The style of writing is elegant, elegant and mellow, and the plot is ups and downs, thrilling and crisp. Few people can match Jin Yong's outstanding storytelling ability, and his novels can make people read very well.
In the legendary swordsman,
Those lean (metaphorical political elites) Zuo Lengchan and Yue Buqun (Yue Buqun) died at the hands of a female disciple of Hengshan Sect with low martial arts. If Yue Buqun is a simple Wulin figure, it can be said that it is a coincidence, but he is
Representatives of a class of elite politicians died in the hands of a nobody, which is outrageous), Ren Woxing (the author made him suddenly die suddenly in order to avoid the dilemma of cannibalism between him and Ling Huchong Weng Xu), and Dong.
Unbeaten (In the book, Dong Fangbubai willingly gives power to his lover Yang Lianting, and finally dies for love. What kind of politician is this? ) and so on are all dead, Ling Huchong, a political idiot, still lives a leisurely life, and can only say that the novel is too
Idealized and too didactic, real politics is not like this at all, and Jin Yong should understand it, but he still chose kitsch writing.
The protagonist has had many adventures. Feng Qingyang, a peerless master, taught him his magic power and nine swords, and he made a name for himself by mistake (it is by no means the result of the protagonist's own hard work, but it is basically a coincidence and good luck).
The family also forced him to be the boss (the protagonist suddenly became a political tycoon) and married a beautiful wife who paid equal attention to beauty and wisdom (this is Jin Yong's usual mistake, such a beautiful woman)
My heart is on the protagonist, and I will stick to it if I don't marry. Such a beautiful woman who falls in love with the protagonist is usually in a very different position from the protagonist, at least when the hero and heroine meet. ) In the end, all the bad guys died, and all the good guys lived happily.
The ending of this novel is not very exciting and boring.
It is said that the legendary swordsman is a political fable. Compared with Zi Tong Zhi Jian, Blood for Blood and Hidden Rules, the legendary swordsman is obviously a pseudo-political fable. Political allegory of martial arts, "Moonless Indus" is much more realistic. The legendary swordsman's
Indeed, under the control of the temptation and corrosion of power desire, the twisted and crazy side of human nature is written. However, under such a cruel background, it is ironic that Ling Huchong, who has extremely low political ability, can proudly laugh at the end. Hu Ling, where people wander in the rivers and lakes.
It's really hard to keep a childlike innocence after rolling around in a dirty power field several times. It is really the embodiment of freedom and openness! Bai He chased wildly, then he was still a man in a hanging spring. For love, he put himself.
I don't know how much my personality and edges have worn off, and I have realized a great transformation from a witch to a lady. It seems that I lack personality independence, and I seem to be a vassal of men.
Jin Yong's novels contain strong elements of martial arts yy under superb skills. He writes about reality and life (but this reality and life are often purified and idealized), and the protagonist will hardly encounter an unsolvable moral dilemma.
Context (if there is, the protagonist must help him get rid of it, and will never let the protagonist cast a fatal moral stain). Jin Yong's novels are not realistic (or realistic) novels (this realism mainly refers to the realistic level of the soul, such as September 18th).
84. Metamorphosis and the like can only be fairy tales and fables, and authenticity is basically the fatal flaw of Jin Yong's novels.
Jin Yong's novels, clap your hands!
I wrote a few reviews in Longkong, but the reviews in Longkong received little response, and my enthusiasm for writing reviews was very low. Writing comments is purely an interest, and no one gives feedback. It hurts! Andy Chen Feng wrote a book review of Gu Long the other day, and the reply was OK. I will write Jin Yong! Jin Yong's novels have written many advantages, so I will write more disadvantages, and of course there are some advantages. I try not to say or only point out some bad advantages of Jin Yong's novels, because everyone knows. I am still a standard fan of Jin Yong, but any book I read generally has advantages and disadvantages, and so do the famous books.
Jin Yong's novels are the duke of mount deer, Eight Dragons and the legendary swordsman, followed by The Dragon Slayer, The Condor Heroes and Liancheng Tactics, and others are not favorites.
The first time I saw Jin Yong's martial arts, my impressions a long time ago can be compared with those I saw later, and many of them have changed. The characters in Jin Yong's novels are beautiful and simple, graceful and elegant, vivid and refined, elegant and unrestrained in style, full of fun, smart and self-contained, colorful in fighting description, dazzling in plot twists and turns, thrilling and bizarre, swaying, and the shaping of typical characters is a must. Jin Yong showed his erudition with his wonderful descriptions of history, culture, philosophy, politics, love and other songs, and carefully cut and laid out complex events, numerous clues and grand structures, which made the novel almost innovative, grand, profound and meticulous, and showed everyone's demeanor in his works with rich and profound ideological connotation and profound exploration of human nature.
