After reading a work, I believe that everyone's vision must be broadened a lot. Let's sit down and write. But how to write feedback is appropriate? The following is my model essay on "Hiding the Knife in the Laughter", which is for reference only and I hope it will help you.
1 comment on "the bait hides the hook" Nietzsche said: "All happiness has two things in common: emotional flooding and high spirits." This kind of happiness, in time and space, is everywhere, and it is hidden from time to time. As a comprehensive art, film will also make the audience experience this kind of happiness, and this kind of happiness is the emotion and spirit expressed in the film picture. "Hide the Knife in the Laughter" is such an emotional and energetic film, so I realized that kind of happiness.
I was lucky enough to get an opportunity to watch the movie inside, and watched the Sichuan opera movie "Hide the Knife in the Laughter". Directed by young director Zhong Zhang and starring Du Shaojie, Gao Xiaopan, Xie Mengwei, etc., this film mainly takes Sichuan Opera as an element, and tells the story of the ups and downs of the noble young master Jin Mulian, the servant Chai Junrong and his sister Cui Baxi with the ups and downs of the times.
The film produced by Yindu Agency Co., Ltd. was adapted from the work of writer Li Muyu. The director Zhong Zhang was attracted by this excellent work, so he did his homework to finish it. After filming, the film was edited into multiple versions and translated into many languages, including Sichuan dialect, English, Russian, Japanese and Arabic. As the director said, the completion of a film does not mean the end, and there is still a long way to go.
In the film, Jin Mulian is simple and kind, with drama as her life. Because she was going to the theatre, she delayed her trip with her family and finally stayed with her servant Chai Junrong. Sincere teacher Jin is full of desire to perform on the same stage with the famous Mr. Yunhe at that time. This is his arrangement, this is his fate. Later, I accidentally met Cui Baxi, who stole the play, and both of them were very happy. This kind of coincidence is a development in movies and an existence in life.
Life is like a play, and a play is like life. Times have changed and fate has reversed. Chai Junrong, the servant, became the head of the team. Identity has changed, power has changed, status has changed, and people's hearts have changed. Chai Junrong is no longer the simple and honest servant who took care of the young master in the past, but a leader of the Chai Department who is busy with entertainment, has a good voice and is superior. After that, his freewheeling and drunkenness completely ruined his image in front of the big teacher and everyone else who was about to perform on stage. In desperation, Baxi found Jin Mulian who had been practicing with her under the stage. A "lady" sang the voice of the great teacher and all the actors. He finally got the chance to go on stage with the big teacher as he wished, and won the cheers and applause of the audience.
When the scene of Chai Tuanchang pulling out his sword from the scabbard and throwing it at Jin Mu Lian unfolds, it echoes with the beginning of the film that the sword is made of blood and the scabbard is integrated, and they have a deeper contradiction here. Knife and sheath no longer belong to and exist with each other. The back of Jin Mulian's departure, the anger scolded by Chai Tuanchang and the separation of scabbard doomed their relationship to be completely broken.
As a major reason for the breakdown of the relationship between Jin Mulian and Chai Junrong, Cui Baxi is sad. She wants to become famous with the role of "The Legend of the White Snake" and despise Mr. Da. For this reason, she gave up her dignity, violated her heart, killed her love with Jin Mulian, and finally chose to marry Chai Tuanchang. In the end, the three of them were on the same stage, and the fake drama of "playing red TV" was really done. Chai Junrong was born with the evil thoughts of hide the sword's sword drawing, which disfigured Jin Mulian.
The ending is open, with infinite retrospect, infinite imagination and infinite thinking. Looking back, Cui Baxi looked at the clay figurine's words to Jin Mulian: "This is you, this is me"; Looking back at the stage where Mr. Da and his wife retreated at the foot of the slope; Looking back at the heartbreaking Jin Mulian's "Zhong Kui Marries a Sister" at the wedding. We imagine that later Jin Mulian, Cui Baxi and Chai Junrong may be surrounded by endless sadness, pain, self-blame, self-blame and struggle. ...
