The Journey to the West mainly describes the story of Tang Priest, the Monkey King, Zhu Bajie and Sha Wujing who went to the West to learn Buddhist scriptures and experienced eighty-one difficulties. It is a true story in history that Tang Priest learned the scriptures. About 1300 years ago, in the first year of Zhenguan of Emperor Taizong (627), Xuanzang, a 25-year-old young monk, left the capital Chang 'an and went to Tianzhu (India) to study alone. After starting from Chang 'an, he passed through Central Asia, Afghanistan, Pakistan and finally arrived in India. He studied there for more than two years and gave a speech at a large-scale debate on Buddhist classics, which was well received. In the 19th year of Zhenguan (645), Xuanzang returned to Chang 'an and brought back 657 Buddhist scriptures. He traveled to Wan Li in 19 before and after this Buddhist pilgrimage, which was a legendary Long March and made a sensation. Later, Xuanzang dictated what he had learned about his journey to the West, which was compiled by his disciples into a 12 volume of "Records of the Western Regions of Datang". But this book is mainly about the history, geography and transportation of countries seen on the road, and there is no story. As for "Datang The biography of Master Sanzang" written by his disciples Huihe and Yan Cong, it adds a lot of myths to Xuanzang's experience. Since then, the story of Tang Priest's Buddhist scriptures has been widely circulated among the people. Journey to the West mainly describes the Monkey King's story of protecting Tang Priest's Buddhist scriptures in the West and going through 81 difficulties. It is a true story in history that Tang Priest learned the scriptures. About 1300 years ago, in the first year of Zhenguan of Emperor Taizong (627), Xuanzang, a 25-year-old young monk, left the capital Chang 'an and went to Tianzhu (India) to study alone. After starting from Chang 'an, he passed through Central Asia, Afghanistan, Pakistan and finally arrived in India. He studied there for more than two years and gave a speech at a large-scale debate on Buddhist classics, which was well received. In the 19th year of Zhenguan (645), Xuanzang returned to Chang 'an and brought back 657 Buddhist scriptures. He traveled to Wan Li in 19 before and after this Buddhist pilgrimage, which was a legendary Long March and made a sensation. Later, Xuanzang dictated what he had learned about his journey to the West, which was compiled by his disciples into a 12 volume of "Records of the Western Regions of Datang". But this book is mainly about the history, geography and transportation of countries seen on the road, and there is no story. As for "Datang The biography of Master Sanzang" written by his disciples Huihe and Yan Cong, it adds a lot of myths to Xuanzang's experience. Since then, the story of Tang Priest's Buddhist scriptures has been widely circulated among the people. There were poems by three monks in the Tang Dynasty in the Southern Song Dynasty, Tang Sanzang and Pan in the Jin Dynasty, Tang Sanzang's "Learning from the Western Heaven" in Wu Changling, and "Great Sage" in the Fifth Ming Dynasty, all of which laid the foundation for The Journey to the West's creation. It is also on the basis of folklore, scripts and operas that Wu Cheng'en completed this great literary masterpiece that the Chinese nation is proud of through hard re-creation. Wu Cheng'en, like a Chinese character, was born in Yangshan, Huai 'an Prefecture (now Huai 'an City, Jiangsu Province). Born in the 13th year of Hongzhi in Ming Dynasty to the early year of Zheng Dechu (1500— 15 10), died in the 10th year of Wanli (1582). Wu Cheng'en's great-grandfather and grandfather were both scholars, and both served as lecturers and lecturers in county schools. But in his father's generation, due to his poor family, the Xu family became redundant. "So he attacked the Xu family and became the boss" and became a small businessman. Nevertheless, the Wu family has not lost the tradition of reading. It is said that although his father Wu Rui is a businessman, he is not only decent, but also good at reading and talking about current affairs, which naturally has a great influence on Wu Cheng'en. Wu Cheng'en was very clever since he was a child, and he entered school very early. He was very successful as a teenager and was famous in his village. Volume 16 of The Apocalypse of Huai 'an Prefecture said that Wu Cheng'en was "quick and wise, and learned a lot of books, whether poetry or prose." However, Wu Cheng'en, as an adult, encountered many setbacks on the road to the imperial examination. He didn't make up for one-year-old Gong Sheng until he was in his forties. In his fifties, he worked as a county magistrate in Changxing, Zhejiang Province, and later as a king's residence, Jishan. This is a sinecure, with the same level as the county magistrate. Wu Cheng'en created The Journey to the West after middle age, or was considered to have done it in his later years. The exact time cannot be determined. Besides The Journey to the West, he also wrote long poems "Song of Jiro Seeking Mountains" and "In Zhi Ding". Sheyang Survival Draft consists of four volumes, including one volume of poetry and three volumes of prose, which were edited by Du Qiu after Wu Cheng'en's death. The complete works of Journey to the West