Impression of reading Jin Yong's novels for the second time. Jinyong's
Martial arts novels are elegant in writing, natural and unrestrained in washing and practicing, skillful in writing, extremely good at telling stories, profound and broad in cultural heritage, rich in miscellaneous studies, pleasing to the eye, and unique in fighting description. The plot is mostly chivalrous.
In the growth mode, the protagonist is super lucky and always gets into trouble. Coincidentally, by mistake (adventure, superior position, good luck), he practices peerless martial arts and does chivalrous deeds, becoming famous in the rivers and lakes and getting the favor of beautiful women. Finally,
The ugly duckling, from an unknown boy who was poor and white, jumped into a generation of heroes and became a swan-like dream, much like the evolution history of suspended springs in the ancient martial arts version. Bad guys come to no good end, evil is rewarded with evil, and justice is done. Jin Yong's novels are more realistic in terms of technology and external perception, but they are false, hypocritical and kitsch in terms of ideas and connotations (or half-true, half-false, mixed with reality and one-sided life). Compared with the martial arts of Gu Long, Gong, Sun Xiao, Jin Yong's novels are fairy tales with strong romanticism and personal heroism. Jin Yong's writing skills and writing skills are first-class, but the soul of his works is usually very fake. The same is true of popular literary classics, but not pure literary classics. The hero in the novel rarely succeeds in reality because of his personality and style (Wei Xiaobao is an exception, but his defects are too serious to stay in a high position for a long time).
In Jin Yong's novels, the right and wrong standards of good and evil are generally clear, and the relationship between the enemy and me is clear. Martial arts such as "There are so many beauties in the Jiangshan" and "Moonless Indus" are intertwined with the interests of the characters, and the boundaries between good and evil are blurred. The relationship between the enemy and ourselves will also change constantly, more like the rivers and lakes in reality.
In Jin Yong's novels, the protagonists are mostly passive and less aggressive, but they are all successful and beautiful. In the end, justice wins and evil fails.
In Jin Yong's novels, the political and military abilities of male protagonists are mostly extremely low, while the heroines are much smarter than them. They are born to assist leading men, such as Huang, Guo Jing, Zhao and Zhang Wuji.
The heroine in Jin Yong's novels lacks independent personality. No matter how good the heroine is, she can only be a vassal of a man. For example, Ren Yingying, Zhao Min, Huang Rong and Little Dragon Girl, once they fall in love with the hero, they always regard their husbands as the sky, and they become a big step in treating others. The influence of the hero on the heroine is always far greater than that of the heroine on the hero. This is one of the characteristics of big man yy novels.
All women who don't really like the protagonist and can't fall in love with the protagonist are miserable, such as the newly revised Wang Yuyan, Yue Lingshan, Qi Fang and Zhu Jiuzhen; Those opponents who fall in love with the protagonist will end up miserable, such as Mu Rongfu, Zheng Keshuang, Lin Pingzhi and Ouyang Ke. Jin Yong's novels are generally like this.
Jin Yong's novels lack the courage to face the dilemma that life can't solve. What are the two difficulties?
Solve the dilemma of life? Tragedy setting is a real and intense conflict between characters because of their different positions, values and life concepts. No matter how you choose, you will sacrifice one of them, both of which are important to you.
Yes, this is a life dilemma, very real and profound, and full of real life flavor. There will always be times in life when you have to make a dilemma. This is a real life dilemma, and we can't go back.
Avoid. As long as you make a choice, you sacrifice one side and defile the morality of the role. Therefore, many works adopt an evasive attitude, such as Jin Yong's.
The novel basically avoids this dilemma. For example, Qiao Feng in the Song and Liao Dynasties, no matter which side he was on, was wrong and only committed suicide. Wei Xiaobao couldn't choose between Kangxi and the Heaven and Earth Society, so he had to flee to the take-all island. Linghu
The conflict between worship and peace cannot be reconciled, and it is bound to hurt, so it can only die suddenly; Temujin wants to attack DaSong. He held Guo Jing's mother hostage and threatened Guo Jing to go to war.
Guo Mu can only commit suicide to avoid Guo Jing's unsolvable choice. This is also the reason why Jin Yong's novels are kitsch and not authentic. In real life, if you encounter such a dilemma, you should either run or die. And "The Legend of Heroes" and "Moonless Indus" are more realistic in the face of the difficulties of life, which I appreciate very much.
