During the Song and Yuan Dynasties, the Monkey King's image of being supernatural, pursuing personal pleasure and distinguishing between love and hate was wrong, because this image was only shown in The Journey to the West's zaju in the late Yuan and early Ming Dynasties. In fact, it wasn't like this before. There were magical powers and love and hate, but they didn't pursue personal pleasure. He is equivalent to a Buddhist weapon, basically positive. The zaju The Journey to the West is characterized by pursuing personal pleasure, which embodies the strictness of feudal ethics and the author's willingness to pursue freedom on behalf of the people.

As for the relatively stable period of Ming and Qing dynasties, it was not from willfulness to sincerity, which was somewhat similar to the last time on the list. At least Wu Cheng'en's Journey to the West is like this. It was originally a satire novel. Needless to say, The Journey to the West in Wu Cheng'en was a satirical novel when he first came out. Almost all the Ming and Qing versions are like this, and there is little change in essence. Some have inherited the feeling of The Journey to the West, but they are much less in personal enjoyment. On the whole, the Monkey King is just being sarcastic.

As for the last two issues, I don't want to analyze them!