have one hundred chapters, which can be divided into three parts from the big structure. The first time to the eighth time is the first part, mainly about the birth of the Monkey King, his apprentice, who made a scene in heaven. This is the most wonderful chapter in the book, very vivid. The Monkey King had a good meal in heaven and earth, which showed his rebellious character to the fullest. Chapters 8 to 12 are the second part, mainly describing the origin of Tang Priest and the reasons for learning from the scriptures. The thirteenth to the last time is the third part, mainly about Tang Priest's Buddhist scriptures. On the way, I received three apprentices, the Monkey King, Pig Bajie and Friar Sand. After eighty-one difficulties, I finally got the true scripture and got the right result. Journey to the West shows people a colorful world of ghosts and gods, and people are all amazed by the author's rich and bold artistic imagination. However, any literary work is a reflection of a certain social life, and The Journey to the West, as an outstanding representative of ghost novels, is no exception. As Lu Xun pointed out in A Brief History of China's Novels, The Journey to the West "satirized and mocked the world at that time and described it in an extravagant way". He also said: "The author's nature is to restore a beautiful and humorous drama, so although he said something sudden, he also said something confusing, which made all gods and demons have a human touch and sophisticated." That's true. Through the illusory world of ghosts and gods in The Journey to the West, the projection of real society can be seen everywhere. For example, in shaping the image of the Monkey King, the author's ideal is entrusted. The Monkey King's indomitable spirit of struggle and fearless spirit of sweeping away all monsters and ghosts reflect the wishes and demands of the people. He represents the power of justice and shows the people's belief in overcoming all difficulties. Another example is the monsters encountered on the way to the scriptures, or the illusion of natural disasters, or the symbol of evil forces. Their greed, ferocity, insidious and cunning are also the characteristics of the dark forces in feudal society. Not only that, the Heavenly Palace ruled by the Jade Emperor and the Western Heaven under the jurisdiction of the Buddha have also been heavily painted with the color of human society. The author's attitude towards the supreme ruler of feudal society is also quite interesting. In Journey to the West, there is no competent emperor at all. As for the incompetent Jade Emperor, the King of Guo who loves monsters, and the King of monks who want to use childlike innocence as medicine, they are either bad kings or tyrants. The portrayal of these images, even if handy, is of great practical significance. The Journey to the West not only has profound ideological content, but also has made great achievements in art. With rich and peculiar artistic imagination, vivid and tortuous story, vivid characters and humorous language, he has built a unique art palace in The Journey to the West. But I think the greatest artistic achievement of Journey to the West is that he successfully created two immortal artistic images, the Monkey King and Zhu Bajie. The Monkey King is the first hero in the Journey to the West and a great hero. He has unlimited skills, fearlessness and indomitable spirit of resistance. He has the extraordinary bearing of a great hero, but he also has the disadvantage of listening to compliments. He is witty, brave and humorous. And his biggest feature is that he dares to fight. Dare to fight with the supreme jade emperor, and have the reputation of "Monkey King"; If you dare to hit a monster, you will never let go of a monster and show no mercy to the monster under the golden hoop; Dare to fight against all difficulties, never flinch or bow. This is the Monkey King, a dazzling mythical hero. When it comes to Pig Bajie, his skill is far worse than that of the Monkey King, not to mention his brilliant and tall figure, but this image is also well portrayed. Pig Bajie is a cartoon character. He is honest, powerful and dare to play demons. He is the Monkey King's first right-hand man. But his mind is full of problems, delicious and delicious, taking advantage of small things, liking women and being afraid of difficulties. He often gives in, always thinking of Gao Laozhuang's daughter-in-law. He likes to lie sometimes, but he is all thumbs. From time to time, he provoked the Tang Priest to recite a spell, which made the Monkey King suffer. He even hid some private money in his ear. He has many problems, which is a bad habit of small private owners. The author's criticism of Zhu Bajie's shortcomings is severe, but it is also kind. He is not a denied figure, so people don't hate Pig, but think it is real and cute. The image of Tang Priest is well written, but it is much worse than that of the Monkey King Pig Bajie. Friar Sand lacks distinctive personality characteristics, which is the shortcoming of Journey to the West. Nevertheless, The Journey to the West's artistic achievements are still amazing. The Monkey King and Zhu Bajie, two images, with their distinctive personality characteristics, have established an immortal artistic monument in the history of China literature.