Duke of Lushan Label: History/Society/Irony /yy/ Stallion/Anti-Martial Arts/Nobody.
The book has 654.38+0.5 million words, and many ideas borrowed from Dumas' novel The Wind and Rain Elf: Baron Balsamo (also known as The Legend of Bassamo and Fa Joseph Balsamo), but the overall level is good. It is the most unique, unique and humorous one in Jin Yong's novels, which makes people enjoy reading it.
Because Wei Xiaobao knows little about martial arts in this book, the related fighting is described in Jin Yong's book.
I can only say that it is very general. Except for Wei Xiaobao and Kangxi, the descriptions of characters are really excellent, but they are all mediocre, which can't reach the description of typical characters. Supporting groups are not as good as Tianlong Babu, the legendary swordsman and Eternal Dragon Slayer. Xiao Wei
Bao's personality is vividly depicted in full gray, but it lacks complexity and has no obvious personality development and change. It can be said that after all he has been through, he is still the same Wei Xiaobao. Wei Xiaobao's seven wives, compared with Jin Yong's.
Women in other novels are really inferior. Akasui and Su Quan were raped by Wei Xiaobao (or
After the rape, Wei Xiaobao's attitude changed a hundred and eighty degrees, and he became obedient, which is unacceptable. Wei Xiaobao's success depends on opportunities and relationships (when luck comes, no one can stop it and hit two big ones at once).
Boss-level figures Kangxi and Chen Jinnan's thighs, the author is really yy's luck in Wei Xiaobao), and the means and talent are second (Wei Xiaobao's means and talent are there, but his talent is insufficient and his personality defect is too great)
The author always publicizes Wei Xiaobao's strengths in major events. His talent and personality defects, together with comedy elements, will never screw up major events. He might as well fool Wei Xiaobao on trifles. Anyway, it's a small event, not a bad event). leather
Bao Xiao is doing well in the imperial court and Jianghu, but his conscience has not been greatly tested and struggled. When he had to choose between loyalty and justice, Wei Xiaobao fled to Totoku Island to hide, implemented the ostrich policy, and finally avoided this.
Open this unsolvable knot and let the protagonist remain anonymous.
In Duke of Lushan, the protagonist's mode of eating and rising by luck, talent and means has a great influence on the net text, and his stallion tendency and cool writing style also have a great influence on the net text.
Note: I said that most of the duke of mount deer's supporting roles are mediocre, mainly Jin Yong's jokes.
According to the standard, the novels created by first-class supporting actors such as Jiao Jiao, Tian Long and Yi Tian are vivid, while the duke of mount deer's supporting role can be said to be vivid, lifelike and well written.
Supporting role, but not necessarily very good, the duke of mount deer's supporting role is not typical enough, that is to say, the complex and three-dimensional variability of supporting character is not enough, and the contradictions and conflicts of human nature are not enough, and the supporting role can reach Yue Buqun and Lin Ping.
Yue Lingshan, A Zi, Mu Rongfu, Zhao Min, Zhou Zhiruo and Xie Xun. Barely one, the others are disgraceful by comparison.
"Eight Dragons" Label: Three Protagonists/Compassion/Destiny
One of Jin Yong's masterpieces, gentle and gentle.
It has rich cultural background, rich miscellaneous studies, bleak and gloomy style, calm narration, twists and turns by using the writing method of three protagonists, multi-thread and single shot, and is extremely good at telling stories and describing fights.
A Zi, Mrs. Ma, Tian, Mu, and other characters are very vivid and outstanding. Style, level, rhythm, structure, characters, plot, theme, etc. They are all good, and they are the most atmospheric and complicated works in Jin Yong's novels.
Almost every character in the book has his own obsession and tragic side. There is a kind of compassion, sympathy, pity, compassion and fraternity for all sentient beings in the world. The feeling of compassion is extremely heavy, and the works are very rare for positive figures, non-positive figures, the weak, the strong, the great heroes and the little people.
Among the three protagonists, Xiao Feng writes the best, while Duan Yu and Xu Zhu are not as good as Xiao Feng. The story of Duan Yu and Xu Zhu is too yy, and the process of Feng Xiaocheng becoming the king of the South Courtyard is too dramatic. The hero of the Central Plains and Akuta are in the same phase.