To attract people, movies cannot be separated from unique audio-visual means and rich cultural elements. "Hide the Knife in the Laughter" basically uses a fixed lens, and every picture is not exquisite, but it is also delicate and stable. The film takes Sichuan Opera as the carrier, interspersed with classic clips such as the legend of the white snake, Zhong Kui's marrying a daughter and bumping into a red platform, and staged a series of wonderful dramas, presenting Sichuan Opera skills such as "changing face" and "hiding knives" to the audience, and blending Sichuan elements such as beef, clay figurines and old teahouses in the old imperial city, which is rich and full, leaving people wanting more.
French writer Buffon said: "Style is people." This is the relationship between the style of literary works and writers, as well as the relationship between the style of film and television works and directors. Watching the bait hides the hook reminds people of Duan Xiaolou and Cheng Dieyi, Mei Lanfang and Chen Kaige. As an outstanding director of the fifth generation, his works are subjective and profound, and he has a strong desire to explore national culture. Farewell My Concubine and Mei Lanfang became classics, both of which were related to Chen Kaige's unique image charm and profound ideological depth.
Leaving Farewell My Concubine aside for the time being, although there are some shortcomings and defects, as a microcosm of Sichuan opera culture and national culture, director Zhong Zhang interprets, promotes and inherits the excellent traditional culture of the Chinese nation with his own image style, which is a clear stream in the mixed film market and a new atmosphere in the era of entertainment to death.
As Bazin said, "A picture is worth a thousand words." The mask of Sichuan Opera, a frame of hide the sword and a drawn sword are the stories of Sichuan and China.
Reflections on "Hiding the Knife in the Laughter" 3 "Hiding the Knife in the Laughter" was written by the first-class screenwriter Li Muyu and won the 20 13 "Xia Yan Cup" film excellent screenwriter award. The film truly records the innovation and changes of Sichuan Opera by showing the love and hate between Jin Mulian, Chai Junrong, the servant, and Baxi, the sister. The team took six years to shoot, starting from the youthful childhood. After filming Jin Mulian, the fourth young master of the Jin family, was disfigured, he was helped by Xiao and his wife, and eventually became a clown.
Zhong Zhang, director of the film, said that Dagger in a Smile is not a opera, but a drama. It is hoped that through the audio-visual language of movies, the younger generation can not only understand China's traditional opera-Sichuan Opera, but also see the social changes in the torrent of that era and truly understand the history belonging to the Chinese nation. Therefore, many delicate details are laid in the film, such as the difference between reality and illusion through color contrast, and the film arrangement is also highly coordinated. The director of this film uses the method of contrast to stage the living space, and the stage space is presented in life, which better expresses the philosophical thinking that life is like drama and drama is like life.
Have you ever seen a fox laugh? I haven't seen it. If there is, it is often "hiding the knife in the smile." Several simple, elegant and white houses are quietly located in the wasteland of Hoh Xil, which makes this ancient Shan Ye look particularly dazzling and noble. This is Sonandaje Nature Reserve. In recent years, thousands of volunteers have come to Hoh Xil to become the patron saint of Tibetan antelopes. Suddenly, a fox became a frequent visitor here, smiling at the volunteers coming in and out. Really, this is a smiling fox. His smile is lifelike. Only vividness has charm.
It was a sunny morning and people found the fox. Since then, it has come every day. This is a new thing. People scrambled to tease the fox and throw meat at it. But one day, the car transported half a month's grain from the protection station. After the volunteers came back tonight, all the meat food was gone, leaving only bones on the ground. The door is locked and the window is wide open! Laughing fox, sly fox, treacherous fox! At the end of reading the article, it said, "We were amused by its smile. The first time it smiled at us, it was haunted. It is cunning and clever, because we are confused.
Who will smile at you for no reason, which reminds me of a sentence, it is indispensable to prevent people. There is a story like this: a chicken is sick, and the cat is secretly happy when it hears about it. Why not take advantage of the chicken to see a doctor and eat it? Thinking of this, the cat dressed up as a doctor and took medical supplies to see the chicken. It stood in front of the chicken shed and patiently asked what happened to the chicken. The chicken said, "My body is not a big obstacle. As long as you leave here, I won't die. " It's the heart. At this point, it is our teacher, because from it we understand what is called "the bait hides the hook".
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