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As a "masterpiece", Water Margin will be read by people in China. But after sketching out the deeds of those heroes in the water margin, resisting oppression and killing people is not counted. Open a black shop to harm people with ecstasy and make barbecued pork buns-the owners of four hotels in Zhang Qing, Sun Erniang and Liangshan have all done it; Forced the citizens to revolt, Lu Junyi got a good job in Beijing, and Wu Yong wrote a Tibetan poem. The hero sitting in the second place was superstitious and stupid, so he embarked on the road of thieves. Li Kui jy, this guy is a cold-blooded killer with no humanity. Jeikiy takes care of the children. In order to get Zhu Tong on board, he just split the head of a child like Yu Zhuo in half. Qin Ming had the Force, and in order to get him on board, he ordered people to dress up as him and kill innocent people. What kind of hero is this?

Liangshan heroes are all junior members of the underworld. Their greatest wish is just to go along with the upper underworld. There is no essential difference between them and there is no hostility. Just the gap between pot calling the kettle black. As our time, Zhu Tong asked the prisoner for a card. Except our own people (underworld gangs). Do the same thing for the people. After Gao Qiu was caught by them, there was no such thing as "doing justice for heaven". Liang Shanbo gave this senior member of the underworld who was the enemy from beginning to end a lofty courtesy. The adaptation of TV series beautified the image of Lin Chong of Liang Shanbo. Lin Chong has no dissatisfaction with his enemies. But after all, he is not a respectable person. Learning is much worse than Gao Qiu and others. Wu Yong once asked Jin Dajian and Xiao Jean to forge Cai Jing's documents to save Song Jiang's life. As a result, Huang Wenbing found out, and the original text said, "A surname is a pedant. How can he use the wrong seal?" . Song Jiang went to Shishi, the capital of Li See, and when he was drunk, he released the means of water margin with his fist. Yan Qing is a little embarrassed, saying that he is like this. It can be seen that the character is vulgar, the officials in the Song Dynasty have a relatively high level of education, and Song Jiang's talent is only worthy of being a knife and pen official. You know, Li Shishi is no ordinary fireworks woman. I admire her very much. Song Huizong is also a romantic genius, and his Thin Book of Gold is famous all over the world. Li Shishi is also in contact with a great writer like Zhou Bangyan. In order to become a slave, Liang Shanbo seems to try his best to knock the wooden bell of the brothel. A group of pathetic little people.

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Ironically, Britain was characterized by "greed, partisanship, hypocrisy, dishonesty, cruelty, anger, madness, resentment, jealousy, lust, sinister and ambition." He satirically described the grotesque phenomenon of the inversion of man and beast: the horse became the carrier of reason, while man became a dirty, smelly, greedy and difficult inferior animal (yahoo, not Yahoo). When he talks about human nature, he is willing to be enslaved by money, either extravagant or insatiable. After reading Gulliver's Travels, we can't help but look at ourselves. Do we have the shadow of these stubborn diseases?