The plot to save Xiao Feng is too idealistic. Xiao Feng accidentally caught a Khitan while hunting in Changbai Mountain, and somehow became sworn with him. Who knows this person is the Liao emperor; Civil strife in Liao country, the rebels have a shoo-in, Xiao Feng alone.
Ma shot and killed a rebel leader and captured another leader alive. He made great contributions to counter-insurgency and neutrality and won the title of King of the Southern Courtyard. These are very dramatic and yy plots. In the end, Feng Xiao was arrested for resisting the southern expedition of the Liao emperor, so his two righteous brothers (Duan Yu
It is the emperor of Dali), the Jurchen nationality headed by Akuta in the Central Plains, etc. Many people risk their lives, and they are hot-headed (generally loyalty comes first, regardless of life and death and interests) and actually want to Liao.
Xiao Feng was saved by the national army, which is basically certain. If it weren't for the author's mercy, Duan Yu and Xu Zhu were captured alive in groups, so as to coerce them to conclude a covenant to retreat, those hot-headed groups.
It is strange that the bear is not dead.
In the new version, Wang Yuyan (Wang Yuyan is said to be the incarnation of the goddess that Jin Yong loved in his early years) became the granddaughter of Ding Chunqiu, greedy for immortality, and finally spent his life with the mad political madman Mu Rongfu, feeling a little ugly.
Tags of "Eternal Dragon Slayer": Chivalry Growth History/Chivalry/Forgiveness
The writing is mellow and skillful, and the description of the fighting scene is excellent. Typical chivalrous growth mode: an orphan whose parents died went through hardships and was able to practice supreme magic under the circumstance of coincidence. During this period, many beautiful women fell in love, and finally the wicked fell in love and lived in seclusion with beautiful women. Generally speaking, it is a very conventional and kitsch story (except Zhu Yuanzhang's usurpation) with a general theme.
The descriptions of characters are wonderful, such as Zhang Wuji, Zhao Min, Zhou Zhiruo, Xie Xun, Zhang Sanfeng and Zhu Yuanzhang. Zhang Wuji's emotional entanglements with several women are brilliantly written.
Jin Yong's novels are not true, but he made up for it with superb skills, telling the story vividly, making people ignore its falsehood and vulgarity, which is not easy.
The Condor Heroes Label: Love
Yang Guo, Huang Rong, Guo Fu, Guo Xiang, Li Mochou and Qiu Qianchi are all outstanding figures. The image of the little dragon girl is vivid, but her personality lacks development and change, and her human nature is not deep enough. Women who like Yang Guo,
For example, Cheng Ying, Lu Wushuang and Guo Xiang are all spinsters with unrequited love all their lives. Anyway, they fall in love with the protagonist and are lovable women. If the protagonist has another love, no one can move, and whoever moves is unlucky. This is the iron law of Jin Yong's novels (annoying women such as Guo Fu are not counted).
Yang Guo's little dragon girl's love is true, simple, clean, beautiful, pure, magical and absolute, and there is almost no human fireworks. Both men and women fell in love with each other until the sky fell apart, and they were ready to taste difficulties and obstacles, and they were blessed by the god of luck and died.
In the end, the two of them broke away from the shackles of the world and everything will be fine. The love between two people is grandstanding, just like the bubble of a beautiful dream, lacking a realistic foundation. Of course, the public likes to watch it.
A vulgar and illusory love.
Condor Heroes Label: The Growth of Heroes/Orphans
I think this novel reflects its significance in the history of martial arts literature, but its artistic value is relatively average. The characters are distinct and simple, lacking complexity and dimensionality, and the story now looks quite normal and boring.
The literariness of works can stand the test, and the significance of literary history will decrease with time. The famous archery sculpture is probably because he is Jin Yong.
Famous books are of pioneering significance. The characters in "Shooting Sculpture" are distinctive in personality, full of fun, and the plot is vivid and simple. The adapted film and television plays are very popular. When it comes to the complex three-dimensional characterization of the work, the plot is novel and interesting, which is related to characterization.
Compared with Jin Yong's other masterpieces, his social criticism and the depth of human nature, the revelation and exploration of life philosophy, the deep revelation of characters' psychology, and the psychological and emotional connotations such as emotional loudness and appeal are far behind.
"Liancheng Tactics" Label: Dark Department/Revenge
The writing style is plain and simple, the style is bleak and gloomy, and the tone is heavy and sad. The concept is borrowed from The Count of Monte Cristo. Plot mode is unique in Jin Yong's novels. It describes the viciousness of rivers and lakes, the evil of human heart and the distortion of human nature. The protagonist was abused all the way, and there was no fame or fortune. However, in the end, after suffering, he achieved peerless martial arts by chance. The bad guys kill each other in front of Dabao, and the hero and heroine retire from the world. This is a good theme and idea, but it is disappointing to arrange such a scribbled and distorted ending.
