of Yonglong), he died around 758 AD (the first year of Gan Yuan). Lonely and poor, you will have a painting name when you are young. He used to be the county commandant of Qiu Yan (now Ziyang, Shandong Province), and soon resigned. After that, he settled in Luoyang and engaged in mural creation. During the Kaiyuan period, he was called to the DPRK for his good painting, and successively served as a doctor, an internal teacher and Wang You. He studied calligraphy with Zhang Xu and He, watched sword dancing and experienced the skill of using a pen. He is good at Buddhism, ghosts and gods, figures, landscapes, animals, plants, pavilions and so on. , especially good at Buddhism and figures, and good at mural creation.

Shu Sheng-Wang Xizhi: Wang Xizhi (303-36 1 year, 32 1-379), a famous calligrapher in the Eastern Jin Dynasty, Han nationality, was called "Shu Sheng". Langya (now Linyi, Shandong) was born, then moved to Huiji, Yin Shan (now Shaoxing, Zhejiang), and lived in seclusion in Jinting County in his later years. Successive secretary, general Ningyuan, Jiangzhou secretariat, later literature and history records, right general. His calligraphy is good at calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy, calligraphy. The style is peaceful and natural, the brushwork is euphemistic and subtle, and it is beautiful. The masterpiece Preface to Lanting is known as "the best running script in the world". In the history of calligraphy, he and his son Wang Xianzhi were called "two kings".

Wang Xizhi's Preface to the Collection of Lanting is highly praised by calligraphers of all ages and is known as "the best running script in the world". Wang Jian is good at following the laws of Li, Cao, Kai and Xing, carefully studying the shape, imitating the shape with his heart, learning from others' strengths, preparing everything in one furnace, getting rid of the style of writing in Han and Wei Dynasties, and becoming a family of his own, which has far-reaching influence. His calligraphy is peaceful and natural, and his brushwork is euphemistic and subtle, graceful and graceful. The world often uses Cao Zhi's Ode to the Goddess of Luo: "If you are amazed, if you are graceful, if you are in Youlong, you will be glorious and autumn, and Hua Mao will be spring pine. It seems that if the moon is covered by light clouds, it will float like the wind flowing back to snow. " Praise the beauty of Wang Xizhi's calligraphy. Legend has it that Wang Xizhi practiced calligraphy hard when he was a child. After a long time, the pool water used to clean the brush turned black. Later generations commented: "Floating like a cloud, agile like a dragon", "Yue Long goes to heaven, the tiger lies in the phoenix pavilion" and "nature is natural, and abundant gods cover all generations". There are some idioms about Wang Xizhi, such as cleverness and quick marriage. The most obvious feature of Wang Xizhi's style of writing is exquisite brushwork and changeable structure.

Wang Xizhi's calligraphy has influenced bookstores from generation to generation. Ou Yangxun, Yu Shinan, Zhu Suiliang, Xue Qi, Yan Zhenqing and Liu Gongquan in the Tang Dynasty, Yang Ningshi in the Five Dynasties, Su Shi, Huang Tingjian, Mi Fei and Cai Xiang in the Song Dynasty, Zhao Mengfu in the Yuan Dynasty and Dong Qichang in the Ming Dynasty were all impressed by Wang Xizhi, so they enjoyed the reputation of "book saints".