The Journey to the West mainly describes the story of Tang Priest, the Monkey King, Zhu Bajie and Sha Wujing who went to the West to learn Buddhist scriptures and experienced eighty-one difficulties. It is a true story in history that Tang Priest learned the scriptures. About 1300 years ago, in the first year of Zhenguan of Emperor Taizong (627), Xuanzang, a 25-year-old young monk, left the capital Chang 'an and went to Tianzhu (India) to study alone. After starting from Chang 'an, he passed through Central Asia, Afghanistan, Pakistan and finally arrived in India. He studied there for more than two years and gave a speech at a large-scale debate on Buddhist classics, which was well received. In the 19th year of Zhenguan (645), Xuanzang returned to Chang 'an and brought back 657 Buddhist scriptures. He traveled to Wan Li in 19 before and after this Buddhist pilgrimage, which was a legendary Long March and made a sensation. Later, Xuanzang dictated what he had learned about his journey to the West, which was compiled by his disciples into a 12 volume of "Records of the Western Regions of Datang". But this book is mainly about the history, geography and transportation of countries seen on the road, and there is no story. As for "Datang The biography of Master Sanzang" written by his disciples Huihe and Yan Cong, it adds a lot of myths to Xuanzang's experience. Since then, the story of Tang Priest's Buddhist scriptures has been widely circulated among the people. Journey to the West mainly describes the Monkey King's story of protecting Tang Priest's Buddhist scriptures in the West and going through 81 difficulties. It is a true story in history that Tang Priest learned the scriptures. About 1300 years ago, in the first year of Zhenguan of Emperor Taizong (627), Xuanzang, a 25-year-old young monk, left the capital Chang 'an and went to Tianzhu (India) to study alone. After starting from Chang 'an, he passed through Central Asia, Afghanistan, Pakistan and finally arrived in India. He studied there for more than two years and gave a speech at a large-scale debate on Buddhist classics, which was well received. In the 19th year of Zhenguan (645), Xuanzang returned to Chang 'an and brought back 657 Buddhist scriptures. He traveled to Wan Li in 19 before and after this Buddhist pilgrimage, which was a legendary Long March and made a sensation. Later, Xuanzang dictated what he had learned about his journey to the West, which was compiled by his disciples into a 12 volume of "Records of the Western Regions of Datang". But this book is mainly about the history, geography and transportation of countries seen on the road, and there is no story. As for "Datang The biography of Master Sanzang" written by his disciples Huihe and Yan Cong, it adds a lot of myths to Xuanzang's experience. Since then, the story of Tang Priest's Buddhist scriptures has been widely circulated among the people. There were poems by three monks in the Tang Dynasty in the Southern Song Dynasty, Tang Sanzang and Pan in the Jin Dynasty, Tang Sanzang's "Learning from the Western Heaven" in Wu Changling, and "Great Sage" in the Fifth Ming Dynasty, all of which laid the foundation for The Journey to the West's creation. It is also on the basis of folklore, scripts and operas that Wu Cheng'en completed this great literary masterpiece that the Chinese nation is proud of through hard re-creation. Wu Cheng'en, like a Chinese character, was born in Yangshan, Huai 'an Prefecture (now Huai 'an City, Jiangsu Province). Born in the 13th year of Hongzhi in Ming Dynasty to the early year of Zheng Dechu (1500— 15 10), died in the 10th year of Wanli (1582). Wu Cheng'en's great-grandfather and grandfather were both scholars, and both served as lecturers and lecturers in county schools. But in his father's generation, due to his poor family, the Xu family became redundant. "So he attacked the Xu family and became the boss" and became a small businessman. Nevertheless, the Wu family has not lost the tradition of reading. It is said that although his father Wu Rui is a businessman, he is not only decent, but also good at reading and talking about current affairs, which naturally has a great influence on Wu Cheng'en. Wu Cheng'en was very clever since he was a child, and he entered school very early. He was very successful as a teenager and was famous in his village. Volume 16 of The Apocalypse of Huai 'an Prefecture said that Wu Cheng'en was "quick and wise, and learned a lot of books, whether poetry or prose." However, Wu Cheng'en, as an adult, encountered many setbacks on the road to the imperial examination. He didn't make up for one-year-old Gong Sheng until he was in his forties. In his fifties, he worked as a county magistrate in Changxing, Zhejiang Province, and later as a king's residence, Jishan. This is a sinecure, with the same level as the county magistrate. Wu Cheng'en created The Journey to the West after middle age, or was considered to have done it in his later years. The exact time cannot be determined. Besides The Journey to the West, he also wrote long poems "Song of Jiro Seeking Mountains" and "In Zhi Ding". Sheyang Survival Draft consists of four volumes, including one volume of poetry and three volumes of prose, which were edited by Du Qiu after Wu Cheng'en's death. The complete works of Journey to the West