Being both dark martial arts, the protagonist of Wen Ruian's Xia Shao finally fell off a cliff and died. The bad guy laughs last, which is more shocking and more real than Liancheng. Moonless Indus is far deeper and wider than Liancheng Tactics, and it is the best martial art in the dark department.
"Chivalry" Label: Anti-intelligence
The story is not bad.
The protagonist Shi, born with childlike innocence, has a stupid blessing and is extremely lucky, telling everyone that good people are rewarded. The work has a strong Buddhist thought.
Legend of Flying Fox Label: Eliminating Violence for Good
This battle is wonderful.
Stick to your principles and stand your ground. What a knight can do is very pure and narrow.
Cheng Lingsu, an infatuated woman, has been paying unilaterally without regrets until her death. This love is so great that all men want a Cheng Lingsu.
Compared with Jin Yong's other novels, there is nothing to say.
Flying Fox Label on Snow Mountain: Multi-viewpoint Narrative Technique/Jin Yong's Rashomon
Draw lessons from the narrative technique of the film Rashomon (the film Rashomon is adapted from Akutagawa's novel In the Bamboo Forest or translated into Xiao's Bamboo Forest, telling the same event from the perspective of multiple characters). The structure is ingenious, a story is told by several different people, and the narrative perspective is constantly changing, but the stories are seamlessly connected. Different people have different views on one thing and different positions. People's subjective statements often become unreliable lies, and there is no absolute truth to be restored in the narrative.
Misunderstanding is abused, and the misunderstanding can be solved by explanation. The author just doesn't give the characters a chance to say it, which leads to a major tragedy. Such as Miao Renfeng's misunderstanding of peace, Miao, Fan and Tian's misunderstanding of Hu Weiwei, Miao, Fan and Tian's descendants' mutual misunderstanding and revenge. The whole story is basically driven by a series of misunderstandings.
The flying fox at the end of the snowy mountain is a typical unsolvable dilemma (although this dilemma is caused by misunderstanding, which makes people speechless), but Jin Yong stopped writing, and his works lacked the courage to face the unsolvable dilemma of life.
Sword stained with royal blood.
Jin Yong's second book. The protagonist Yuan Chengzhi is mediocre and thin, and the supporting role "Lang Jun the Golden Snake" (which can be said to be the protagonist of the dark line) is better than the protagonist. The overall evaluation is average.
Books and swords
Scholars are easily confused, but they are useless. The least popular actor.
Jin Yong's first book is generally not highly rated and interesting to read, so it is not recommended.
The Label of White Horse Whistling in the West Wind: Female Perspective/Unrequited Love/Sentimentality/Novelette
"If you love someone deeply, but you love another person deeply, what can you do?"
"These are all very good, but I just don't like them."
This is not a good and wishful unrequited love story. In Jin Yong's novels, it is barely visible.
"Yuanyang Road" label: comedy color/short story
The characters are thin, and the story is an old-fashioned treasure-winning model, almost a funny book. The secret of the ending is this: two knives, the blade is engraved with "benevolence" and the blade is engraved with the word "invincible". One of the secrets of world invincibility is that benevolent people are invincible. This embarrassing ending is like a child's play. I think it's Jin Yong's worst book, so I don't recommend reading it.
The Sword of Yue Nv Label: Heroine/Short Story
A short story of more than ten thousand words. A Qing, a shepherd girl like the sword god, fell in love with only love, was impressed by her beauty and gave up when she was assassinated.
Love is self-knowledge and self-retreat that can't be begged and put down.
The story is bland and unsatisfactory, so you don't have to read it.
Ps: My favorite martial arts short story is Mo's Spring Water, which is eloquent and full of charm.
Flying snow pats the White Deer Plain, and the smiling scholar leans against the Garden Temple. Fourteen works of Jin Yong have all been evaluated.
One of the long comments of characters: Teenagers step by step to the place where there is no light —— A record of Wang Tianyi's Moonless Indus.
The second theory of character length: the instinct of life and death, the spiral of contradiction —— Huang Er in Xinghai
Attached are two fine dragon crystal stickers:
Recreate the list of people in heaven and earth: my online push list (50,000 words)
Private b-list for patients with severe wenqing (private version of classic entry-level list, 40,000 words, first bullet)
All our essence posts in dragon day.