have one hundred chapters, which can be divided into three parts from the big structure. The first time to the eighth time is the first part, mainly about the birth of the Monkey King, his apprentice, who made a scene in heaven. This is the most wonderful chapter in the book, very vivid. The Monkey King had a good meal in heaven and earth, which showed his rebellious character to the fullest. Chapters 8 to 12 are the second part, mainly describing the origin of Tang Priest and the reasons for learning from the scriptures. The thirteenth to the last time is the third part, mainly about Tang Priest's Buddhist scriptures. On the way, I received three apprentices, the Monkey King, Pig Bajie and Friar Sand. After eighty-one difficulties, I finally got the true scripture and got the right result. Journey to the West shows people a colorful world of ghosts and gods, and people are all amazed by the author's rich and bold artistic imagination. However, any literary work is a reflection of a certain social life, and The Journey to the West, as an outstanding representative of ghost novels, is no exception. As Lu Xun pointed out in A Brief History of China's Novels, The Journey to the West "satirized and mocked the world at that time and described it in an extravagant way". He also said: "The author's nature is to restore a beautiful and humorous drama, so although he said something sudden, he also said something confusing, which made all gods and demons have a human touch and sophisticated." That's true. Through the illusory world of ghosts and gods in The Journey to the West, the projection of real society can be seen everywhere. For example, in shaping the image of the Monkey King, the author's ideal is entrusted. The Monkey King's indomitable spirit of struggle and fearless spirit of sweeping away all monsters and ghosts reflect the wishes and demands of the people. He represents the power of justice and shows the people's belief in overcoming all difficulties. Another example is the monsters encountered on the way to the scriptures, or the illusion of natural disasters, or the symbol of evil forces. Their greed, ferocity, insidious and cunning are also the characteristics of the dark forces in feudal society. Not only that, the Heavenly Palace ruled by the Jade Emperor and the Western Heaven under the jurisdiction of the Buddha have also been heavily painted with the color of human society. The author's attitude towards the supreme ruler of feudal society is also quite interesting. In Journey to the West, there is no competent emperor at all. As for the incompetent Jade Emperor, the King of Guo who loves monsters, and the King of monks who want to use childlike innocence as medicine, they are either bad kings or tyrants. The portrayal of these images, even if handy, is of great practical significance. The Journey to the West not only has profound ideological content, but also has made great achievements in art. With rich and peculiar artistic imagination, vivid and tortuous story, vivid characters and humorous language, he has built a unique art palace in The Journey to the West. But I think the greatest artistic achievement of Journey to the West is that he successfully created two immortal artistic images, the Monkey King and Zhu Bajie. The Monkey King is the first hero in the Journey to the West and a great hero. He has unlimited skills, fearlessness and indomitable spirit of resistance. He has the extraordinary bearing of a great hero, but he also has the disadvantage of listening to compliments. He is witty, brave and humorous. And his biggest feature is that he dares to fight. Dare to fight with the supreme jade emperor, and have the reputation of "Monkey King"; If you dare to hit a monster, you will never let go of a monster and show no mercy to the monster under the golden hoop; Dare to fight against all difficulties, never flinch or bow. This is the Monkey King, a dazzling mythical hero. When it comes to Pig Bajie, his skill is far worse than that of the Monkey King, not to mention his brilliant and tall figure, but this image is also well portrayed. Pig Bajie is a cartoon character. He is honest, powerful and dare to play demons. He is the Monkey King's first right-hand man. But his mind is full of problems, delicious and delicious, taking advantage of small things, liking women and being afraid of difficulties. He often gives in, always thinking of Gao Laozhuang's daughter-in-law. He likes to lie sometimes, but he is all thumbs. From time to time, he provoked the Tang Priest to recite a spell, which made the Monkey King suffer. He even hid some private money in his ear. He has many problems, which is a bad habit of small private owners. The author's criticism of Zhu Bajie's shortcomings is severe, but it is also kind. He is not a denied figure, so people don't hate Pig, but think it is real and cute. The image of Tang Priest is well written, but it is much worse than that of the Monkey King Pig Bajie. Friar Sand lacks distinctive personality characteristics, which is the shortcoming of Journey to the West. Nevertheless, The Journey to the West's artistic achievements are still amazing. The Monkey King and Zhu Bajie, two images, with their distinctive personality characteristics, have established an immortal artistic monument in the history of China literature.

-

As a "masterpiece", Water Margin will be read by people in China. But after sketching out the deeds of those heroes in the water margin, resisting oppression and killing people is not counted. Open a black shop to harm people with ecstasy and make barbecued pork buns-the owners of four hotels in Zhang Qing, Sun Erniang and Liangshan have all done it; Forced the citizens to revolt, Lu Junyi got a good job in Beijing, and Wu Yong wrote a Tibetan poem. The hero sitting in the second place was superstitious and stupid, so he embarked on the road of thieves. Li Kui jy, this guy is a cold-blooded killer with no humanity. Jeikiy takes care of the children. In order to get Zhu Tong on board, he just split the head of a child like Yu Zhuo in half. Qin Ming had the Force, and in order to get him on board, he ordered people to dress up as him and kill innocent people. What kind of hero is this?

Liangshan heroes are all junior members of the underworld. Their greatest wish is just to go along with the upper underworld. There is no essential difference between them and there is no hostility. Just the gap between pot calling the kettle black. As our time, Zhu Tong asked the prisoner for a card. Except our own people (underworld gangs). Do the same thing for the people. After Gao Qiu was caught by them, there was no such thing as "doing justice for heaven". Liang Shanbo gave this senior member of the underworld who was the enemy from beginning to end a lofty courtesy. The adaptation of TV series beautified the image of Lin Chong of Liang Shanbo. Lin Chong has no dissatisfaction with his enemies. But after all, he is not a respectable person. Learning is much worse than Gao Qiu and others. Wu Yong once asked Jin Dajian and Xiao Jean to forge Cai Jing's documents to save Song Jiang's life. As a result, Huang Wenbing found out, and the original text said, "A surname is a pedant. How can he use the wrong seal?" . Song Jiang went to Shishi, the capital of Li See, and when he was drunk, he released the means of water margin with his fist. Yan Qing is a little embarrassed, saying that he is like this. It can be seen that the character is vulgar, the officials in the Song Dynasty have a relatively high level of education, and Song Jiang's talent is only worthy of being a knife and pen official. You know, Li Shishi is no ordinary fireworks woman. I admire her very much. Song Huizong is also a romantic genius, and his Thin Book of Gold is famous all over the world. Li Shishi is also in contact with a great writer like Zhou Bangyan. In order to become a slave, Liang Shanbo seems to try his best to knock the wooden bell of the brothel. A group of pathetic little people.

-

Ironically, Britain was characterized by "greed, partisanship, hypocrisy, dishonesty, cruelty, anger, madness, resentment, jealousy, lust, sinister and ambition." He satirically described the grotesque phenomenon of the inversion of man and beast: the horse became the carrier of reason, while man became a dirty, smelly, greedy and difficult inferior animal (yahoo, not Yahoo). When he talks about human nature, he is willing to be enslaved by money, either extravagant or insatiable. After reading Gulliver's Travels, we can't help but look at ourselves. Do we have the shadow of these stubborn diseases?